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Ableton  

Brandon Smith

Music production software company based in Berlin, with a branch in New York. Ableton (Ableton AG) was founded in 1999 by Gerhard Behles, Robert Henke, and Bernd Roggendorf. Its main product is a computer program called Live, which was released in 2001. This is a digital audio workstation (DAW) environment for recording audio and MIDI with an emphasis on working in real time, essentially allowing the user to play the software as an instrument. Practically any operation can be controlled via MIDI. Since its introduction, Live has become popular among electronic music artists for its ability to allow spontaneous manipulation of audio in a performance situation. Many manufacturers of MIDI controllers have developed control surfaces for Live, bridging the gap between software and hardware....

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Hugh Davies and Anne Beetem Acker

The Swedish national centre for electronic music and sound art, in Stockholm. It was preceded by a smaller studio run by the Worker’s Society of Education from 1960. EMS was established by Swedish Radio in 1964 under music director and composer Karl Birger Blomdahl (...

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Anne Beetem Acker

Unique MIDI synthesizer controlled by a gamma-ray spectrometer designed and built by Jerry Chamkis (b Los Angeles, CA, 1942). He studied physics at the University of California, Santa Barbara, but disillusioned by the emphasis on military applications, he left and became chief engineer at a radio station in Houston, Texas. In ...

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Elizabeth Hinkle-Turner and Anne Beetem Acker

American firm specializing in digital audio workstations (DAW) featuring sound design applications and environments for music, film, advertising, television, audio research, computer games, and other virtual environments. Founded as Kymatics in 1989 by the musician and inventor Carla Scaletti and Kurt J. Hebel of the Computer-Based Education Research Laboratory (CERL) at the University of Illinois at Urbana-Champaign, the company was incorporated in ...

Article

Robert E. Eliason

The first commercially available digital music synthesizer, introduced at the 1977 International Computer Music Conference in San Diego, California. It was designed and built by New England Digital Corporation (NED) founders Sydney Alonzo and Cameron W. Jones in collaboration with Dartmouth College professor Jon Appleton. During the 1980s it developed into a digital audio system capable of FM synthesis, sound analysis, sampling, stereo recording and playback on up to 200 tracks, audio editing, video synchronization, and music printing. By ...