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Kenneth R. Snell

Australian firm of publishers. It was started about 1890 in Sydney when Jacques Albert (b Fribourg, 1850; d at sea, 1914) began importing violins. In 1894 he was joined by his son Michel François [Frank] (1874–1962), who became sole proprietor in ...

Article

J.A. Fuller Maitland and Peter Ward Jones

English music publishers. Eugene Ascherberg (b Dresden, 1843; d London, 28 May 1908) arrived in England after a period in Australia, and set up in London as E. Ascherberg & Co. by 1879, initially as a piano importer. The firm gradually moved over to music publishing and took over Duncan Davison & Co. in ...

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Nixa  

John Snashall

English record company. It was formed in 1950 by Hilton Nixon, a New Zealand businessman. Initial releases were 78 r.p.m. records of popular music from the Paris-based Pacific company, but a recording of two Scarlatti sonatas, played in the Tausig arrangement by Monique de la Bruchollerie, and some choral items sung by Les Chanteurs de St Eustache were also released. In ...

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Orhan Memed and Maureen Fortey

French/British music publisher and record company. It was named after the rare Australian lyrebird (menura superba or novaehollandiae) and founded in 1932 as Les Editions de l'Oiseau-Lyre (‘The Lyrebird Press’) in Paris by Louise B.M. Dyer, née Smith (1884–1962), an Australian patron of the arts. Her aims were to make available early music that had never been printed in a good modern edition, and to support contemporary composers (Auric, Canteloube, Ibert, d'Indy, Milhaud, Roussel, Sauguet, Britten, Holst and the Australians Peggy Glanville-Hicks and Margaret Sutherland, among others) by commissioning and publishing their works. Her first project was the publication (...

Article

Alistair Gilkison

New Zealand music publisher . It was established in 1967 by Douglas Lilburn at the School of Music, Victoria University of Wellington. Lilburn's aim was to make inexpensive editions of New Zealand music available to conductors, performers, students and libraries worldwide. Preference was given to works which had recordings commercially available from Kiwi Pacific Records. Most publications are facsimile reproductions of composers' original manuscripts but since ...