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Simon Towneley and Derek McCulloch

(b Gainsborough, Jan 16, 1740; d Rycote, Sept 26, 1799). English music patron, composer, and political writer. He was educated at Westminster and Oxford (MA 1761) and spent several years in Europe. In Geneva (1765) he met Grétry, who wrote a flute concerto for him based on the improvisations he had played to Grétry to demonstrate his prowess. He spent time in Geneva with the exiled politician John Wilkes and met Voltaire in nearby Ferney. From the mid 1770s he was much involved in the musical and political life of Britain. He was brought into close contact with J.C. Bach and C.F. Abel through his brother-in-law Giovanni Gallini, who was concerned in the organization of the Bach-Abel subscription concerts, which the Earl is said to have subsidized. At his request, Abel composed ...

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(b Atri, 1458; d Conversano, Jan 19, 1529). Italian humanist, patron and theorist. He was a member of the Accademia Pontaniana in Naples and initiated a long-standing tradition of musical culture in the family of the dukes of Atri, who were important patrons; his son Giovanni Antonio Donato was also a lira player. Acquaviva d’Aragona financed the Neapolitan printer Antonio de Frizis and housed the press in his palace in Naples. One of the earliest examples of music printing in the kingdom of Naples was the ...

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Claudio Annibaldi

( b Rome, March 31, 1571; d Rome, February 10, 1621). Italian ecclesiastic and patron of music . Nephew of Pope Clement VIII, who created him cardinal in 1593, he acquired a leading role in the papal court by negotiating the reversion of the Duchy of Ferrara to the papacy (...

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Jack Sage

(b Toledo, Nov 23, 1221; d Seville, April 4, 1284). Spanish monarch, patron, poet and composer. The son of Ferdinand the Saint, he became King of Castile and León in 1252. ‘El Sabio’ may be taken as both ‘the Wise’ and ‘the Learned’, for Alfonso’s works show his conviction that learning begets wisdom. He was a remarkable patron of the arts, sciences and culture; he recognized the importance of Spain’s Islamic as well as its Roman and Visigothic heritage, and his court became celebrated as a meeting-place for Christian, Islamic and Jewish scholars and artists. He has long stood accused of sacrificing his family relations and political stability to impractical schemes for liberal reform but, though out of favour with those close to him in his latter years, he fostered notable social, educational and judiciary reforms, encouraged the use of the vernacular in learning and art, and made Spain respected in Europe. In ...

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(b ?Medina del Campo, 1394; ruled 1416–58; d Naples, June 27, 1458). Spanish monarch and patron. He was the son of Fernando I of Antequera and Leonor of Albuquerque. His activity as patron is usually divided into two periods, before and after he had settled in Naples (...

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David B. Levy

(b Alsager, Cheshire, Sept 27, 1779; d London, Nov 15, 1846). English music critic and patron. He was proprietor of and writer for The Times, an association formed in 1817 through his friendship with Thomas Barnes. Alsager reported on financial matters and foreign news, but evidence reveals that both he and Barnes wrote most of the articles on theatre and music in ...

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(b Berlin, Nov 9, 1723; d Berlin, March 30, 1787). German patron, amateur musician and composer. The youngest sister of Frederick the Great, she seems to have sought and received his advice on musical matters. A music exercise book, dated 1735, which she shared with her sister Luise Ulrike, indicates an early commitment to musical studies, but it is not certain precisely when Amalia’s formal musical training began. By ...

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(b Wolfenbüttel, Oct 24, 1739; d Weimar, April 10, 1807). German amateur musician and patron. She was the daughter of Duke Karl I of Brunswick and a niece of Frederick the Great. As a child she was given a good musical education. At the age of 16 she married the 18-year-old Duke Ernst August Konstantin of Saxe-Weimar; after his death two years later until the accession of her eldest son Duke Karl August on ...

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Elisabeth Cook

(b Vienna, Nov 2, 1755; d Paris, Oct 16, 1793). Queen of France and patron of opera . The daughter of Emperor Franz I of Austria, she received her early tuition from Gluck (clavecin and singing) and Noverre (dance and deportment). As dauphine (...

