Show Summary Details

Page of
PRINTED FROM Oxford Music Online. © Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single article in Oxford Music Online for personal use (for details see Privacy Policy).

Harp (Fr. harpe; Ger. Harfe; It., Sp. arpa)locked

  • Sue Carole DeVale,
  • Bo Lawergren,
  • Joan Rimmer,
  • Robert Evans,
  • William Taylor,
  • Cristina Bordas,
  • Cheryl Ann Fulton,
  • John M. Schechter,
  • Nancy Thym-Hochrein,
  • Hannelore Devaere
  •  and Mary McMaster

Extract

Generic name for chordophones in which, as defined in the classification system by Hornbostel and Sachs, the plane of the strings is perpendicular to the soundboard. See also Organ stop.

Normally triangular in outline, all harps have three basic structural components: resonator, neck and strings. Hornbostel and Sachs divided them into two categories: ‘frame harps’ and ‘open harps’. Frame harps have a forepillar or column which connects the lower end of the resonator to the neck, adding structural support and helping to bear the strain of string tension. Harps without forepillars are ‘open harps’. Only European harps and their descendants are consistently frame harps: most others are open. Hornbostel and Sachs further subdivided open harps into two sub-categories: ‘arched’ and ‘angular’ harps. According to Hornbostel and Sachs, the neck of an arched harp curves away from the resonator while the neck of an angular harp makes a sharp angle with it. The term...

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Access to the full content requires a subscription

Revista de musicología
African Music
Galpin Society Journal
W. Apel: Geschichte der Orgel- und Klaviermusik bis 1700 (Kassel, 1967; Eng. trans., rev., 1972)
The New Grove Dictionary of Music and Musicians
Oxford, Christ Church Library
Early Music
Musical Times
Die Musik in Geschichte und Gegenwart
Journal of the American Musical Instrument Society
R. Stevenson: Renaissance and Baroque Musical Sources in the Americas (Washington DC, 1970)
Musical Quarterly
Analecta musicologica
[flourished]