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Being in tune.

Article

The tuning of an instrument. See also Accordatura and Scordatura.

Article

In singing, the arrangement of the vocal apparatus or the attack of a note.

Article

In piano playing, touch.

Article

In piano playing, touch ( see Touch ).

Article

Laurence Libin

Division of an organ, whose chest and pipes are spatially separated from the main pipework so as to create an antiphonal effect when this division is played in alternation with others. Further, this division can be coupled to others for simultaneous playing that surrounds listeners with sound emanating from different locations. Antiphonal ranks need not have a dedicated manual but, in modern organs, often ‘float’ among several manuals by means of console controls. Development of the Antiphonal division was facilitated beginning in the late 19th century by electric and electropneumatic actions that simplify spatial separation of an organ’s components. However, it remained uncommon and nowadays normally appears only in large instruments. The term is also applied to a separate, independent, sometimes moveable organ, subsidiary to the main one in a building and played from its own console....

Article

Aoko  

Konin Aka

Scraper of the Baule and Agni-Morofwe peoples of Ivory Coast. A serrated stick passes through a hole pierced in a nut; the right hand moves the nut along the stick against which the left hand occasionally presses a small resonator. The instrument, played only by women and young girls, is used for rhythmic accompaniment to singing for amusement....

Article

Down-bow. See Bow, §II .

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Up-bow. See Bow, §II, 2(i) .

Article

Clive Brown

Symbols appended to musical notation which indicate to the performer the manner in which particular notes and phrases should be played.

Until the late 18th century the only signs commonly used to indicate distinctions of articulation were the slur and the staccato mark (a dot, a vertical stroke, or a wedge) placed above or below the note head. In the 19th century composers became concerned to specify their requirements with ever greater precision, and other forms of articulation mark were introduced, though only a few of these were widely adopted. The principal meaning of the slur has remained relatively constant, though the manner of its employment has varied greatly over the centuries. Except where slurs are written over a succession of notes on the same pitch to indicate portato, they specify that notes of different pitches should be performed without separation, that is, legato. There is, strictly speaking, no greater or lesser degree of connectedness; terms such as ...