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Guy Bourligueux

(b Salon-de-Provence, bap. Feb 24, 1674; d after 1733). French composer. He was the son of Jean Abeille, a royal notary, and may have been a choirboy at the collegiate church of St Laurent in Salon-de-Provence. From 1699 to 1700 he was maître de chapelle...

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Hanns-Bertold Dietz and Joseph Vella Bondin

(b Valetta, Nov 16, 1715; d Naples, Oct 1760). Maltese composer and teacher. His grandfather, who was French, settled in Malta in 1661. Abos's cousin Carol Farrugia paid for him to go to Naples as a child and receive his musical training at the Conservatorio dei Poveri di Gesù. An entry in the ...

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Ortrun Landmann

(b c1705; d Dresden, Nov 13, 1779). German composer. He was a Jagdpfeifer at the Dresden court (1733–6), then until his death a violist in the Dresden Hofkapelle. He was also ‘ballet-compositeur’ of the court opera (from c1740), and composer and director of music for the elector’s French theatre (...

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Owen Jander and Giancarlo Rostirolla

(b Bolsena, Nov 30, 1663; d Rome, July 22, 1742). Italian singer, writer and composer of Venetian origin. After early study at Montefiascone he was sent to Rome. Though his admission to the Cappella Giulia was recorded on 1 December 1682, he did not take up a post there until much later. In ...

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Donald R. Boomgaarden

(b Milston, Wilts., May 1, 1672; d Kensington, London, June 17, 1719). English librettist and writer on opera. He studied at Oxford, then held minor political offices and toured on the Continent (1699–1704), hearing performances in the most important operatic centres. He documented his impressions of opera in his ...

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George J. Buelow and Quentin Faulkner

(b Bindersleben, nr Erfurt, Jan 14, 1699; d Erfurt, July 5, 1762). German organist and scholar. His father, David, was a teacher and organist, and his mother was Dorothea Elisabetha, born Meuerin, from Tondorf. Adlung’s vivid record of his own life is found in the ‘Vorrede’, part ii of ...

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Sven Hansell and Carlida Steffan

(b Venice, 1721 or 1722; d Padua, Oct 28, 1760). Italian composer. After studying with Galuppi, he became maestro di cappella of S Maria della Salute in Venice. In 1745 he left this post to serve the Modenese court as maestro di cappella...

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See Trazegnies family

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Ingmar Bengtsson and Bertil H. van Boer

(b Löth, Östergötland, Feb 1, 1701; d Nuremberg, Jan 19, 1765). Swedish composer, violinist and harpsichordist. His father was a priest. He went to school in Linköping and studied at Uppsala University from 1721 to 1722 or 1723, where he played in the university orchestra, then led by the ...

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Craig H. Russell

(fl ? late 17th to early 18th century). Mexican music copyist. He may have been related to Juan Rodríguez de Aguirre, a músico and cantor at the royal chapel in Madrid in the latter part of the 17th century. The only known manuscript copied by him is the ...

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Anne Schnoebelen

(b Bologna, Sept 20, 1663; d Bologna, June 22, 1735). Italian composer. Born of noble parents, Marcantonio Albergati Capacelli and Vittoria Carpegna, he soon took a lively part in Bolognese musical life, and was a friend (and perhaps pupil) of G.A. Perti and Corelli. The dedication of Albergati's op.5 to Leopold I led Eitner to assume that he was in that emperor's service, but this thesis is unsupported. Although Albergati accepted a post as ...

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Gloria Eive

(b Faenza, bap. Dec 31, 1716; d Faenza, Oct 12, 1785). Italian violinist, composer and teacher. He studied with Tartini, probably between 1730 or 1731 and 1733, by which date his name appears in the list of musicians at Faenza Cathedral, as third (and last) violinist under the direction of his brother, Don Francesco Alberghi, ...

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(b Roncal, Navarra, June 10, 1722; d Madrid, March 30, 1756). Spanish composer and organist. He was a member of the choir of Pamplona Cathedral from 1734 to 1739. In 1748 he was made first organist of the Spanish royal chapel, an appointment that placed him in the orbit of Domenico Scarlatti for a period of at least eight years. It is possible that he was in Madrid before then....

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Michael Talbot

(b Venice, c1710; d Rome, Oct 14, 1746). Italian composer, harpsichordist and singer. Alberti's claim to historical recognition rests traditionally on his harpsichord sonatas, in which the arpeggiated bass that lent his name a posthumous notoriety is a prominent feature (see...

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Jaak Liivoja-Lorius

(fl Milan, c1737–63). Italian violin maker. His violins are roughly reminiscent of Giovanni Grancino’s model although without its symmetry. The craftsmanship rarely approaches any degree of refinement, though the tonal qualities invariably rise above these limitations, and authentic examples in good condition command respectable prices. The varnish on the better instruments is a reddish-brown, most of the others being a clear yellow-brown. Alberti took over Grancino’s shop, which is acknowledged on his printed labels: ‘Ferdinando Alberti in Contrada/Larga di Milano a Segno della/Corona F. l’Anno 17 –’ or ‘Ferdinando Alberti fece in Milano/nella Contrada del pesce al Segno/della Corona l’Anno 17–’. (R. Vannes: ...

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Michael Talbot and Enrico Careri

(b Bologna, Sept 20, 1685; d Bologna, Feb 18, 1751). Italian composer and violinist. He studied the violin with Carlo Manzolini, and counterpoint with P.M. Minelli and Floriano Arresti. He became a member of the Accademia Filarmonica, Bologna, in 1705, and from 1709...

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Robin Bowman

(fl 1697–1706). Italian composer, violinist and organist, active in northern Europe. At one time he was in the service of the Prince of Carignan (a small town in the French Ardennes) and in this capacity appeared as a violinist before Louis XIV in ...

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Rudolf A. Rasch

(b ?Bieswangen, Bavaria, c1660; d c?1730). Dutch composer and violinist of German extraction. The name Henricus Albicastro is a Latin-Italian translation of his true name, Johann Heinrich von Weissenburg. The designation ‘del Biswang’ on the title-pages of some of his works presumably refers to Bieswangen as his place of birth (there is, moreover, a town called Weissenburg nearby). There is nothing to corroborate Walther's statement that he was Swiss, but many details about his life are still unclear. His compositions adhere closely to the Italian style in string music with continuo, but there is no way of telling whether this results from study with an Italian composer in Italy or elsewhere, or from the study of Italian music available north of the Alps....

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Michael Talbot

(b Venice, June 8, 1671; d Venice, Jan 17, 1750/51). Italian composer. His father, Antonio Albinoni, was a stationer and manufacturer of playing cards who owned several shops in Venice and some landed property. As well as completing his apprenticeship as a stationer, Tomaso, the eldest son, learnt the violin and took singing lessons; his teachers are not known. Despite his talent he was not tempted on reaching adulthood to seek a post in church or court, preferring to remain a ...

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Mary Cyr

(b Naples, March 7, 1691; d Vienna, July 20, 1739). Italian cellist. He attended the Conservatorio di S Maria di Loreto in Naples and was a pupil of Gian Carlo Cailò. In 1725 Quantz heard him in Naples at a concert in honour of Prince Lichtenstein, in which Farinelli sang. In Rome, Francischello (as he was widely known) accompanied Niccolini in a cantata of Alessandro Scarlatti with the composer at the keyboard, and Geminiani remarked on his expressive playing. Berteau was reputed to have given up the viol for the cello after hearing him. In ...