Government agency and archive. The American Folklife Center at the Library of Congress was created by the US Congress in 1976 to “preserve and present American Folklife,” the first time US federal law mandated the conservation of folk culture. The Center soon acquired the Archive of Folk Culture, which had been established by the Library of Congress’s music division in ...
Stephen D. Winick
American television show. Developed by the music executive Simon Fuller of 19 Entertainment, American Idol is one of more than 40 “Idol” programs that have been televised around the world, each designed for a particular nation or region. The show was first broadcast on British television as ...
Katherine K. Preston and Michael Mauskapf
This article addresses the history of individuals and organizations devoted to the management of musical artists and their careers in the United States.
Musicians who toured the United States during the first half of the 19th century relied on individuals to manage their tours. Some of the most important early impresarios included William Brough, ...
Record label based in San Francisco, California. Founded by Jon Jang and Francis Wong in 1987, it was inspired by African American musicians, including Charles Mingus, Max Roach, Sun Ra, and members of Chicago’s AACM, who turned to self-production as a way to maintain creative control of their work. With its name derived from the phrase “Asian American Improvised Music,” the label initially functioned as an outlet for recordings by Jang and pianist Glenn Horiuchi, two early leaders in ASIAN AMERICAN JAZZ. In ...
Name adopted by various ballet companies in the early 20th century. See Ballet, §3, (i).
Ballet, §3(i): 20th century: Diaghilev and the Russian exiles to 1930
Debussy, Claude, §9: Theatre works and projects
Banda (band) is a generic Spanish term for a variety of ensembles consisting of brass, woodwind, and percussion instruments found throughout Latin America. Introduced in the mid-1800s, brass bands were a fixture of Mexico’s musical life in the late 19th century and flourished in both rural and urban areas. With the revolutionary movement (...
Gerald Bordman and Stephanie Jensen-Moulton
American opera company. In 1878 a Boston newspaper, critical of the performances of Gilbert and Sullivan’s H.M.S. Pinafore that had been staged in the city, called for an “ideal” production. The singers’ agent Effie H. Ober responded by forming the “Ideals,” and staging a highly successful version of ...
Canadian content regulations for commercial radio that were enacted in 1971. These introduced a requirement for commercial AM stations to play a percentage of Canadian songs each day, including set percentages for prime listening hours to prevent stations from limiting Canadian tracks to less lucrative overnight hours. Subsequent regulations have been put in place for FM stations with some flexibility on the established percentages based on the mandate of each licensee. For mainstream, commercial radio, the percentage was established at 25% in ...
Nancy Yunwha Rao
Sponsored by the Chinese Six Companies Association, it was formed in 1911 by 13 Chinese teenagers in San Francisco and was the first Chinese Western-style marching band in America. Later its members created the Cathay Club, or Cathay Music Society, which fostered multiple bands and social activities, including a small Chinese instrument ensemble. Bookings ranged from the Orpheum Circuit, which involved tours to the Midwest and South under such names as the Chinese Military Band and the Chinese Jazz Band, to various world fairs, including the Panama Pacific International Exposition (...
M. Montgomery Wolf
Nightclub founded by Hilly Kristal in New York in December 1973. It was located below the Palace Hotel, a flophouse on the Bowery in a rough and rundown section of the city. Following his own tastes, Kristal intended to host mostly acoustic Americana, but a few months later, the guitarist Tom Verlaine convinced Kristal to let his band Television play there. The club became a rare site of original rock in an era favoring either folk clubs or arena rock. It also became the physical center for the New York punk scene, which was emerging at the time, allowing Patti Smith, Blondie, the Ramones, and Talking Heads, among others, to hone their craft. Despite its dark, dirty interior, famously squalid bathrooms, and dangerous neighborhood, musicians loved CBGB for its fabulous sound system. By ...