1-4 of 4 results  for:

  • Improvisation x
  • Composer or Arranger x
Clear all

Article

Milena Bozhikova

(b Vidin, Bulgaria, Sept 12, 1951). Bulgarian composer, conductor, and piano improviser. He was educated at the High School of Music in Sofia (percussion class under Dobri Paliev, 1965–71), and at the State Musical Academy in Sofia (1973–9), majoring in composition under Tsvetan Tsvetanov and Parashkev Hadzhiev, and orchestral conducting under Konstantin Iliev. He made his name as an active jazz pianist and composer, forming his own jazz trio and participating in several international festivals (in the Czech Republic, Slovakia, Hungary, Poland, Cuba, Romania, Germany, Portugal, and Yugoslavia). While a student he won the position of conductor at the State Musical Theatre (...

Article

Stephen Montague and Kelly Hiser

(b Kankakee, IL, March 22, 1942; d San Rafael, CA, Sept 25, 1996). American composer, trombonist, conductor, and double bassist. He attended the University of Illinois, where he studied trombone with Robert Gray and composition with Kenneth Gaburo, herbert Brün , and salvatore Martirano ...

Article

Ryan Dohoney

(b Paris, France, Oct 20, 1950). American composer, keyboardist, electronic musician, and improviser of French birth; naturalized American; daughter of jazz pianist and drummer Errol Parker. She began studying piano and harmony at age 7 and composing at 12. Lauten received a bachelor’s degree in economics from the Institut d’Études Politiques in ...

Article

Jessica Bissett Perea

(b New York, NY, Jan 29, 1939; d Tijuana, Mexico, Oct 25, 2000). American jazz singer, lyricist, composer–improviser, multidisciplinary artist, and educator. During her 40-year career she performed internationally and recorded more than 40 albums, working with such artists as Carla Bley, Anthony Braxton, Marion Brown, Enrico Rava, Andrew Cyrille, Roland Kirk, Jimmy Lyons, Archie Shepp, Sunny Murray, Cecil Taylor, and Reggie Workman. Her vocal style reflects the influence of early mainstream jazz vocalists, including Billie Holiday and Dinah Washington, and the intellectualism of postwar avant-garde jazz and experimental music. Starting in the 1960s Lee forged a new path in multidisciplinary performance that fused the aesthetics of modern dance, vocal improvisation and sound poetry (intonation, non-verbal utterances, and vocalizations), and visual arts (paintings, slide projections, and film). In the 1970s she established Earthforms Rituals, a nonprofit corporation that promoted concerts and educational programs. She also completed an MA in education at New York University in ...