Show Summary Details

Page of
PRINTED FROM Oxford Music Online. © Oxford University Press, 2019. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single article in Oxford Music Online for personal use (for details see Privacy Policy).

L’homme armélocked

  • David Fallows


A melody used as the tenor of over 40 mass cycles between about 1450 and the end of the 17th century. Those of Du Fay, Ockeghem, Regis, Faugues and perhaps Busnoys seem to date from the 1450s. Those by Caron and Tinctoris as well as the cycle of six anonymous masses in a manuscript now in Naples (...

You do not currently have access to this article


Please login to access the full content.


Please subscribe to access the full content.

Proceedings of the Royal Musical Association
Music & Letters
Journal of Musicology
San Lorenzo de El Escorial, Monasterio, Real Biblioteca
Rome, Biblioteca Apostolica Vaticana
Journal of the Royal Musical Association
Journal of the American Musicological Society
Naples, Biblioteca Nazionale Vittorio Emanuele III
Studia musicologica Academiae scientiarum hungaricae
Early Music History
Die Musik in Geschichte und Gegenwart
Zeitschrift für Musikwissenschaft
Copenhagen, Kongelige Bibliotek
Musicological Studies and Documents
Nuova rivista musicale italiana