Show Summary Details

Page of
PRINTED FROM Oxford Music Online. © Oxford University Press, 2019. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single article in Oxford Music Online for personal use (for details see Privacy Policy).

Renaissancelocked

  • Lewis Lockwood

Extract

In the conventional periodization of Western music history, a term denoting the era from about 1430 to about 1600; this period coincides with the later phases of the broad historical development in Western culture, society, art and technology (c1300–1600) for which the French term ‘Renaissance’ has been in use since Michelet (...

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Please subscribe to access the full content.

Die Musik in Geschichte und Gegenwart
O. Strunk: Source Readings in Music History (New York, 1950/R)
Archiv für Musikwissenschaft
Renaissance Manuscript Studies (Stuttgart, 1975-)
A. Einstein: The Italian Madrigal (Princeton, NJ, 1949/R)
Zeitschrift für Musikwissenschaft
Musical Quarterly
J. Kerman: The Elizabethan Madrigal: a Comparative Study (New York, 1962)
Österreichische Musikzeitschrift
A.W. Ambros: Geschichte der Musik (Leipzig, 1862-82/R)
Journal of the American Musicological Society
Papers of the American Musicological Society
G. Reese: Music in the Renaissance (New York, 1954, 2/1959)
Journal of Renaissance and Baroque Music
A. Pirro: Histoire de la musique de la fin du XIVe
Music Review
N. Pirrotta and E. Povoledo: Li due Orfei: da Poliziano a Monteverdi (Turin, 1969, enlarged 2/1975; Eng. trans., 1982, as Music and Theatre from Poliziano to Monteverdi)
International Musicological Society: Congress Report [1930-]
R. Strohm: Music in Late Medieval Bruges (Oxford, 1985)