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Article

Botul  

Margaret J. Kartomi and Gini Gorlinski

Gong chime of the Pakpak people of northern Sumatra, Indonesia. Its five to nine small bossed gongs are placed horizontally in a wooden trough, somewhat like the bonang of Central Java. Unlike the bonang, which is played by a single musician, the botul may be played by as many as three men. It is the leading melodic instrument in an ensemble that also includes three suspended gongs, ...

Article

Laurence Libin

(b Jirapa, Ghana, June 22, 1958). Ghanaian xylophone maker, player, and teacher. Born into a family of gyilli makers and players in northwest Ghana, Doozie began playing at six years of age. When he was 12 his father taught him to make his first ...

Article

Laurence Libin

(b ?1857; d Petrograd, Russia, Aug 22, 1916). Russian luthier, developer of the modern balalaika. He has been called the ‘Russian Stradivarius’. His life is not reliably documented; some sources place his birth in the 1870s. An unschooled peasant but gifted woodworker, he had been apprenticed to a carpenter in Vologda province. It is said that, intending to seek work in St Petersburg, he was able to travel only as far as Eremkovo, where he worked for two years as a carpenter and began to make balalaikas, assembling the bodies from pieces of wood rather than carving them. His work attracted the attention of V.V. Andreyev (...

Article

Paula Conlon

(b Fletcher, OK, July 3, 1932; d Lawton, OK, March 5, 1996). Native American (Comanche) maker and player of juniper flutes. He attended the Fort Sill Indian School and Haskell Indian Institute. He learned flute making from the Kiowa maker Belo Cozad (...

Article

Timo Leisiö

(b Soikkola, Russian West Ingria, Nov 7, 1886; d Helsinki, Finland, Jan 5, 1962). Ingrian musician and instrument maker who became a symbol of Finnish folk music. As a boy on the southeastern shore of the Gulf of Finland he worked as a shepherd during several summers and learned to make and play local flutes (...