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Harald Kisiedu

(b Chicago, IL, Sept 19, 1930). American pianist, composer, and administrator. After receiving private piano lessons, he studied at the Chicago Musical College and taught himself the system of composition devised by Joseph Schillinger. He began to work professionally in 1948 and performed regularly at the Cotton Club in Chicago during the 1950s, accompanying visiting musicians such as Dexter Gordon, Sonny Stitt, and Max Roach. After composing and arranging for the Walter “King” Fleming band in the mid-1950s, Abrams joined the hard bop ensemble MJT+3 and made his recording debut on the group’s album ...

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Charles Pitt

(b Hinsbourg, Jan 4, 1904; d Illkirch-Graffenstaden, Sept 7, 1984). French conductor, composer and opera administrator . He studied in Strasbourg with Erb and in Paris with Koechlin and Gédalge. He joined the Strasbourg Opera in 1933 as a répétiteur and stayed until he retired in ...

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Paul D. Fischer

(b Chicago, IL, Dec 13, 1933). American record producer, songwriter, artist manager, label owner, and entrepreneur. He was most active in the popular-music industry from the 1950s to the 1970s. He held jobs in publishing and became co-manager of Jan and Dean with Herb Alpert. Under the pseudonym Barbara Campbell, the pair co-wrote “Only Sixteen” for Sam Cooke. Adler also co-wrote “Wonderful World” with Alpert and Cooke. In ...

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Gary W. Kennedy and Barry Kernfeld

(b New Albany, IN, July 21, 1939). American educator, publisher, record producer, and saxophonist. He performed locally from the age of 15 and while studying at Indiana University (BM 1961; MM 1962) led groups that worked in southern Indiana and Kentucky. Having taught music education at Indiana University Southeast (...

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Jordan A. Yamaji Smith

(b Northport, Long Island, NY, June 5, 1976).

American hip-hop lyricist, vocalist, and producer. Aesop Rock began his career in alternative/underground hip-hop music with two self-financed albums that blended an eclectic approach to sample-based production with poetic, figurative lyrics. His creative output has helped to establish him as a prolific solo artist with a commitment to renovating the rap genre with politically-charged songs and experimental production techniques....

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Max Loppert

(b Harpenden, June 4, 1952). English director . Born into a distinguished theatrical family (his father was the impresario Donald Albery) he first gained a reputation in the British regional and avant-garde theatre with distinctive modern reappraisals of the classics marked by a cool, highly refined sense of visual style. His first opera production was of ...

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Horace Clarence Boyer and Tammy L. Kernodle

(b Hamilton, MS, Jan 21, 1916; d Los Angeles, CA, July 8, 1996). American gospel singer, manager, and promoter. He moved to Los Angeles in the early 1940s to become a member of the Southern Gospel Singers, an all-male quartet. In 1946 he joined the Pilgrim Travelers, another male quartet, of which he soon became the guiding force. During its period of greatest popularity in the 1950s and 1960s the group became known for its close and smooth harmonies. Its members have included Kylo Turner and Keith Barber (leads), Jesse Whitaker (baritone), and Raphael Taylor (bass); jazz singer Lou Rawls also sang with the group in the late 1950s. Among their popular recordings were “Mother Bowed” (...

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John Rosselli

(bc 1625–6; d Rome, 1713).French-Italian theatre builder and impresario. A French nobleman from Orléans, he became secretary in 1662 to Queen Christina of Sweden (resident in Rome after her abdication), in whose service he remained till her death in 1689...

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Terence J. O’Grady and Bryan Proksch

(b Los Angeles, CA, March 31, 1935). American trumpeter, composer, bandleader, and record company executive. He studied trumpet as a child and left college to play in the army for a two-year period. After three years of producing records on his own, he launched A&M Records with Jerry Moss in ...

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Brad Madson and Lew Shaw

Organization formed in 1985 to facilitate international communication among jazz societies, festivals, and presenters. It aids operational aspects involving the aforementioned, provides a forum for interaction within the jazz community, researches current trends, and publishes a quarterly newsletter (Federation Jazz) and manuals on operations, membership recruitment and retention, event production and promotion, fund-raising, and jazz education. The organization holds national and regional meetings, has experts available on the Internet, and maintains a Washington legislative watch. With a membership of more than 100,000, it undertakes cooperative ventures with other national and regional groups committed to the preservation, performance, and advancement of jazz. The AFJS maintains a central office in Sacramento, California....