Show Summary Details

Page of
PRINTED FROM Oxford Music Online. © Oxford University Press, 2019. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single article in Oxford Music Online for personal use (for details see Privacy Policy).

Admeto [Admeto, rè di Tessaglia (‘Admetus, King of Thessaly’)]locked

  • Anthony Hicks

Extract

Opera in three acts by george frideric Handel to a libretto anonymously adapted from ortensio Mauro ’s L’Alceste (1679, Hanover) after Antonio Aureli’s L’Antigona delusa da Alceste (1660, Venice); London, King’s Theatre, 31 January 1727.

Admeto was Handel’s tenth full-length opera for the Royal Academy of Music, and the second of the group of five operas in which the leading roles were designed for the rival sopranos Francesca Cuzzoni and Faustina Bordoni; they sang Antigona and Alcestis. The other singers were the alto castratos Senesino and Antonio Baldi (Admetus and Thrasymede), the contralto Anna Vincenza Dotti (Orindo), and the basses Giuseppe Boschi and Giovanni Palmerini (Hercules and Meraspes). The opera achieved an excellent opening run of 19 performances to 18 April (during which period the act giving Handel British nationality was passed); two new arias seem to have been provided for Faustina during the run....

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Please subscribe to access the full content.