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Sweet dance music [sweet jazz]locked

  • Christopher Wilkinson

Extract

The term “sweet dance music” is used to define both a repertory and a performance practice. It appeared in print for the first time in the late 1920s and continued to be used regularly until the 1950s, often as a pejorative label for a style that was in many respects the antithesis of jazz. In addition to American popular songs, the repertory included genres of European origin: waltzes, polkas, and “light classics,” among others. The style was frequently characterized by music that was fully arranged with little if any improvisation played by bands having an instrumentation similar to that of jazz bands of the 1930s: reeds, brass, and a rhythm section supplemented in some instances by strings. The musicians use a straight tone, not individualized sonorities characteristic of hot jazz. Arrangements typically use symmetrical rhythms with little or no swing in slow to moderate tempos. Singers also employ a straight tone and equally symmetrical rhythms rather than jazz-based vocalisms....

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Journal of the Society for American Music
Down Beat