1-20 of 2,551 results  for:

  • 17th c./Early to mid-Baroque (1600-1700) x
Clear all

Article

John Bergsagel and Ole Kongsted

(fl 1593–1625). Danish composer and organist. He was appointed organist of Vor Frue Kirke (now the cathedral), Copenhagen, on 23 June 1593 after having ‘pursued and learnt his art during a long period both in Germany and Italy’. He received a number of preferments, such as the free residence formerly set aside for the palace preacher, awarded to him in ...

Article

(b Bitonto, nr Bari; d after 1651). Italian composer and guitarist. He is known by four books of pieces for five-course Baroque guitar. They consist mainly of simple battute accompaniments to popular songs and dances of the early 17th century such as the passacaglia, ...

Article

Karol Berger

(b Genoa, c1600; d after 1640). Italian theorist. A Franciscan, he was chaplain and musician to Cardinal Franz von Dietrichstein, Prince-Bishop of Olomouc and governor of Moravia. Before 1629 he probably taught music at the seminary at St Oslowan and from 1629...

Article

Margaret Murata

(b Città di Castello, Jan 26, 1595; d Città di Castello, ? after March 15, 1679). Italian composer and teacher. He travelled to Rome with his brother Guidobaldo, an artist, in 1623 and 1625 (Andrae, 17–19), and was employed at S Giovanni in Laterano from ...

Article

Friedrich Jakob

(b Rankweil, Vorarlberg, bap. April 17, 1652; d after 1725). Austrian organ builder. He was the outstanding master in the upper Rhine valley south of Lake Constance before and after 1700. Stylistically his roots were still firmly in the Baroque of the 17th century, and he remained uninfluenced by the south German late Baroque of the 18th century. His organ for the monastery church of Pfäfers, Switzerland (...

Article

Ian Spink

(b Aberdeenshire, 1653; d ?Cambridge, after 1716). Scottish countertenor, composer and lutenist. The first occurrence of his name in official records is on 1 May 1679, when he was admitted ‘extraordinary’ then ‘in ordinary’ to the Chapel Royal. From the same time he is listed among the musicians of the King’s Private Musick as one of the lutes and voices and also as a violinist, though the latter post was probably a sinecure. Between ...

Article

Eleanor Selfridge-Field

(fl 1620–23). Italian composer. He was a member of the Accademia dei Capricciosi, from where he assumed his name. He was a pupil of Massimiliano Fredutii, maestro di musica of Fano Cathedral. He dedicated his op.1 to Fredutii and included a short instrumental piece by Fredutii in his op.2; each volume also includes one piece by Girolamo Avanzolini. Bizzarro’s secular works, which are chiefly for two voices and continuo, are lively settings of light-hearted texts; some include short ballettos for two violins and continuo....

Article

Lowell Lindgren

(b Rome, Feb 24, 1637; d Rome, Feb 7, 1700). Italian impresario and deviser of scenic effects. He studied at the Seminario Romano, where he performed in the Latin tragedies and intermedi produced during the carnivals of 1651–3. In January 1657 he joined the Florentine Accademia degli Immobili, which produced comic operas. Before he became a Knight of Malta on ...

Article

See Schütz, Heinrich

Article

G.B. Sharp and Dorothea Schröder

In 

See Steigleder family

Article

Laurence Libin

(fl 1670–80). English luthier, active in London. His only extant instrument, a bass viol, is labelled ‘William Addison in Long Alley Over Against Moorfields 1670’, near the workshops of the contemporary viol makers Richard Meares and George Miller. Addison’s viol bears elaborate geometric inlay, including on the back a stylized heart pierced by arrows, and on the carved soundtable a fleur-de-lis. The unusually large soundholes are closer to the middle than normal. The pegbox, ornamented with ivory studs, is surmounted by a carving of Hercules. A ‘William Addis’, presumably the same man, was recorded on the Strand in ...

Article

Peter Holman

(bap. ?Watford, Northants., ?Jan 24, 1587; d London, June 29, 1640). English wind player and composer. He was perhaps the Johannes Adson baptized at Watford, Northamptonshire, on 24 Jan 1587, though nothing is known of him for certain before 1604, when he is recorded as a cornett player at the court of Charles III of Lorraine in Nancy. Charles died in ...

Article

Godelieve Spiessens

(b Antwerp, bap. May 22, 1586; d Antwerp, bur. April 14, 1658). Flemish printer, active in Antwerp. He issued his first publication in 1613 and in 1640 his son Hendrik Aertssens (ii) (b Antwerp, bap. 17 April 1622; d Brussels, 30 Sept 1663...

Article

John Whenham

(b 1623–8; d Bologna, 1699, before 28 Jan). Italian singer, composer and instrument maker. He was an Augustinian monk who was employed from about 1649 as a soprano castrato at the Este court at Modena. On 13 November 1660 he was appointed to the choir of S Petronio, Bologna, with a stipend of 50 lire a month; he was discharged on ...

Article

Colleen Reardon

(b c1580; d Siena, Jan 1642). Italian composer and theorist.

Agazzari’s parents were evidently of Sienese origin, and he himself settled in Siena as a boy and received his training there, perhaps from Francesco Bianciardi. He was organist at Siena Cathedral from ...

Article

Margaret M. McGowan

(b 1604; d Turin, July 19, 1667). Italian poet, choreographer and composer. He began a brilliant political and artistic career in the service of Cardinal Maurizio of Savoy. About 1630 he entered the household of Duke Carlo Emanuele I of Savoy, on whose death in ...

Article

(fl 1599–1621). Italian composer. A monk, he is described on title-pages as ‘of Spoltore, Abruzzo’. Apart from eight motets (in RISM 1627²) all his music is either lost or incomplete. Into the latter category fall the Canzonette spirituali for three voices (Venice, ...

Article

Jerome Roche and Elizabeth Roche

(b March 25, 1610; d 1674). Italian composer. The title-page of his Salmi e Messa (Venice, 1637) describes him as an Olivetan monk who worked in Bologna. This publication includes vesper psalms and a mass, all for four voices and organ continuo, and places Agnelli among the many north Italian composers of unambitious liturgical music at this period. Although he still used outdated ...

Article

(b Forlì, c1635; d Parma, Oct 1, 1680). Italian composer. According to Pitoni, he led a swashbuckling and notorious life and had ‘a natural inclination to impropriety and baseness’. As a young man he was expelled from his native city because of his involvement in a murder. He went to Ferrara, where he received his basic musical training from Mazzaferrata. Then he abruptly took up a military career and for serving in Crete in the war against the Turks was made a Knight of the Golden Spur. His earliest datable pieces are the new prologue and interludes that he wrote for a performance of ...

Article

Klaus Fischer

(b Vallerano, nr Viterbo, c1583; d Rome, Oct 3, 1629). Italian composer and organist. At the age of eight, at the choir school at S Luigi dei Francesi, Rome, he became a pupil of Nanino, whose daughter he later married. He completed his musical studies in ...