One of the finest opera houses built in the United States in the 19th century; see Philadelphia.
Elizabeth A. Clendinning
An amusement park is a commercially-operated, outdoor venue that offers games, rides, and other types of entertainment, including music. The amusement park concept originated in the pleasure gardens of 17th-century Europe, which were originally large landscaped outdoor spaces primary devoted to games with a few refreshment stands. Dances and social and instrumental concerts became commonly integrated into these pleasure gardens in the 18th century. (...
Parlor music generally refers to music composed for domestic use from c1820 to World War I, consisting primarily of songs for voice and piano but also including compositions for solo piano as well as transcriptions and arrangements adaptable for a variety of instruments. Both vocal and instrumental music were aimed at an amateur market and intended for performance in the home, primarily but not exclusively by females. Instrumental music for the parlor was most commonly for piano or melodeon but demonstrated flexibility according to circumstances, with interchangeable parts for a variety of popular domestic instruments such as flute, guitar, or violin. The music was published in individual ...
Susan Feder and Michael Mauskapf
Orchestral programs modeled after European promenade concerts of the 19th century, in which light classical music was played while the audience was served refreshments. The development of pops concerts in America reflected an emerging emphasis on the audience and an explicitly articulated division between so-called serious and light classical music propagated by conductor Theodore Thomas and others. Such concerts were traditionally structured in three parts, in which lively pieces—overtures, marches, and galops—were played in the outer sections while the middle section typically included waltzes and occasionally more serious works; encores were a regular feature. These concerts often took place in outdoor venues during the summer season, and featured audience promenades during the intermissions. Initially, works by European composers such as Rossini, Grieg, Liszt, and J. Strauss dominated the programs of pops concerts, but excerpts from musicals and operettas by De Koven and Herbert, among others, soon became a significant component. In general these concerts were understood as a vehicle to reach new audiences and broaden the appeal of orchestras and orchestral music....