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Centonization (from Lat. cento: ‘patchwork’)locked

  • Geoffrey Chew
  •  and James W. McKinnon


Composition by the synthesis of pre-existing musical units. The term is modern, borrowed from poetry by Ferretti in 1934, and has been applied mainly to Gregorian and other chant. Some later studies have sought to expose weaknesses in the concept it represents.

Since the 19th century scholars have recognized the role played in some music by traditional aptness rather than originality; the notion of centonization has gradually grown out of this recognition. Gevaert (...

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Journal of the American Musicological Society
Die Musik in Geschichte und Gegenwart
Musical Quarterly