(b Budapest, April 12, 1919; d Kingston, ON, February 24, 2012). Canadian composer, conductor and pianist of Hungarian birth. He studied with Kodály at the Budapest Academy (1937–41). As a young man he spent a period with other Jewish youths in a forced-labour contingent of the Hungarian Army; his later war experiences – escape, then concealment by friends during the winter of 1944–5 – are described in the memoirs of the novelist Theresa de Kerpely (Teresa Kay). After a season as assistant conductor at the Budapest Opera (1945–6), he went to Paris for further studies in piano (Soulima Stravinsky), conducting (Fourestier) and composition (Boulanger), remaining there for three years. He moved to Canada in 1949 (taking Canadian nationality in 1955), and for three years held a Lady Davis Fellowship and an appointment as assistant professor at McGill University. There he founded the electronic music studio and served for six years as chair of the department of theoretical music. He held grants for electronic music research from the Canada Council (...
(b Boston, June 30, 1942). Canadian composer and pianist of American birth. He studied at Boston University (BMus) and Michigan State University (MMus; PhD), and has taught at the University of Western Ontario, Acadia University, the University of Alberta (chair, 1986–9) and Queen's University, where he was director 1990–97. His compositional style has been described as post-Schoenbergian, employing a chromaticism controlled both by a limited number of pitch class sets and a sense of tonal hierarchy (Lewis, 1993). Many of his works are confessional. His fascination with the Canadian North has resulted in compositions such as Cry Wolf (1977), after a Cree Indian legend. In 1980 he began to explore themes from Jewish culture and history in works such as Morning: Peniel (1980), Zakhor: Remember (1983) and Small Worlds (1984). Several of these interests come together in Six Fantasy Pieces...
(b Budapest, March 5, 1932). Israeli composer, pianist and ethnomusicologist. As a young boy, he survived the Nazi invasion and miraculously escaped deportation. In 1949 he entered the composition department of the Franz Liszt Academy of Music in Budapest, where he studied the piano with György Kósa and Erno Szégedi, composition with Endre Szervánszky and Ferenc Szabó, and ethnomusicology with Zoltán Kodály. As a Kodály disciple, he spent two years among the Hungarian gypsies, collecting songs and stories. This resulted in his Gypsy Cantata on poems of Miklos Randoti, which won first prize at the Warsaw International Youth Festival (1955).
Following the failure of the Hungarian uprising, Hajdu escaped to France, where he studied with Milhaud and Messiaen at the Paris Conservatoire. At the same time he wrote music for films and conducted youth choirs. From 1959 to 1961 he taught the piano and composition at the Tunis Conservatory and was active in ethnomusicological research there. This period is represented in his ...
[Priwin, Andreas Ludwig]
(b Berlin, April 6, 1929; d Manhattan, NY, Feb 28, 2019). American conductor, pianist, and composer of German birth. Son of a prosperous lawyer who was also a talented amateur musician, he showed exceptional musical talent from his earliest years. Playing piano duets with his father, he quickly developed phenomenal sight-reading ability, and at the age of six entered the Berlin Hochschule für Musik, studying the piano with Rudolf Breithaupt. In 1938 his family (of Russian-Jewish origin) left Germany for Paris, where he studied briefly at the Conservatoire. Emigrating to the USA the following year, the family settled in Los Angeles, where in 1943 he became an American citizen. While still at school he quickly learnt to use his talents as a pianist, playing accompaniments to silent films in a cult movie house and later becoming an orchestrator at the MGM film studios. This led to commissions to write film music of his own, which – following the practice of the studios – he had to conduct himself. This, in turn, fostered an ambition to conduct more widely, and he was soon conducting local performances of the classical repertory with players from the studio orchestras. Meanwhile he was developing a talent for playing jazz, and while still at school was performing in clubs, soon afterwards making his first recordings. At the same time he took composition lessons, with Joseph Achron, Ernst Toch, and Castelnuovo-Tedesco among his teachers, and was invited by the violinist Josef Szigeti to play in private performances of chamber music. Previn was called up for army service in ...
