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French institution. Created as the Petite Académie in 1623, the organization that was to become the Académie des Inscriptions et Belles-Lettres was initially dedicated to the glory of the king and to the history of his reign. Its scope was enlarged in 1703 by Gros de Boze, who called for the study of all aspects of civilization, from its origins to the 18th century. Discussions of music seem to have taken place from the end of the 17th century under the aegis of Charles Perrault, although documentation of such discussions dates only from ...

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Academy  

Howard Mayer Brown and Iain Fenlon

At various times in musical history, the word ‘academy’ has meant diverse things, including (i) a formal association of people interested in mutually communicating their opinions on various philosophical, intellectual or cultural issues (most such academies sponsored theatrical events with music and some included discussions of musical questions on their regular agenda), or even, in some few cases, a formal association devoting itself primarily to the study of music; (ii) a more loosely formed circle of intellectuals interested in holding lively discussions on various topics; (iii) an official national society that serves as an arbiter of tastes and standards; (iv) a society formed specifically to sponsor musical performances (including opera); (v) a single concert, either public or private; or (vi) an institution for the training of musicians....

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A congress instituted in 1970 by the International Music Council.

Article

Gregory F. Barz

The now defunct African Music Society was founded in 1948 by Hugh Tracey and anthropologist Winifred Hoernle, whose principal objective was to encourage research in traditional and popular musics in Africa. The society emphasized the importance of recordings to document the range and character of African indigenous music, much of which has been extremely localized due to barriers of distance and language, and through dependence on oral tradition. The society also encouraged the dissemination of musical styles through education and radio programmes. It developed into the ...

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German musical organization. Established in 1861 in Weimar and dedicated to the promotion of new music (primarily through performance), the Allgemeiner Deutscher Musikverein (ADMV) was the first national music society in Germany. Focal points of its activity were the annual festivals that took place in alternating German and German-speaking cities and initially featured the music of Liszt and his colleagues in the ‘New German’ movement. During its first decade the ADMV gave premières of music by such composers as Wagner, Liszt, Cornelius and Felix Draeseke. Liszt provided the society with artistic leadership but, as president, Franz Brendel was the chief guiding spirit during its early years. Upon Brendel’s death in ...

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A British society founded in 1993 by the Composers' Guild of Great Britain, the Association of Professional Composers and the British Academy of Songwriters, Composers and Authors.

Article

Andrea Olmstead

American artists’ colony. The AAR was founded by Charles F. McKim in 1894 for architects and classicists. In 1920, the AAR added composers, urged by Edward MacDowell before his death and administered from 1920–40 by Felix Lamond. The AAR is modeled on the French Academy that awards the Prix de Rome (to Hector Berlioz and Claude Debussy, for example). The Rome Prize is awarded through a national juried competition. Winning Fellows, 30 American artists and scholars, are given a year in Rome supported by a stipend, room, board, travel expenses, and a studio at the 11-building complex atop the Janiculum hill. The Academy’s mission is “to foster the pursuit of advanced research and independent study in the fine arts and humanities.” Resident and Visiting Artists and Scholars also contribute to the interactive artists’ colony atmosphere, which includes communal living, eating, and traveling, and twice weekly trips with AAR members lecturing on the history, archeology, or architectural or art history of various Roman, Vatican, and nearby sites....

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Organization of American writers, artists, architects, and composers. The National Institute of Arts and Letters, founded in 1898 by the American Social Sciences Association, formed the American Academy of Arts and Letters in 1904 to confer further distinction on 50 of its 250 members. In ...

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Professional organization founded in 1929 in New York by Edwin Franko Goldman (who also became its first president) and a group of eminent bandmasters from the USA and Canada. John Philip Sousa served as its first honorary life president. The objectives of the ABA are to honor (by invitation to membership) outstanding achievement in the area of the concert band and its music; to encourage prominent composers of all countries to write for the concert band; and by example and leadership to enhance the cultural standing of bands. Associate Membership may be attained by firms in the music industry or related fields who wish to identify themselves with the objectives and activities of the association. The association sponsors the Ostwald Band Composition Award, and has published the biannual ...

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Professional organization founded in 1959. A group of 35 attendees at the biennial conference of the Music Teachers National Association in Kansas City, Missouri, formed this organization. A steering committee consisting of J. Clark Rhodes, Elwood Keister, Curt Hansen, Harry Robert Wilson, R. Wayne Hugoboom, Warner Imig, and Archie N. Jones created a working philosophy called the original ten purposes. The first purpose states: “To foster and promote choral singing which will provide artistic, cultural, and spiritual experiences for the participants.” The first national convention, held the following year in Atlantic City, New Jersey, in conjunction with a convention of the Music Educators National Conference (MENC), featured five concerts, reading and interest sessions, and panel discussions, a model that continues to the present day. During its first decade the ACDA formed division and state chapters following the MENC model. R. Wayne Hugoboom was appointed the first executive secretary (...

