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Florid  

Owen Jander and Greer Garden

A term used to describe melody that is ornamented, either written out by the composer, or improvised by the performer. It can apply to a single melodic line, or to polyphony. In the florid organum of Aquitaine in the early 12th century the upper part of the note-against-note counterpoint is embellished with melismas. The term is also used to describe the ...

Article

Flos  

Mary Berry

A species of vocal embellishment. Jerome of Moravia (late 13th century) gave this definition: ‘est autem flos armonicus decora vocis sive soni celerrima procellarisque vibratio’ – an ‘ornamental vibration of the voice, or a very rapid rippling of the sound’ – that is, a shake. He described three types of ‘flowers’: long, open and sudden. ‘Long flowers’ resemble a slow vibrato, taking the note a semitone above the note to be graced. ‘Open flowers’ are slow, taking the tone below. ‘Sudden flowers’ begin slowly and gradually gather speed, using the interval of a semitone. Describing these ornaments in connection with plainchant, the author warned against applying them indiscriminately. Five notes are singled out for embellishment: the first, last and penultimate notes to be graced with long flowers, the second note of the first syllable with open flowers, and the long plica with sudden flowers. Singers may insert several short notes between this ornamental plica and the next note ‘to make the melody more elegant’....

Article

Groppo  

A cadential upper-note trill, often with a turn at the end. See Ornaments.

Article

Anne Beetem Acker

Interactive computer network used as an extended musical instrument, played by a San Franciso Bay–area experimental computer network band also called The Hub. The band, founded in 1985 by Tim Perkis and John Bischoff, evolved from the League of Automatic Music Composers (1978–83). The concept of The Hub is to create live music resulting from the unpredictable behaviour of the interconnected computer system. The composer/performers consider their performances a type of ‘enhanced improvisation’....

Article

William C. Holmes

(1) In the 17th and 18th centuries a passage or cadenza inserted into a piece by a performer.

(2) In the same period, an epilogue inserted into a stage work (opera or play) in honour of a patron’s birthday or wedding, or for some other festive occasion. This usually consisted of recitatives and arias but choruses were sometimes included. The ...

Article

Mordent  

A type of ornament which, in its standard form, consists in the rapid alternation of the main note with a subsidiary note a step below. See Ornaments.

Article

Klaus Aringer

In 15th-century keyboard music, a form of conclusion consisting of formulaic counterpoint over the long-held final note (ultima) of a section of the cantus firmus, before reaching a closing consonance. Octaves and 5ths frequently constitute the salient features of the figuration. This procedure was a part of organ-playing practice in the 15th century, the most extensive collections of examples being in Conrad Paumann's ...

Article

Greer Garden

In Baroque vocal and instrumental music, an appoggiatura, particularly one that resolves upwards by a tone or semitone. Deriving from late 16th-century Italian improvisatory practice – Bovicelli's Regole, passaggi di musica, madrigali et motetti passeggiati (1594/R) contains written-out examples – it became one of the most important graces of French Baroque music. In France it was rarely printed before the late 17th century, but was left to the performer to add extempore. Bacilly explained in his ...

Article

Puntato  

Sometimes puntato means that notes are to be played staccato when indicated by ‘points’ (dots) above or below the notes in question. Puntato may also be used for ‘dotted’ notes in the sense of a dotted quaver (generally followed by a semiquaver). See also Piquer...

Article

(Fr. coulé; Ger. Schleifer). An ornament consisting of two short notes making a conjunct approach to the main note. The direction is usually upwards with the ornament on the beat, but downward motion is also found and an unaccented interpretation is occasionally possible.

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