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Roger J.V. Cotte

(b Fockenhof, Kurland, Feb 14, 1722; d Paris, March 24, 1791). French dilettante, amateur violinist and composer, patron of the arts and instrument collector. A magnificent and very wealthy nobleman, he both amused and astounded his contemporaries. M. Audinot in his comic opera ...

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Adrienne Fried Block

(b Lewiston, IL, May 26, 1886; d San Diego, Aug 28, 1975). American composer, teacher and patron. She studied with Rudolf Ganz and Felix Borowski at the Chicago Musical College (BM 1906) and with Heniot Levy and Adolf Weidig at the American Conservatory, Chicago; she also studied composition in Chicago with Wilhelm Middleschulte and in Berlin with Hugo Kaun (...

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Linda Troost

(b Fonthill, Sept 29, 1760; d Bath, May 2, 1844). English writer, patron and amateur composer. He is chiefly remembered as author of the oriental tale Vathek (1786). Although he was an accomplished performer on the harpsichord and pianoforte, it is unlikely that, as he later claimed, Beckford studied with Mozart when both were children. Beckford met Pacchierotti in Italy in ...

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Enrico Paganuzzi

(b Verona, Oct 8, 1536; d Verona, Aug 1, 1593). Italian patron of music. He was a member of the nobility. He graduated in law at Bologna in 1567, and on returning to Verona he entered the Accademia Filarmonica in 1568. He was an important member of the city government but his main interests lay in the arts and culture. In the Palazzo Bevilacqua, built by Sanmicheli in about ...

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(b Boston, MA, Aug 6, 1876; d Philadelphia, PA, Jan 4, 1970). American writer and music patron. She was the only child of columnist Louisa Knapp Curtis and publisher Cyrus H.K. Curtis, the founder of Ladies’ Home Journal and the Saturday Evening Post...

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Lewis Lockwood and Noel O’Regan

(b Arona, Oct 2, 1538; d Milan, Nov 3, 1584). Italian ecclesiastic. His career as churchman was spectacular. Born into a well-established Milanese family, he took a degree in theology and law at Padua in 1559. When his uncle Giovanni Angelo de' Medici (of the Milanese Medici family, not the Florentine) was elected Pope Pius IV in ...

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Ann Willison Lemke

(b Frankfurt, April 4, 1785; d Berlin, Jan 20, 1859). German writer, editor, publisher, composer, singer, visual artist and patron of young artists. Although known today primarily for her writing and her illustrious associates, Bettine was also a talented musician. She composed songs in a simple folk style, choosing texts by poets she knew and loved, including Goethe, Achim von Armin, and her brother, ...

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Michael Tilmouth and Simon McVeigh

(b Rushden, Northants., Jan 14, 1644; d London, Sept 27, 1714). English patron of music and amateur musician. He served a seven-year apprenticeship with a London coal dealer and, after returning to Northamptonshire for a while, set up in business in London, where by ...

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(b Wiederau, Saxony, Dec 20, 1736; d London, June 9, 1809). German musical dilettante. He is sometimes designated ‘of Martinskirche’ to distinguish him from his cousin Hans Moritz ‘of Seifersdorf’. He was a nephew of the famous minister Count Heinrich Brühl and the son of Count Friedrich Wilhelm Brühl, and served in diplomatic posts in Paris and Warsaw before becoming Saxon ambassador to London in ...

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Nicholas Temperley

(b London, Feb 3, 1784; d Wansford, Northants., Oct 16, 1859). English amateur musician. He was the eldest son of the 10th Earl of Westmorland, a Tory politician, and was educated at Harrow and at Trinity College, Cambridge (MA 1808), where he studied music under Charles Hague. His career was political, military and diplomatic. He was MP for Lyme Regis (...

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(b Stuttgart, Feb 11, 1728; d ?Stuttgart, 1793). German patron of music. Educated at the court of Frederick the Great, the young duke began his reign in 1744, emulating the Potsdam court at his own residence in Stuttgart. The court theatre was rebuilt in ...