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(b Florence, Feb 9, 1731; d Milan, Feb 6, 1803). Italian choreographer and dancer. He began his dance career in Lucca (1747) and then danced in Venice (1747–8, 1750), Turin and Spoleto (1751), Lucca again, this time also working as a choreographer, and Rome (...

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( fl 1719–42). Italian choreographer and dancer . He was probably a native of Florence, since he is often cited in librettos as ‘Francesco Aquilanti, Fiorentino’ or ‘da Firenze’. His early choreographic work was concentrated in Venice, where he provided ballets for 17 operas at the Teatro S Giovanni Grisostomo (...

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(fl 1636–57). Italian choreographer, dancer, stage designer and impresario. Probably born in Venice, he apparently was well known in 1637 when, in the libretto for Francesco Manelli’s Andromeda, he was cited as ‘Veneziano Ballarino celebre’. Over the next seven years he continued to provide choreography for Venetian operas, including Manelli’s ...

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Gabriella Biagi Ravenni

(b Lucca, Feb 5, 1742; d after 1798). Italian librettist, dancer and choreographer. A brother of Luigi Boccherini, he made his début as a dancer in Venice in 1757, but his major successes were achieved in Vienna between 1759 and 1767 (for example, Noverre’s revived ...

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Irene Alm

(b Milan, ?1755; d after 1838). Italian dancer, choreographer and composer. A pupil of Noverre, he danced at the Kärntnertortheater in Vienna in 1775 and presented his first choreography at the Teatro S Agostino in Genoa during Carnival 1776. Most of Clerico’s works were created for the opera houses in Venice, where he worked during the 1780s at S Samuele, S Benedetto and S Moisè, and later in his career at the Fenice, and in Milan, where from ...

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(b Montpellier, Aug 19, 1742; d Tours, Feb 14, 1806). French dancer, teacher and choreographer . He danced in Lyons in 1757 under Noverre, who described his pupil as a joyful and dramatically expressive dancer. Within two years Dauberval was ballet-master for the Turin opera house. In ...

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Roland John Wiley

(b Stockholm, 1767; d Kiev, 7/Nov 19, 1837). French choreographer . After studying in Stockholm and Paris, he travelled widely; Swift traced his dances in operas at Stockholm (1787), Bordeaux (1790) and Paris (1791, 1793), but his most extensive engagements were in London (...

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(fl 1726–49). Italian choreographer. He worked primarily in Venice during the second quarter of the 18th century, creating ballets for more than 30 opera productions. Most of his choreography was for two theatres, S Angelo (1726, 1733–4, 1735, 1746), where his work appeared in operas by Vivaldi and Albinoni, among others, and S Giovanni Grisostomo (...

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(b Modena, c 1700; d Naples, ?1774). Italian dancer, choreographer and impresario . He spent the early part of his career in Venice, where he created ballets for more than 40 operas, 1720–45. His name first appears as a choreographer for the 1720 Ascension season (Orlandini’s ...

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Maureen Needham Costonis

(b Paris, 1725; d 1777). French choreographer and dancer . He was the son of Antoine Bandieri de Laval (b Paris, 1688; d Paris, 20 Oct 1767), who had been a noted exponent of the danse sérieuse and had choreographed many revivals of operas by Campra and others. Michel-Jean joined the ...

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Ivor Guest

(b Paris, July 25, 1828; d Courbevoie, July 16, 1887). French choreographer . Engaged as a dancer at the Paris Opéra in 1848, he eventually succeeded Lucien Petipa as principal male dancer, retaining that position until his death. From 1869 he was also premier maître de ballet...

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Ivor Guest

(b Marseilles, Dec 22, 1815; d Versailles, July 7, 1898). French choreographer, brother of Marius Petipa. He was one of the finest male dancers of his time, renowned for the nobility of his style. He made his début at the Paris Opéra in ...

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(d Lisbon, Jan 18, 1775). French choreographer and dancer . His name first appears as ‘Mons. Soutter’, ballet-master for the 1738–9 opera season at the S Giovanni Grisostomo, Venice: his first opera was Rinaldo di Capua’s Farnace. Except for a three-year period in Stuttgart (...

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( fl 1755–92). French choreographer and dancer . His activities were concentrated in Venice, where he produced ballets for more than three dozen operas between 1755 and 1792. Much of his work was for the Teatro S Moisè during the 1770s and 80s, in operas by Traetta, Guglielmi, Bertoni, Astarita and Anfossi, among others, but he also created ballets for the S Samuele (...