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Article

Bandaw  

Small hourglass-shaped rattle drum of Thailand. It resembles the South Asian Damaru and is played in the same manner. The ball that strikes the heads is connected by a cord to the end of the handle (a tapered post 13-cm long affixed to the waist of the drum). It is used in some rarely seen royal ceremonies....

Article

Bandiri  

Set of two or more single-headed frame drums, with or without circular metal jingles, and a kettledrum used by members of the k’adiriyya Islamic sect of northern Nigeria. It accompanies the zikiri (creed formula by which a person acknowledges that he is a Muslim). The frame drum is held in the left hand and beaten with the fingers of the right....

Article

Bangu  

Alan R. Thrasher

Single-headed block drum of the Han Chinese. Ban here refers to the concept of ‘beat’; gu means ‘drum’. Other common names include danpigu (‘single-skin drum’) and xiaogu (‘small drum’). The thick body, about 25 cm in diameter and 10 cm deep, is constructed from wedges of hardwood glued together in a circle (or sometimes carved from a single block) and wrapped at the bottom with a metal band. The body is open at the bottom, and the interior tapers inward to the top, leaving a central circular opening (about 5 cm in diameter) called the ...

Article

Bankiya  

Drum of the Mbelo and Kongo peoples of the Democratic Republic of the Congo.

O. Boone: Les tambours du Congo belge et due Ruanda-Urundi (Tervuren, 1951), 61.

Article

Tensioned double-headed hourglass drum of the Bariba people of Benin. It is held under the arm and used with a cylindrical drum to accompany dance music for state occasions. The name bara karanku is presumably cognate with the Hausa kalangu.

See also Kalangu.

Article

Baraban  

Inna D. Nazina

Double-headed drum of the eastern Slavs (Ukraine, Belarus, and western regions of Russia). It is known in Belarus in two forms: the drum alone and, influenced by Turkish fashion since the 18th century, with a pair of cymbals mounted on the shell. The baraban is held with the heads vertical and is struck with a wooden beater, often tipped with leather. It is traditionally used in folk ensembles (with violin, clarinet, dulcimer, and accordion) that play at weddings and dances. According to Russian chronicles the drum was used also as a military instrument from the 11th century. The terms ‘baraban’ or ‘ruchnoy baraban’ are also used for the Buben. The ...

Article

Nguyen Thuyet Phong

Large single-headed frame drum of the Cham people of Vietnam. It is played in a ritual ensemble that also includes the sarunai (oboe), a pair of gaming (double-headed drums), and sometimes the ching (gong).

See also Ching (i) ; Sarunai.

Article

Barba  

Single-headed kettledrum of the Dogon people of Mali. Made from an almost spherical calabash, it is beaten with the flat of the hands; it is used with other drums during the sowing festival and at funeral rites.

Article

Batá  

Malena Kuss

Set of three Afro-Cuban double-headed hourglass drums of Yoruba origin. Batá are the sacred instruments of the religious system of Ocha/Ifá (Santería). The largest and lowest-pitched drum, which carries the main oratorical role, is called iyá (‘mother’) because other drums are born from the sacred presence within it. The smallest and highest-pitched ...

Article

John M. Schechter and Amanda Villepastour

Drum of the Ẹ̀cgbá Yorùbá people of Nigeria. It is constructed from two large gourds strung together (koto is a Yorùbá word for ‘deep gourd’). One end is then cut open and covered with a skin head. The bàtá koto ensemble consists of the ...

Article

Batta  

K.A. Gourlay

Term used by the Gunga and Duka peoples of northwestern Nigeria for a calabash drum. The Duka drum is also known as kworria. The Gunga batta is almost spherical and measures about 55 cm in diameter. The goatskin head, about 25 cm in diameter, has a large piece of tuning wax. Metal jingles are attached to the lacing. The drum is beaten by hand and is usually played with the smaller stick-beaten ...

Article

Bęben  

Zbigniew J. Przerembski

Term for different types of Polish drums struck with drumsticks. The main types are a single-headed frame drum with jingles or small bells attached (also known as the bębenek, ‘small drum’), widespread in Poland; and a cylindrical two-headed braced drum found largely in the Kalisz region, where it was formerly made from a hollowed log. Such drums are used in various kinds of ensemble, usually with fiddles, in some regions with the bass fiddle but at least since the 19th century never with bagpipes....

Article

Bedok  

Patricia Matusky

Drum of West Malaysia and Sarawak. The usually cylindrical wooden body, sometimes longer than one metre, bears one head of either cow or water buffalo hide, depending on the size of the drum (buffalo hide is thicker and stronger and lasts longer). The head is attached with laces and struck with a pair of wooden sticks. The ...

Article

Beḍug  

Margaret J. Kartomi

Large double-headed barrel drum in the Central Javanese Gamelan. It is about 74 cm long and 40 cm wide and is suspended in a decorative wooden frame. The heads are tacked to the shell and one head is beaten with a heavy mallet. It emphasizes dramatic effects in some gamelan works, especially in the theatre and plays the role of the ...

Article

Bembé  

Malena Kuss

Cuban drums of African ancestry. The term refers to a set of three drums of different sizes and registers, as well as dancing to these drums and to the celebration in which they participate. There are six types of bembé drums: (1) single-headed cylindrical, barrel-shaped, or conical open wooden body, with nailed head; (2) double-headed cylindrical or barrel-shaped body with heads fastened by rope in W pattern and reinforced by transverse netting; (3) double-headed cylindrical body with nailed heads; (4) single-headed cylindrical, barrel-shaped, or conical drum, with the head held by a hoop and stretched by rope fastened to perpendicular wedges on the upper half of the body; (5) single-headed cylindrical, barrel-shaped, or conical body, with the head fastened by a system of hoops and stretched by metal tension keys; (6) single-headed cylindrical or conical body, with the head held by rope and stretched by straps fastening it to a girdle held in place by wedges on the upper part of the body....

Article

Amanda Villepastour

Double-headed cylindrical drum of the Yorùbá people of Nigeria. One or both skins have snares and one head is struck with a curved stick held by the right hand while the left hand presses on the other skin to regulate the tone. The largest bẹ̀m̀bẹ́...

Article

Bende  

Margaret J. Kartomi

Small suspended bossed gong of Central and East Java, Bali, and Sumatra. It is made of heavy bronze, about 30 to 40 cm in diameter, and is beaten with a padded hammer on the boss, which is about 5 to 7 cm wide. Bende are used in the ...

Article

Bendre  

Rainer Polak

Kettledrum of Gur-speaking peoples (Mossi, Sisala, Mamprusi, and others) in Burkina Faso and northern Ghana. It is an almost spherical calabash with a small goat- or antelope-skin head, tuned with black adhesive paste at the center. It is beaten by the hands. The player either stands with the drum suspended from his neck or sits on the ground. Often metal plaques with rings along the edges are attached to the instrument creating a jingling sound. The ...

Article

Bentere  

Gavin Webb

Calabash kettledrum of northern Ghana whose use has spread to southern areas, including the Akan. The head is tensioned with rawhide thongs tied to a ring at the bottom of the shell. Players either sit or stand with the drum suspended from a strap around the neck and beat the drum by hand....

Article

Bher  

Alastair Dick

Very large metal kettledrum of Sind, Pakistan. It is played standing, with two sticks, as part of the ceremonial band naubat found at the shrines of some Sindi saints (e.g. that of Shah Abdul Latif at Bhitshah). ‘Bher’ doubtless derives from the old Indian drum name ...