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E. Douglas Bomberger

Concerts consisting exclusively of works by American composers. The practice of promoting American composers by segregating their music has recurred often since the middle of the 19th century and was especially in vogue in the late 1880s, during World War II, and in the years around the Bicentennial of American independence in ...

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Trade union founded in 1896 for professional musicians. Membership was extended to Canadian musicians in 1900, when ‘of the US and Canada’ was added to its title. Affiliated with the AFL-CIO in the USA and with the Central Labor Council in Canada, in 1996 it had 130,000 members in 300 local affiliates, which have jurisdiction over local areas of employment, while the international union has exclusive jurisdiction over recordings, film and network broadcasting. The federation publishes the ...

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Rita H. Mead and N. Lee Orr

An American educational and service organization for organists, clergy, and choral conductors. The guild was founded in New York in 1896 by over 100 of the leading organists and clergy, including John Knowles Paine and George Chadwick, and chartered by the New York State Board of Regents. Dudley Buck served as the first honorary president. Its goals are to promote the organ, encourage excellence in the performance of organ and choral music, to support education and certification of Guild members, and to set and maintain standards of artistic excellence among its members. The Guild sponsors competitions in organ performance, improvisation, and in organ and choral composition, as well as national and regional conventions. The Guild also conducts examinations in organ playing and choir training, awarding successful candidates certificates and designating them as fellows, associates, or choirmasters. Monthly since ...

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Martha Woodward and Suzanne L. Moulton-Gertig

Organization founded in New York in 1962. Its archetype was the National Association of Harpists (established in 1919 by William Place Jr.), active between 1920 and 1933 under president Carlos Salzedo. During the interim between its dissolution and the founding of the American Harp Society, the Northern California Harpists Association (which evolved from the Northern California Chapter of the National Association of Harpists) published ...

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Organization founded in Cambridge, Massachusetts, by Armen Carapetyan in 1944 as the Institute of Renaissance and Baroque Music. The primary purpose of the institute is to publish scholarly editions of compositions and theoretical works, chiefly those of the Middle Ages and the Renaissance, and thus to promote the study of these sources in the humanistic disciplines in institutions of higher education. In ...

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R. Allen Lott

Organization formed in New York in 1921 to encourage serious efforts in composition by American composers. Its founding members, Marion Bauer, Louis Gruenberg, Sandor Harmati, Charles Haubiel, Frederick Jacobi, A. Walter Kramer, Harold Morris, Albert Stoessel, and Deems Taylor, first met informally to listen to each other’s works and offer criticism. From ...

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National professional association for music therapy. AMTA was founded in 1998 as a result of the unification of the National Association for Music Therapy (founded 1950) and the American Association for Music Therapy (founded 1971). AMTA’s mission is to increase public awareness of the benefits of music therapy and to increase access to quality music therapy services throughout the United States and the world. This mission has evolved from a shared vision that every person who can benefit from music therapy, irrespective of economic status, severity of disability, or ethnic background, should have access to music therapy services of the highest quality....

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Professional organization for Orff Schulwerk teachers. The organization promotes the artistic and pedagogical principles of Bavarian composer and educator Carl Orff (1895–82) and his colleague Gunild Keetman (1904–90). Orff Schulwerk (schoolwork) uses children’s poems, rhymes, games, songs, and dances as examples and basic materials. The non-competitive approach emphasizes creativity through music and movement. Specially designed Orff instruments are a part of the approach. The American Orff-Schulwerk Association was founded in Muncie, Indiana, in ...

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Professional association of band directors teaching at the elementary- or secondary-school level. Established in 1953, its objectives were to represent school band directors in the academic and business communities; to foster the exchange of ideas and methods that will advance the standards of musical and educational achievement; to stress the importance of the school band in the educational process and establish bands as a basic course in the school curriculum; to maintain a program for the improvement of school bands through research and experimentation; and to cooperate with existing associations that share the aim of promoting the band as a worthwhile medium of musical expression. Membership (by invitation) is open to active school band directors with a minimum of five years’ teaching experience who command the respect of their colleagues for the standard of performance and musicianship achieved by their bands. The association presents two biennial awards, the A. Austin Harding Award to individuals for valuable and dedicated service to the bands of America, and the Edwin Franko Goldman Award as a measure of appreciation for outstanding personal contributions to the school band movement....

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American organization founded in New York in 1974, a successor to the Mailamm (active 1931–9), the Jewish Music Forum (1939–63), and the Jewish Liturgical Music Society of America (1963–74). Membership includes libraries, synagogues, cantors, composers, educators, musicologists, ethnologists, historians, performers, and lay members who are active or interested in Jewish liturgical and secular music. The society maintains relationships with similar organizations throughout the world. It presents a variety of public programs each season, often with the American Jewish Historical Society, its host at the Center for Jewish History. The organization publishes scholarly works relevant to Jewish music, notably the multilingual journal ...