11-20 of 37 results  for:

  • Compositional Practice and Technique x
Clear all

Article

Hugh Davies and Anne Beetem Acker

The Swedish national centre for electronic music and sound art, in Stockholm. It was preceded by a smaller studio run by the Worker’s Society of Education from 1960. EMS was established by Swedish Radio in 1964 under music director and composer Karl Birger Blomdahl (...

Article

Eliot Gattegno

(b Milwaukee, WI, June 27, 1960). American computer musician, sound engineer, and educator. Erbe has played an important role in American experimental and electronic music since the late 1980s. He wrote the pioneering and widely used program SoundHack, has taught computer music at key institutions, and has become one of the most highly respected sound engineers for contemporary music. Erbe studied computer science and music at the University of Illinois, Urbana-Champaign and got his start as an audio engineer by volunteering at WEFT, WPGU, and Faithful Sound Studios....

Article

GAME  

Hugh Davies, Annette Vande Gorne and Anne Beetem Acker

Composition machine developed by the Belgian composer Léo Küpper (b Nidrum, 16 April 1935) in Brussels between 1968 and 1978. Küpper had begun experimenting with electronic music in 1959 while a student at Liège University, using two Brüel & Kjaer oscillators and a tape recorder. In ...

Article

Jason Freeman and Frank Clark

Interdisciplinary research centre for music, computing, engineering, design, and business, founded in 2008 at the Georgia Institute of Technology in Atlanta. The Center focuses on the development and deployment of transformative musical technologies, and emphasizes the impact of music technology research on scholarship, industry, and culture. In ...

Article

Mireille Helffer

Duct flute of Tibet. The term is used for all aerophones of the flute type throughout areas of Tibetan cultural influence; many are made of bamboo, some of wood (e.g. apricot) and brass. The transverse instruments (phred-gling, ti-gling), known in Bhutan as zur-lim...

Article

Mandy-Suzanne Wong

(b New Britain, CT, 1952). American video, new media, and sound artist, electroacoustic composer, and guitarist. Educated at the Eastman School of Music (BM), the Hartt School at the University of Hartford (MM), and the College-Conservatory of Music at the University of Cincinnati (DMA), Gwiazda is now professor of composition and music theory at Minnesota State University in Moorhead, Minnesota. Early in his career he composed for orchestra and electric guitar, securing performances by the New Britain Symphony, the American Dance Festival, and others....

Article

Anne Beetem Acker

Interactive computer network used as an extended musical instrument, played by a San Franciso Bay–area experimental computer network band also called The Hub. The band, founded in 1985 by Tim Perkis and John Bischoff, evolved from the League of Automatic Music Composers (1978–83). The concept of The Hub is to create live music resulting from the unpredictable behaviour of the interconnected computer system. The composer/performers consider their performances a type of ‘enhanced improvisation’....

Article

Mark Alburger

(b Harbor Beach, MI, Aug 10, 1940). American composer and performer. He began playing piano as a child and later studied with Robert Helps and Barbara Shearer. He attended the Aspen Institute in 1956, studying with Darius Milhaud, and Yale University (BA, music theory, ...

Article

KIM-1  

Anne Beetem Acker

Computer designed by Chuck Pedal and Bill Mensch, both formerly engineers with the Motorola Corporation, and released by MOS Technology Corporation of Norristown, Pennsylvania, in 1976. It was next produced by Commodore Business Machines of Palo Alto, California, after they acquired MOS in 1977. It was originally intended as a training and development system for industrial applications. The TINY BASIC programming language could be run on the KIM-1 with extra memory, making programming far more accessible. Hence, the KIM-1 was the first microprocessor adopted by experimental composers and performers as an easier alternative to making their own custom circuitry. Jim Horton, an improvisational flutist and analogue synthesizer player, was perhaps the first to realize the musical potential of microprocessors. He purchased a KIM-1 in ...

Article

Claus Bockmaier

To introduce Coloration. A term used in German-speaking lands during the late Middle Ages and Renaissance to describe the use of commonplace melodic figures to generate musical textures. During the 15th century, standardized coloration formulae were the starting point for many compositions, especially those which elaborated upon a cantus firmus (...