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Just intonation [pure]locked

  • Mark Lindley


When pitch can be intoned with a modicum of flexibility, the term ‘just intonation’ refers to the consistent use of harmonic intervals tuned so pure that they do not beat, and of melodic intervals derived from such an arrangement, including more than one size of whole tone. On normal keyboard instruments, however, the term refers to a system of tuning in which some 5ths (often including D–A or else G–D) are left distastefully smaller than pure in order that the other 5ths and most of the 3rds will not beat (it being impossible for all the concords on a normal keyboard instrument to be tuned pure; ...

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Archiv für Musikwissenschaft
Cambridge, University Library
Proceedings of the Musical Association
Vierteljahrsschrift für Musikwissenschaft
M. Mersenne: Harmonie universelle
Music & Letters
O. Strunk: Source Readings in Music History (New York, 1950/R)
Musical Quarterly
Journal of the American Musicological Society
R.M.A. [Royal Musical Association] Research Chronicle
Tijdschrift van de Vereniging voor Nederlandse muziekgeschiedenis [and earlier variants]
Gesellschaft für Musikforschung: Kongress-Bericht [1950-]