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J.B. Steane

A type of soprano voice. The term admits a wide variety of repertory and voice type. Any claimant to it must possess a powerful voice and a style capable of energetic emphasis; yet at one end of the spectrum is the singer whose best roles may be, for example, the respective Leonoras of ...

Article

Falcon  

J.B. Steane

Term for a type of voice, presumed to have been exemplified by Cornélie Falcon , the dramatic soprano who sang Rachel in the première of La Juive (1835) and Valentine in that of Les Huguenots (1836). Her voice was exceptionally powerful, dramatic in quality and ample in the middle register. Mainly in France, or in association with the French repertory, ‘falcon’ has survived as a word which denotes a soprano of this type. Félia Litvinne and her pupil Germaine Lubin, both of whom sang Wagnerian roles such as Isolde and Kundry, would come under this heading. As Falcon herself sang last in ...

Article

J.B. Steane

Typical roles for the light soprano are Despina, Susanna, Norina and Nannetta, as well as Sophie (both Der Rosenkavalier and Werther). The lightness in volume of such a voice is usually matched by a brightly produced, freely carrying tone, which in the Italian and French schools tends to be of a more sharply edged, forward quality than with the Germans or British. The term ...

Article

J.B. Steane

This is the central, ‘standard’ type of soprano voice, one whose range covers the two octaves from c′ to c ‴ with something over at either end, whose power and fullness are sufficient to take her out of the class of Light soprano while not extending to the demands of heavy roles open to the ...

Article

Kelley Rourke

(b Madison, WI, June 3, 1960). American soprano. She has done her most important work at the extremes of the opera timeline, winning acclaim for interpretations of both early and contemporary repertory. In 1988 she played the roles of Poppea, Fortune, and Minerva in Stephen Wadsworth’s Monteverdi cycle at Skylight Comic Opera. She went on to appear in works by Monteverdi, Cavalli, and Handel in venues around the world, including Santa Fe Opera, New York City Opera, Glimmerglass Opera (Cooperstown, NY), Gran Teatre del Liceu (Barcelona, Spain), and the International Handel Festival (Göttingen, Germany). Saffer has collaborated frequently with the composer and conductor Oliver Knussen, beginning with performances of Hans Werner Henze’s ...