William Y. Elias
revised by Irina Boga
(b Iaşi, April 17, 1929; d Jerusalem, 9 May, 2009). Romanian-born Israeli conductor, composer, and violinist. He studied the violin (with Garabet Avakian) and conducting (with Constantin Silvestri) at the Bucharest Academy of Music (1945–7). In 1957 Rodan pursued advanced studies in conducting and chamber music at the Franz Liszt Academy of Music in Budapest, Hungary. He made his début with the Romanian RSO in 1953. In 1961 he moved to Israel and conducted the Israel PO, becoming chief conductor and music adviser to the Israel Broadcasting SO (1963–72). As a conductor he preferred post-Romantic and less extreme contemporary music. In 1965 he founded the Jerusalem Chamber Orchestra and, as its permanent conductor until 1969, toured with it to Europe, East Asia, Australia, South Africa, and the USA. Rodan appeared as a guest with various European orchestras and frequently conducted at the Israel and Arthur Rubinstein festivals, with such soloists as Rubinstein himself, Barenboim, Rampal, Perlman, and du Pré. In ...
Anthony Philip Pattin
(b Detroit, Jan 24, 1947). American composer and pianist, active in Israel. He studied at Converse College (Spartanburg, South Carolina), Carnegie Mellon University and the University of Arizona (DMA 1970). His principal teachers include Ozan Marsh and Rudolf Serkin (piano), and Robert Muczynski (composition). Although he has composed for virtually all media, he has shown a special affinity for solo piano works and chamber music with piano. His brilliant piano writing often requires enormous technical facility on the part of the performer; textures are invariably contrapuntal, regardless of tempo, and rhythms are vital and varied with frequent changes of metre. His works often evoke a frenzied state through climaxes, rapid harmonic motion and breakneck speed. He has remarked that his ‘is not the kind of music to relax to, but the kind that makes people sweat; not only performer, but audience'. His interest in folk music stems largely from his desire to explore his own Jewish roots....
(b Montevideo, Jan 1, 1959). Israeli composer and guitarist of Uruguayan birth. After emigrating to Israel in 1974, he studied the classical guitar with Menashe Baquiche and composition with Jan Radzynski. He obtained the BMus (1984) and MM (1986) at the Rubin Academy of Music, Tel-Aviv University, where his teachers included Leon Schidlowsky and Seter. He began to teach at the Rubin Academy in 1995. One of the foremost guitarists in Israel, his honours include two ACUM prizes (1992) and the Prime Minister Prize for composers (1994). As a composer, Seroussi has drawn inspiration from a variety of sources, including Luis Buñuel's films, Henri Matisse's paintings and the poetry of Pablo Neruda and Antonio Machado. His style, influenced by European avant-garde pitch content and Latin American orchestration, tends towards new complexity. His orchestral composition Lux: in memoriam Mordecai Seter (...
Robyn Holmes, Peter Campbell, and Judith Crispin
Robyn Holmes and Peter Campbell, revised by Judith Crispin
(b Tianjin, China, Sept 10, 1934). Australian composer, pianist, and musicologist. Born to Russian-Chinese parents, he emigrated to Australia with his family in 1951. He studied the piano at the NSW Conservatorium of Music, Sydney, where his teachers included Winifred Burston (1952–8), and in San Francisco with Egon Petri (1959–61). On his return to Australia, he taught at the Queensland Conservatorium (1961–5) and lectured on contemporary composition at the University of Queensland. In 1965 he assumed the position of Head of Keyboard at the newly founded Canberra School of Music (now part of the Australian National University), where he became Head of Composition and Head of Academic Studies in 1978, and Professor Emeritus and Distinguished Visiting Fellow in 2005.
Sitsky first came to prominence as a composer at the inaugural Australian Composers’ Seminar (Hobart, Tasmania, ...