(b Great Barrington, MA, Feb 23, 1868; d Accra, Ghana, Aug 27, 1963). American writer and social activist. He attended Fisk University (BA 1888), Harvard University (BA 1890, PhD 1895), and the University of Berlin, cultivating music enthusiastically as a choral singer and concertgoer. Beginning with The Souls of Black Folk (1903) and continuing well into the century in essays published in The Crisis and other periodicals, Du Bois synthesized European artistic values with insightful affirmations of African American culture, including music; this approach both informed and typified the New Negro aesthetic of the early 20th century. His chapter in Souls on “The Sorrow Songs” reveals a profound understanding of the beauty and social significance of black music. Influenced here by the folk art theories of Johann Gottfried von Herder (1744–1803), Du Bois refashioned them to create a foundation for African American cultural consciousness. Elsewhere he referenced ...
(b Brno, 13 March 1966). Czech composer, pedagogue, and writer on music, son of zdeněk zouhar. He studied composition at the Janáček Academy of Music and Performing Arts (JAMU) in Brno (with Miloš Ištván and alois piňos) and musicology at the Masaryk University, followed by post-graduate studies at the Hochschule für Musik und darstellende Kunst Graz (with Herman Markus Preßl and younghi pagh-paan) and JAMU. He remains an external pedagogue at both these institutions, as well as being active as a researcher at the Palacký University Olomouc (vice-dean starting in 2010), Ostrava University, and Masaryk University.
His brand of postmodernism is surprisingly respectful, using disparate materials in a serious manner, and generally staying with a few pieces of material for the duration of a piece or movement. Often composed in an additive, evolutionary structure, his works are sonically reminiscent of New York post-minimalism, but are very European in their approach to expressivity and emotional intensity. This approach includes both the intense rhythms of ...