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( fl 1719–42). Italian choreographer and dancer . He was probably a native of Florence, since he is often cited in librettos as ‘Francesco Aquilanti, Fiorentino’ or ‘da Firenze’. His early choreographic work was concentrated in Venice, where he provided ballets for 17 operas at the Teatro S Giovanni Grisostomo (...

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(b c1690; bur. Cowley, Middx, Jan 21, 1773). English dancer and actress. She made her début in 1706 at Drury Lane, London, where she was a leading dancer until she retired in 1733. John Weaver chose her for major roles in his innovative ‘dramatick entertainments in dancing’: Venus in ...

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Neal Zaslaw

(b Lyons, c1720; d ?Paris, after 1764). French dancer and composer. He first appeared on the stage at the Académie Royale de Musique in Lyons in 1739, dancing in Montéclair’s Jephté and Destouches’ Omphale. He may have been the Denis who worked in Paris at the Foire St Laurent and in the Grand Troupe Etrangère, between about ...

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(b 1697; d 1774). French dancer. See Ballet, §1, (iii).

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James R. Anthony

(b 1718; d Paris, after 1775). French composer, dancer, ?singer and harpsichordist. In his contemporary manuscript, Notices sur les oeuvres de théâtre, the Marquis d'Argenson commented that Duval, ‘une jeune fille de l'Opéra’, was 18 in 1736 when she composed Les Génies, ou Les caractères de l'Amour...

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(b Modena, c 1700; d Naples, ?1774). Italian dancer, choreographer and impresario . He spent the early part of his career in Venice, where he created ballets for more than 40 operas, 1720–45. His name first appears as a choreographer for the 1720 Ascension season (Orlandini’s ...

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(bap. Vienna, Nov 17, 1710; d Vienna, May 30, 1768). Austrian dancer, choreographer and impresario. He was a member of a large theatrical dynasty active in Vienna from at least the 1660s. His father, Johann Baptist Hilverding, had been an associate of the famous Hanswurst Josef Anton Stranitzky, and his elder brother Johann Peter Hilverding led various troupes of German actors, ending his career in Russia. Franz Hilverding’s principal training – at the emperor’s expense – was with the dancer Blondy in Paris during the mid-1730s. While there he probably witnessed performances of Fuzelier and Rameau’s ...

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Meredith Ellis Little

(fl early 18th century). French dancing-master and author. He was dancing-master to Elisabetta Farnese (1692–1766), who became Queen of Spain on her marriage to Philip V in 1714. Rameau wrote two important works on French court dance, both published in Paris in ...

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Olive Baldwin and Thelma Wilson

(b London, bap. May 19, 1692; d London, Nov 26, 1761). English theatre manager and dancer. He was the son of Christopher Rich (d 1714), the manager of the company that staged Purcell's later dramatic operas and the early English-Italian operas. In ...

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Sarah McCleave

(b 1709 d Paris, July 27, 1756). French dancer and choreographer. New evidence (Rubellin) corrects her date of birth. Her father Etienne Sallé married into the Moylin dynasty of fairground players (to Marie-Alberte Moylin, 11 April 1699), so her early training presumably took place in the inventive atmosphere of the ...

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(d Lisbon, Jan 18, 1775). French choreographer and dancer . His name first appears as ‘Mons. Soutter’, ballet-master for the 1738–9 opera season at the S Giovanni Grisostomo, Venice: his first opera was Rinaldo di Capua’s Farnace. Except for a three-year period in Stuttgart (...

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Moira Goff

(b c1690; bur. London, Jan 31, 1754). English dancer, dancing-master and choreographer. He is sometimes confused with his father, the actor John Thurmond (d 1727). He was first billed as dancing at the Drury Lane Theatre in 1710, and in ...

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Moira Goff

(bap. Shrewsbury, July 21, 1673; d Shrewsbury, Sept 24, 1760). English dancer, choreographer and dancing-master . The son of another dancing-master named John Weaver, he was educated at Shrewsbury School but spent part of his youth in Oxford, where his father kept a dancing school. By ...