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Ian Mikyska

Czech string quartet, founded 1999. Its line-up has remained constant since its foundation: David Pokorný and Vladimír Klánský on violins, Vladimír Kroupa on viola, and Vít Petrášek on cello. Although classical repertoire remains central to their professional lives, the Epoque Quartet is remarkable for the breadth and professionalism of its ‘crossover’ work. The quartet has performed with the leading artists of Czech popular music, arranged world music from various traditions (most recently with the clarinettist Irvin Venyš for their CD ...

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Ian Mikyska

(b Kyjov, 15 June 1981).Czech clarinetist. Studied at the Brno Conservatory with Břetislav Winkler and at the Academy of Performing Arts in Prague (AMU) with Jiří Hlaváč and Vlastimil Mareš, where he completed his PhD dissertation on the topic of the clarinet concerto repertoire in the 20th century. He also spent an important year with Michel Arrignon at the Paris Conservatoire....

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Term for an electric guitar of a type commonly used since the 1930s for jazz performance, exemplified by Gibson L5 and similar models. Typically it is an archtop hollow-body instrument of large dimensions (especially depth), with elongated f-holes, steel strings fastened to a tailpiece rather than to the floating bridge, and one or two magnetic or piezo-electric pickups. Some types are solid-bodied. Paired tone and volume controls and a pickup selector switch are normally mounted on the top, and the upper treble bout is often cut away to facilitate fingering in high positions....

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W. Anthony Sheppard

(b Sacramento, CA, Nov 11, 1922; d San Dimas, CA, April 17, 2002). American Jazz and film music arranger, composer, and band leader. Shindo grew up in the Little Tokyo district of Los Angeles where he heard traditional Japanese music. In his teens, he became interested in jazz but planned to pursue a career in electrical engineering. As a second generation (...

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Megan E. Hill

(b Louisiana, MO, Nov 27, 1904; d Chicago, IL, April 25, 1962). American violinist. He began studying the violin as a child and later graduated from Chicago’s College of Music. It is said that with his technical skill and strong background in classical violin South likely would have pursued a career in classical music had such an opportunity been available to African American players at the time. Instead he turned to vaudeville and jazz....

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Michael C. Heller

(b Cardiff, UK, Jan 8, 1948). British jazz journalist and historian. He studied music theory and clarinet at the Welsh College of Music and Drama (1967–71), followed by ten years leading a jazz-rock band under the stage name Nick Stewart. In the early 1980s he began writing on jazz for various magazines and newspapers in the UK. Since then his pieces have appeared in a range of publications in Europe and the United States, including ...

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Megan E. Hill

(b Osaka, Japan, 1957). Jazz and blues pianist, singer, and composer of Japanese birth. She took piano lessons briefly as a child and was exposed to the blues while growing up in Osaka in the 1960s and 1970s. As a high school student, she formed the Yoko Blues Band with classmates. The band earned some success, winning first prize and a recording contract in a television-sponsored contest. In ...

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Alex Harris Stein

(b Pittsburgh, PA, Jan 29, 1915; d Paterson, NJ, March 18, 1995). American writer on jazz, record producer, and folklorist. He coedited one of the first scholarly books on jazz with Charles Edward Smith, Jazzmen: the Story of Hot Jazz Told in the Lives of the Men who Created It...

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Ruth E. Rosenberg

(b Laredo, TX, Oct 30, 1951). American conguero, Latin jazz bandleader, and singer. While growing up in a Mexican American family in Los Angeles, he was exposed to Afro Cuban music as well as jazz, especially bebop and hard bop. He first performed as a ...

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Jonas Westover

(b Boston, MA, May 10, 1937). American music critic, publicist, and editor. Solomon is best known for her contributions to the Village Voice, but has also written for Down Beat, Country Music, Hit Parader, the News World, and Us. She was one of the first women involved in popular music criticism; her work focused on folk music of the 1960s, jazz, blues, rock, and country music. Solomon’s column in the ...