A master of ceremonies at Jewish weddings or social festivities. Bad ḥanim often improvised poems and composed and performed their own songs. In eastern Europe they were also known as marshaliks or leyzim (sing. leyz) and performed at the almost obligatory traditional Purim celebrations, singing, dancing and acting in ...
(b Vidin, Bulgaria, Sept 12, 1951). Bulgarian composer, conductor, and piano improviser. He was educated at the High School of Music in Sofia (percussion class under Dobri Paliev, 1965–71), and at the State Musical Academy in Sofia (1973–9), majoring in composition under Tsvetan Tsvetanov and Parashkev Hadzhiev, and orchestral conducting under Konstantin Iliev. He made his name as an active jazz pianist and composer, forming his own jazz trio and participating in several international festivals (in the Czech Republic, Slovakia, Hungary, Poland, Cuba, Romania, Germany, Portugal, and Yugoslavia). While a student he won the position of conductor at the State Musical Theatre (...
Stephen Montague and Kelly Hiser
(b Kankakee, IL, March 22, 1942; d San Rafael, CA, Sept 25, 1996). American composer, trombonist, conductor, and double bassist. He attended the University of Illinois, where he studied trombone with Robert Gray and composition with Kenneth Gaburo, herbert Brün , and salvatore Martirano ...
Owen Jander and Greer Garden
A term used to describe melody that is ornamented, either written out by the composer, or improvised by the performer. It can apply to a single melodic line, or to polyphony. In the florid organum of Aquitaine in the early 12th century the upper part of the note-against-note counterpoint is embellished with melismas. The term is also used to describe the ...
A species of vocal embellishment. Jerome of Moravia (late 13th century) gave this definition: ‘est autem flos armonicus decora vocis sive soni celerrima procellarisque vibratio’ – an ‘ornamental vibration of the voice, or a very rapid rippling of the sound’ – that is, a shake. He described three types of ‘flowers’: long, open and sudden. ‘Long flowers’ resemble a slow vibrato, taking the note a semitone above the note to be graced. ‘Open flowers’ are slow, taking the tone below. ‘Sudden flowers’ begin slowly and gradually gather speed, using the interval of a semitone. Describing these ornaments in connection with plainchant, the author warned against applying them indiscriminately. Five notes are singled out for embellishment: the first, last and penultimate notes to be graced with long flowers, the second note of the first syllable with open flowers, and the long plica with sudden flowers. Singers may insert several short notes between this ornamental plica and the next note ‘to make the melody more elegant’....
A cadential upper-note trill, often with a turn at the end. See Ornaments.
Anne Beetem Acker
Interactive computer network used as an extended musical instrument, played by a San Franciso Bay–area experimental computer network band also called The Hub. The band, founded in 1985 by Tim Perkis and John Bischoff, evolved from the League of Automatic Music Composers (1978–83). The concept of The Hub is to create live music resulting from the unpredictable behaviour of the interconnected computer system. The composer/performers consider their performances a type of ‘enhanced improvisation’....
(b Paris, France, Oct 20, 1950). American composer, keyboardist, electronic musician, and improviser of French birth; naturalized American; daughter of jazz pianist and drummer Errol Parker. She began studying piano and harmony at age 7 and composing at 12. Lauten received a bachelor’s degree in economics from the Institut d’Études Politiques in ...
Jessica Bissett Perea
(b New York, NY, Jan 29, 1939; d Tijuana, Mexico, Oct 25, 2000). American jazz singer, lyricist, composer–improviser, multidisciplinary artist, and educator. During her 40-year career she performed internationally and recorded more than 40 albums, working with such artists as Carla Bley, Anthony Braxton, Marion Brown, Enrico Rava, Andrew Cyrille, Roland Kirk, Jimmy Lyons, Archie Shepp, Sunny Murray, Cecil Taylor, and Reggie Workman. Her vocal style reflects the influence of early mainstream jazz vocalists, including Billie Holiday and Dinah Washington, and the intellectualism of postwar avant-garde jazz and experimental music. Starting in the 1960s Lee forged a new path in multidisciplinary performance that fused the aesthetics of modern dance, vocal improvisation and sound poetry (intonation, non-verbal utterances, and vocalizations), and visual arts (paintings, slide projections, and film). In the 1970s she established Earthforms Rituals, a nonprofit corporation that promoted concerts and educational programs. She also completed an MA in education at New York University in ...
(b Plovdiv, 19 Dec 1937).
Bulgarian composer, pianist, conductor, arranger, and bandleader. He was internationally acknowledged for his innovative ideas, cross-cultural experiments, and contribution to the concept of fusion and free improvisation. Classically trained at the Bulgarian State Conservatory (1955–60) under Pancho Vladigerov (composition) and Andrey Stoyanov (piano), he is the author of numerous compositions in styles and genres including jazz, pop, symphony, chamber, film, and theatrical music. He conducted the Radio and Television Big Band in Sofia (1962–6) and led his own avant-garde quartet, Jazz Focus’65 (1965–8), which won the Critic’s Prize at the Montreux Jazz Festival in 1967. In 1970 he left Bulgaria for political reasons and moved to the USA where he joined the Don Ellis Orchestra (1971–8), and later collaborated with the classical/jazz quartet Free Flight. He also played with outstanding jazz musicians including Art Pepper, Billy Cobham, and Dave Holland, among many others....