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Alan Tyson and Leon Plantinga

(b Rome, Jan 23, 1752; d Evesham, Worcs., March 10, 1832). English composer, keyboard player and teacher, music publisher and piano manufacturer of Italian birth.

The oldest of seven children of Nicolo Clementi (1720–89), a silversmith, and Magdalena, née Kaiser, Clementi began studies in music in Rome at a very early age; his teachers were Antonio Boroni (...

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Horace Fitzpatrick and Thomas Hiebert

(b Würzburg, March 13, 1767; d Paris, June 19, 1844). German horn player, composer and teacher, active in France. Son of the Hungarian-born principal horn at the Würzburg court, Friedrich Domnich (b Ofen, 9 June 1729; d Würzburg, 22 April 1790), he was the most famous of three horn-playing brothers; the others were Jacob (...

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Laurence Libin

(b Jirapa, Ghana, June 22, 1958). Ghanaian xylophone maker, player, and teacher. Born into a family of gyilli makers and players in northwest Ghana, Doozie began playing at six years of age. When he was 12 his father taught him to make his first ...

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Peter Williams

(b ?Hennaard, Friesland, c1650; d Tzum, c1725). Dutch writer on music, organist and schoolmaster. While mysteries remain about Douwes’s biography and publications, there is no doubt that his little Grondig ondersoek (Franeker, 1699/R) is one of the most important sources of information for historians and makers of keyboard instruments, offering unique details on the scaling of the clavichord and virginals. It also discusses the trumpet marine and ‘noardske Balke’ (noordsche balk). His general musical education came from such Dutch authors as J.A. Ban, but his data on instruments (useful, like his discussion of musical intervals, to remote Friesian organists) were more empirical and, though based on an uncertain unit of measurement, much more practical than those of any European theorist of his period. His treatise is concerned with the notes (...

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Trevor Herbert

(b Belfast, Aug 12, 1839; d Manchester, Dec 12, 1911). English clarinettist, brass band conductor and teacher. He was the son of a military bandmaster and had a precocious musical talent; by the age of 11 he was appearing as a piccolo soloist with Louis Jullien’s orchestra. He also appears to have been a talented pianist, but it was as a clarinettist that he made his mark as a player. After touring with a number of theatre bands he became leader of the Harrogate Spa Band, and in ...

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Kathryn Bridwell Briner

(b Chicago, IL, Jan 27, 1950). American horn player, historical horn maker, music educator, and composer. He studied horn with Ernani Angelucci, John Barrows, Helen Kotas, Ethel Merker, Frank Brouk, and Dale Clevenger. He was appointed assistant principal horn for the Detroit Symphony in ...

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Alice Lawson Aber-Count

(b Berlin, 17 Feb ?1821; d Berlin, May 23, 1882). German harpist, teacher and composer, son of Karl Grimm. He studied the harp with Josef Hasselmans at the Strasbourg Conservatory and perfected his skill in Leipzig with Elias Parish Alvars. From 1837 he performed with great success and was much in demand, particularly by Liszt and Bülow. In ...

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(b Bohemia, 1710/11; d Dresden, March 30, 1771). Bohemian horn player, teacher, inventor and composer. He was appointed second horn of the Dresden Hofkapelle in 1737 and continued in that capacity until about 1768, being paired initially with J.G. Knechtel, later with ...

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Reginald Morley-Pegge, Horace Fitzpatrick and Thomas Hiebert

(b Dobřiš, Nov 1721; d Dresden, July 25, 1802). Bohemian horn player and teacher. From 1738 to 1744 he studied with Johann Schindelárž [Jan Šindelář], who was principal horn player at Prince Mannsfeld’s court at Prague. Haudek joined Count Kinsky’s orchestra in 1744...

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Hugh Davies

(b Los Angeles, CA, Sept 15, 1932; d ?Hamburg, Germany, Sept 5, 2000). American sculptor and teacher, second cousin of the woodwind instrument maker Friedrich von Huene. The son of Baltic-German parents, Huene received his BFA degree from Chouinard Art Institute in Los Angeles in ...