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Article

Owain Edwards

(bap. London, July 18, 1680; d London, March 7, 1748). English violinist, composer and collector. His earliest compositions were songs and incidental music for the Lincoln’s Inn Fields Theatre, where he also played. In 1705 he was engaged to play in the orchestra at the new Queen’s Theatre in the Haymarket, where the following year the semi-opera The British Enchanters, or No Magick like Love, with music mostly by Corbett, had 11 performances. He was greatly admired as a solo performer, often being billed as the chief attraction at the benefit concerts of colleagues in London. He also appeared further afield: he played at Nottingham during race week (1707 and 1709) and at York during Assize week (1709). An instinctive showman, Corbett emphasized the unusual in his concerts and in his own compositions; the viola d’amore, archlute and mandolin made appearances at his benefit concerts (...

Article

Nicholas Temperley

(bap. Aldersgate, London, Feb 26, 1724; d London, April 15, 1764). English amateur musician. ‘In his younger days he was a great beau’, said Hawkins, who is the chief source of information about Immyns. ‘He had been guilty of some indiscretions, which proved an effectual bar to success in his profession, and reduced him to the necessity of becoming a clerk to an attorney in the city’. He cultivated music assiduously, playing the flute, viola da gamba and harpsichord, and had a ‘cracked counter-tenor voice’. As a member of the Academy of Ancient Music, and as a student and copyist to Pepusch, he became familiar with much old music, which he preferred to that of his own day. In 1741 he founded the Madrigal Society, which began as a small group of mechanics and tradesmen experienced in psalmody, meeting at a tavern in Fleet Street. Immyns was ‘both their president and instructor’, and in preparation for the meetings he copied out some 200 madrigals and canons: his MS survives at the Fitzwilliam Museum, Cambridge. The music was confined to madrigals and other old music, by such composers as Ruffo, Lassus, Marenzio, Vecchi and Gesualdo; the English madrigalists were also explored. Immyns copied seven Palestrina motets for the society's use. From these modest beginnings sprang what is now the oldest musical association in existence....

Article

Kerala J. Snyder

revised by Geoffrey Webber

(b Magdeburg, bap. March 17, 1664; d Wolfenbüttel, June 6, 1735). German music collector, singer and composer. The son of a brewer, he began his musical education with the Magdeburg Kantor Johann Scheffler, spent two years (1678–80) at the Thomasschule in Leipzig under Johann Schelle and continued his studies at the Johanneum in Hamburg. There he began his professional career as alto and later tenor soloist in the city's Kantorei, interrupted by a year at the university in Leipzig (1683–4). From 1686 to 1689 he worked as a tenor at the court in Brunswick-Wolfenbüttel; during this time he lived with the Kapellmeister Johann Theile, receiving lessons in composition from him and in singing from the two Italian castratos in residence at the court. He himself became Kapellmeister in 1689 to Duke Christian Albrecht of Schleswig-Holstein and moved to Gottorf Castle with his new bride, Magdalena Darnedden, daughter of a Brunswick brewer....