(b Washington, DC, April 13, 1873; d New York, NY, May 25, 1924). American composer and publisher. He moved to New York at the age of 14 and was employed as a clerk in various publishing houses. He also performed incidental music and by 1898 was composing. In the same year he founded his own publishing house, but sold it in 1900 and joined the firm Howley, Haviland & Dresser. During the next eight years Morse wrote several successful songs. After the collapse of his firm, Morse and Haviland formed their own company. About five years later Morse left Haviland and organized the Morse Music Company, but in 1915 he sold his holdings to Leo Feist, with whom he was associated until his death. Morse was also a performer; he appeared in a vaudeville trio with two other songwriters and was the pianist for Henry Burr’s Record Makers from ...
(b Tuzla, Sept 14, 1942). Bosnian-Herzegovinian composer, editor, and music critic. Nuić graduated from the Primary and Secondary Music School in Tuzla. She then graduated from the Academy of Music in Sarajevo, in the Department for Music Theory and Pedagogy; afterwards she studied composition with Miroslav Špiler.
She worked as music editor at Radio Sarajevo (1971–92) and at Radio Federacije Bosne I Hercegovine (1994–2007).
Initially engaged in radiophonic composition, Nuić has more recently turned to pieces for traditional instrumentation. Additionally, she is an author of music for numerous radio shows, TV films and educational shows, theatrical plays, and four short films. Nuić is also the composer of the ballet Prizivanje Peruna, choreographed by D. Boldin (première 21 May 1988), and one of the most often performed ballets at the National Theatre in Sarajevo.
Nuić has also written extensively for newspapers and magazines such as ...
Christopher A. Reynolds
(b Brazil, IN, Nov 1874; d New Haven, CT, Oct 25, 1932). American songwriter and publisher. She was among the most successful female songwriters of her generation. The daughter of John Dale Owen, a composer born in Wales, she was raised in Indiana and went to school near Terre Haute at St. Mary’s in the Woods. While there she sold her first song, evidently a setting of “Ave Maria.” Her obituary in the New York Times describes Owen as the composer of 200 works, yet it is unlikely that more than about half of those were ever published. In 1894 she composed and published her first and most enduring hit, the sentimental waltz song “Sweet Bunch of Daisies,” which sold a million copies. This song, the first of several about daisies, became a standard with country string bands and Appalachian fiddlers, and was also recorded by the blues harmonica player El Watson in ...
(b Luxembourg, Aug 16, 1884; d New York, Aug 19, 1967). American writer, publisher, and inventor. In 1904 he emigrated to America, where in 1908 he founded the first of a series of radio magazines (including Radio-Craft) which he wrote for and edited. He later turned to science fiction magazines (from ...
(b New York, NY, Dec 18, 1970). American journalist, essayist, and editor. Lewis graduated from Morehouse College in 1993 with a degree in sociology. He has published extensively on music and popular culture in magazines including Rolling Stone, The Village Voice, The Source, The Believer, and Spin, and served in editorial positions at Vibe, XXL, Oneworld, and BET.com. His writing incorporates a collector’s love of pop culture esoterica with a deep interest in the social history of African American life, and relies heavily on personal reflection. Lewis’s collection of essays Scars of the Soul Are Why Kids Wear Bandages When They Don’t Have Bruises (New York, 2004) is a personal exploration of hip hop’s history, told through the lens of his own upbringing in the Bronx in the 1970s and 80s, as well as his subsequent work as a journalist and hip hop critic. His second book is a contribution to the Continuum Press ...
Caroline Polk O’Meara
(bc1966). American music critic and editor. He graduated from Yale University in 1988. He began writing at the Rolling Stone in the late 1980s, where he often covered hip-hop, country, and rock music. In the wake of the 1992 Los Angeles riots, Light advised readers to pay closer attention to rap, pointing out that many artists had been critiquing urban violence well before the Rodney King beating. In 1993, Light left Rolling Stone to help launch the hip-hop magazine Vibe, where he was first the music editor before being promoted to editor-in-chief at the age of 26. During his six years at Vibe, Light helped the magazine demonstrate the appeal, profitability, and significance of hip-hop culture to both readers and advertisers. He left Vibe for Spin, staying there for three years as editor-in-chief. While Light was at Spin, the magazine, known for its coverage of alternative music, expanded its coverage of mainstream artists, reaching out to a broader audience. Since leaving ...
