1-20 of 465 results  for:

  • Light Music and Operetta x
Clear all

Article

Term used in England in the 18th century and the early 19th for an opera or pantomime, usually about an hour long, designed for performance following a play or other theatrical work (the ‘mainpiece’); a notable example is Arne’s Thomas and Sally (1760)....

Article

Samuel S. Brylawski

(b Chicago, Oct 6, 1893; d Los Angeles, May 6, 1979). American composer. He began his career as a song plugger and arranger for the publishing companies of George M. Cohan and Irving Berlin, and had his first success as a songwriter (in collaboration with the composer George W. Meyer) with ...

Article

William A. Everett and Lee Snook

(b Bronx, NY, Oct 7, 1917; d Ojai, CA, July 8, 2006). American singer and actress. Trained as a dancer and with a career which began on Broadway, she became known as the perennial ‘girl next door’ in MGM motion pictures. Her early career in film was as a dancer in shorts such as ...

Article

Theatre in Paris, founded in the late 18th century. In 1807 it became one of the four of official secondary theatres. It was little used for opera after 1815 and burnt down in 1827 See Paris, §4 .

Article

Michael J. Budds

American vocal trio. It was formed in 1932 by the sisters LaVerne (b Minneapolis, 6 July 1915; d Brentwood, CA, 8 May 1967), Maxene (Maxine) (b Minneapolis, 3 Jan 1918; d Hyannis, MA, 21 Oct 1995) and Patti (Patricia) (b...

Article

Howard Goldstein

(b Walton-on-Thames, Oct 1, 1935). English singer and actress. Her prodigious talents as singer and dancer were recognized early on by her mother (Barbara Morris Wells, a pianist), and stepfather (Ted Andrews, a Canadian vaudeville performer). After vocal lessons with Lilian Stiles-Allen and sporadic appearances in her parents' act, she made her solo début at the age of 12 in the ...

Article

Philip L. Scowcroft

(b March 26, 1874; d Marlow, Bucks., Dec 14, 1948). English composer and conductor. He studied composition at the GSM with MacCunn and then pursued a career in London's West End, latterly as a musical director, especially at the Playhouse, Winter Garden, Alhambra, Shaftesbury and Adelphi theatres. He subsequently worked for the BBC from ...

Article

Ronald Riddle

(b New York, May 20, 1889; d Harmon, NY, Oct 10, 1918). American composer and pianist. After studying the piano at the National Conservatory of Music in America and taking private lessons with Alexander Lambert, he pursued a varied career in New York, writing material for vaudeville entertainers, serving as a staff pianist for various publishers and recording extensively both on piano rolls (Duo-Art, QRS) and discs (Victor). Arndt’s compositions combine salon gentility with occasional ragtime syncopation, foreshadowing the novelty-piano works of the 1920s by such composers as Confrey and Bargy. They include ...

Article

Thomas L. Gayda

(b Vienna, Aug 17, 1880; d New York, Feb 25, 1942). Austrian composer. He studied law and music at Vienna University, the piano with Hugo Reinhold and L. Thern (1898–1904) and composition with Robert Fuchs and Franz Schmidt. By 1905 he had decided to devote his time to composition, and by ...

Article

Pseudonym of Albert W(illiam) Ketèlbey.

Article

Lise Waxer

(b Santa Clara, Feb 11, 1893; d Havana, Jan 20, 1943). Cuban pianist and bandleader. As the leader of the Havana Casino Orchestra he is best known for having launched the El manicero (‘Peanut Vendor’) craze in the United States after his band performed this number at New York’s Palace Theater on ...

Article

Michael J. Budds

(b Kansas City, MO, May 12, 1928). American composer and pianist. He learnt the cello, drums and piano from an early age and developed a particular interest in jazz. He played as a night club pianist, and then served in the army, touring as a pianist (...

Article

(b Stratford-upon-Avon, June 27, 1963). English popular singer. He studied at the Guildford School of Acting before touring in Godspell, later gaining a leading role in the Manchester production of The New Pirates of Penzance. He created the role of Marius in the long-running ...

Article

Brenda M. Romero

A generic term since the 1950s for dance groups that merge theatrical elements of classical ballet with Mexican folk dances. The use of the term was primarily modeled on the famous Ballet Folclórico de México, founded in 1952 by Amalia Hernández (1917–2000). Mexican dance companies had begun to incorporate regional folk dances into their modern dance and classical ballet theatrical productions by the 1920s, as part of the postrevolutionary Mexican nationalist movement in the arts. By the 1950s, such “staged spectacles” were founded on anthropological and historical research and reflected a “revolutionary nationalism” that celebrated and highlighted the importance of music and dance in Mexican identity. No doubt this was partly in response to increasing anti-Mexican sentiment in the United States. Regional Mexican folk dances have always been practiced by Mexican-American immigrant communities in the United States. With the Chicano social and artistic movement that followed the Civil Rights Movement of the 1960s, ...

Article

David Thomas Roberts

(b Newaygo, MI, July 31, 1894; d Vista, CA, Jan 16, 1974). American composer and pianist. He began to study piano at the age of five in Toledo, Ohio. By the time he was 17 he had discarded his ambitions to become a concert pianist, having become fascinated with ragtime pianists in Toledo’s red-light district, including the famous exponent of eastern ragtime Luckey Roberts. After playing professionally in cinemas and organizing a dance band, he was engaged in ...

Article

Gerard Béhague

(b Ubá, Nov 7, 1903; d Rio de Janeiro, Feb 9, 1964). Brazilian composer and conductor. In 1920 he moved to Rio de Janeiro where he developed his career, first as a pianist in dance bands and cinemas, then as a composer of pieces for musical theatre, as a radio programmer and announcer, and later as a television programmer. He also composed the sound tracks for various films, especially Walt Disney’s ...

Article

Ronald M. Radano

(b New York, March 1, 1927). American popular singer and actor. He lived in Kingston, Jamaica, for five years (1935–40), returning to New York in 1940. In 1945 he began a career as an actor, having studied in Erwin Piscator’s drama workshop at the New School of Social Research. He experienced greater commercial success, however, as a popular singer, making his début at the Royal Roost, New York, in ...

Article

Robert Howie

(b Buffalo, NY, April 8, 1943; d Tucson, AZ, July 2, 1987). American director and choreographer. He made his début at the age of 17 as Baby John in a tour of West Side Story, and was influenced by working with Jerome Robbins, Michael Kidd and Peter Gennaro in further Broadway shows. His first orginal dances featured in the short-lived ...

Article

Alyn Shipton

(b Leeds, Nov 11, 1913; d Clacton, May 6, 1993). English dance bandleader, saxophonist, pianist and singer. She was a child prodigy as a pianist, broadcasting on ‘Children’s Hour’ in 1922, and playing frequently in public. She took up the clarinet and saxophone in her teens, and in ...

Article

Thomas Bauman

Original-Singspiel in one act by Ignaz Umlauf to a libretto by Paul Weidmann; Vienna, Burgtheater, 17 February 1778.

Old Walcher (bass) opposes the suit of the young miner Fritz (tenor) for the hand of his ward Sophie (soprano), whom he secretly wishes to marry himself. After thwarting one rendezvous he ties Sophie to a tree. The gypsy Zelda (soprano) frees her and takes her place. When discovered, she reveals to Walcher that Sophie is his own daughter, stolen by gypsies. An attempt by Fritz to gain Walcher’s consent miscarries but when a mine shaft caves in on Walcher, Fritz rescues him and earns his blessing....