Show Summary Details

Page of
PRINTED FROM Oxford Music Online. © Oxford University Press, 2019. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single article in Oxford Music Online for personal use (for details see Privacy Policy).

L’homme armélocked

  • David Fallows

Extract

A melody used as the tenor of over 40 mass cycles between about 1450 and the end of the 17th century. Those of Du Fay, Ockeghem, Regis, Faugues and perhaps Busnoys seem to date from the 1450s. Those by Caron and Tinctoris as well as the cycle of six anonymous masses in a manuscript now in Naples (...

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Please subscribe to access the full content.

Early Music History
Music & Letters
Die Musik in Geschichte und Gegenwart
Studia musicologica Academiae scientiarum hungaricae
Zeitschrift für Musikwissenschaft
Nuova rivista musicale italiana
Journal of Musicology
Journal of the American Musicological Society
Rome, Biblioteca Apostolica Vaticana
Naples, Biblioteca Nazionale Vittorio Emanuele III
Journal of the Royal Musical Association
Musicological Studies and Documents
Proceedings of the Royal Musical Association
San Lorenzo de El Escorial, Monasterio, Real Biblioteca
Copenhagen, Kongelige Bibliotek