(b Boston, MA, May 10, 1937). American music critic, publicist, and editor. Solomon is best known for her contributions to the Village Voice, but has also written for Down Beat, Country Music, Hit Parader, the News World, and Us. She was one of the first women involved in popular music criticism; her work focused on folk music of the 1960s, jazz, blues, rock, and country music. Solomon’s column in the Village Voice was called “Riffs.” She also served as editor for the magazine ABC-TV Hootenanny (1963–4), which highlighted performers on the television show of the same name who were just beginning to rise to fame, including Judy Collins, Earl Scruggs, and Doc Watson. Other writers whose work appeared in the magazine included Theodore Bikel and Jean Shepard. Another of her important editing positions was on the magazine New Musical Express (NME) in the 1970s. Solomon also had a brief tenure as a publicist for Chess Records, where she produced a number of liner notes. Her commentary on such diverse subjects as J.J. Cale and Paul McCartney has given her voice a lasting impression in the music business....
Daphne G. Carr
[Thackray, Jerry ]
(b Chelmsford, England, April 21, 1961). English popular music critic and publisher. True is known as an incendiary character in British popular music journalism due to his self-aggrandizing tone, his polemical attitude, and his general curmudgeonliness. His pseudonym comes from an early 20th-century comic strip of a similarly behaving character.
He is known as the Legend, after Creation Records head Alan McGee gave him the role of MC at his club, Communication Bar. McGee let him write for the club’s fanzine, but True quit after two issues and started his own fanzine The Legend! He then wrote for New Musical Express (1983–8), was fired, and went to work for its rival Melody Maker (1988–2000). A 1989 assignment to profile Sub Pop Records for Melody Maker led him to befriend Nirvana’s Kurt Cobain. True was at Cobain’s house at the time of Cobain’s suicide. He later published ...
(b New York, NY, Feb 1, 1953). American music critic, film critic, and editor. Ken Tucker is the pop-music critic for the NPR program Fresh Air with Terry Gross, appearing weekly to review new releases. He is also editor-at-large for Entertainment Weekly magazine, where he has worked in various capacities since its founding in 1989. His Entertainment Weekly writing has won two National Magazine Awards, and his music criticism earned him two ASCAP Deems Taylor Awards (2003, 2004). Prior to that, he was the TV critic for the Philadelphia Inquirer, where he was a finalist for the Pulitzer Prize in 1984. He also served as film critic for New York Magazine in the years 2004–05. His writing about television, books, and music has appeared in Rolling Stone, SPIN, Esquire, the Village Voice, Vogue, and the New York Times. He has also made numerous television appearances, serving as a cultural observer on programs such as ...
David L. Crouse
revised by David W. Music
(b Tennessee, Oct 13, 1792; d Franklin, TN, Oct 18, 1859). American singing-school teacher and tunebook compiler. Nothing is known of his early activities or training, but by 1817 Carden was an established singing-school teacher in the Tennessee area. He taught a singing school in St. Louis, Missouri, in 1820, but probably returned to Tennessee shortly thereafter. In September 1822, Carden advertised a singing school in Nashville; he apparently continued to live in the Nashville area until 1850, when he moved to Williamson County (probably Franklin). His first tunebook, The Missouri Harmony, “published by the compiler” in St. Louis but printed in Cincinnati (1820, 2/1850/R 1975, 1994; modern revision, 2005), was the most popular fasola shape-note tunebook of the South and West until the Civil War, achieving at least 24 editions and reprints through 1857; however, Carden seems to have given up his interest in the book after the first edition, and subsequent issues were apparently the work of the Cincinnati printers. Carden procured shape-note music type and published two more tunebooks himself: ...