Organization founded in New York in 1966 as the American Society of University Composers by Donald Martino, J.K. Randall, Claudio Spies, Henry Weinberg, Peter Westergaard, Charles Wuorinen, and Benjamin Boretz. Its mission was to further the cause of contemporary American music by providing opportunities for performing, recording, and publishing compositions by its members. In ...
Christopher E. Mehrens
John Barnes, Charles Beare and Laurence Libin
Faking musical instruments can involve such acts as creating an entirely new deceptive object, rebuilding an instrument with intent to deceive, conflating parts from different sources to form an instrument with a fictitious history, or forging an inscription on an instrument (and producing false documentation) in order to associate it with an advantageous name or period. A successful faker needs to know what customers want and the extent of their historical knowledge. Fakes can thus shed light on those who were deceived as well as on those responsible for deception. Partly to discourage misrepresentation, during the Middle Ages European trade guilds began to register makers’ marks and require their use on products; bells were perhaps the first instruments to bear such identification. Despite continuing efforts to suppress the practice, and improving methods of detection, faking and forgery, especially of valuable instruments sought by collectors as investments, continue to flourish....
Dominique-René de Lerma
Organization founded in 1919 in Chicago to promote interest in African American music. Earlier efforts to found such an organization had been made by Clarence Cameron White in 1916 and R. Nathaniel Dett in 1918, both of whom participated in the first convention of the association and served as president during the 1920s. Governed by a board of directors and elected officers, the organization has met annually in various cities during the summer for workshops, concerts, recitals, panel discussions, business meetings, and youth concerts. Its numerous regional branches have sponsored other activities throughout the year. Among the recipients of national awards and special tributes early in their careers have been Hazel Harrison, Marian Anderson, Julia Perry, Arthur LaBrew, Grace Bumbry, Leon Bates, and Awadagin Pratt....
John Shepard and Michael Mauskapf
Organization founded in 1930 “to train American orchestra musicians in orchestral techniques and repertoire, providing them with the necessary experience and level of expertise to enter professional orchestra careers.” Originally called the American Orchestral Society and later reorganized by Mary Flagler Cary, Franklin Robinson, and Léon Barzin, the Association gave its first concert at Carnegie Hall on ...
Timothy M. Crain
Performing rights organization. It represents songwriters and publishers and their right to be compensated for having their music performed in public. With headquarters in Nashville and offices in New York, Los Angeles, Atlanta, Miami, and London, it is the smallest of the main Performing rights societies...
Aja Burrell Wood
National nonprofit organization founded in 1996 by University of Michigan graduates Aaron P(aul) Dworkin and Carrie Chester. Dworkin and Chester sought to increase cultural diversity in the field of classical music and simultaneously overcome cultural stereotypes. The mission of the organization is, first, to increase the participation of blacks and Latinos as students in music schools, as professional musicians, and as classical music audiences; and second, to administer youth development initiatives in underserved communities through music education and by providing high-quality musical instruments....
The first Serbian choral society in Serbia proper, founded in 1853 as the Belgrade Choral Society (Beogradsko pevačko društvo, henceforth BCS), renamed in 1929 as the First BCS. Working under the auspices of the royal family Obrenović, it was originally a male choir, later a mixed choir, and included a music school. Due to the lack of choir compositions in the Serbian language during the first years of BCS’s work, with Milan Milovuk, the repertoire was based on songs by German, Czech, Russian, and Hungarian composers. The national orientation, resulting in arrangements and stylizations of folk melodies and other compositions, was encouraged by Stevan Todorović, at various times a board member or the president and the main ideologist of the choral society, especially during the engagement of the most prominent Serbian composers as conductors, including ...
Organization founded in 1987 to promote the performance, composition, study, and appreciation of new music. Based in the College of Musical Arts of Bowling Green State University in Ohio, MACCM (
Music studio and composer’s collective. It was established in San Francisco in 1961 by Ramon Sender and Pauline Oliveros, and was soon joined by Morton Subotnick. Its first location was on Jones Street, but after the building accidentally burned down, the center relocated to a large building on Divisadero Street. It was not only the first electronic music studio on the West Coast but also became a hub of artistic activities and technological research. In addition to offering light shows designed by Anthony Martin, it hosted many composers, poets and artists, and programmed various concerts: the Sonics series, regular programming featuring avant-garde music from the Americas, Asia, and Europe, the three Tudorfest festivals, and other events. This is where in ...
The Society for Asian Music (SAM) was formed in 1959–60 in close association with the Asia Society. Prominent among its organizers were Paul Sherbert (president of the Asia Society), Willard Rhodes, professor of music at Columbia University (chairman of the board of SAM), and Henry Cowell, composer (president of SAM). At the society’s first public meeting, on ...