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Olive Baldwin and Thelma Wilson

[Evans, John ]

(d New York, Aug 6, 1793). English tenor and actor . After appearing in Norwich and briefly at the King’s Theatre he was taken on by John Beard at Covent Garden, making his début there as Young Meadows in Love in a Village (November 1766). A handsome man, he was admired more for his singing than his acting. For nine seasons after Beard’s retirement in 1767 he shared the tenor parts in English operas and afterpieces with George Mattocks, generally taking the subordinate role. He was the first Antonio in The Duenna and played Hastings in the première of She Stoops to Conquer. He sang in Haymarket summer seasons, appeared in burlettas at Marylebone Gardens (1774) and worked in Ireland and the provinces. From 1780 to 1782 he was at Drury Lane, where his last new role was Summers in the comic opera The Fair American...

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Bonnie E. Fleming

(b Harrisburg, PA, March 2, 1921; d Westport, CT, Sept 16, 2017). American singing actress, producer, stage director, and teacher. Possessing a wide range of performing skills, she was known for undertaking challenging operatic roles such as Birdie and Regina in Mark Blitzstein’s Regina (1949, 1953, and 1958) and Lizzie in Jack Beeson’s Lizzie Borden (1965). She worked on Broadway, in light opera, on radio and television, and at New York’s Metropolitan Opera. Lewis attended Penn State University and was encouraged by its Glee Club director to audition for a scholarship at the Curtis Institute of Music, where she went on to study with Emilio de Gogorza. After her teacher suddenly left the Institute, Lewis auditioned and made her debut with the Philadelphia Opera Company at the age of 19 in the role of the Marschallin in Richard Strauss’s Der Rosenkavalier. A remarkably quick study, Lewis absorbed music and words in any language almost on the spot, a gift to which she attributed most of her early success. In ...

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John C. MacInnis

(b London, England, Dec 27, 1911; d Batemans Bay, Australia, Oct 18, 2006). American English singer, comedienne, and musical parodist. Trained at the Royal Academy of Music in London, she aspired to a career as an opera singer. She performed in several opera productions in the UK and sang for the BBC in the 1930s. Initial successes as a musical parodist began in 1940 after Russell moved to Toronto, Canada, with her mother and especially after her famous recital at Town Hall, New York, in 1951.

Through the 1950s Russell performed and recorded extensively. She appeared in opera productions (e.g. New York City Opera, Hansel and Gretel, 1953) and on Broadway (e.g. Anna Russell’s Little Show, 1955). She often styled herself as a mock-music appreciation teacher; for example, she instructed audiences on “How to Write your own Gilbert and Sullivan Opera,” comically explained the plots of famous works like Wagner’s ...