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Leonard Bernardo

(Andrejevich )

(b Novosibirsk, Russian SFSR [now Russia], March 16, 1947). Russian drummer, writer, broadcaster, and educator. He began playing jazz in 1962, and after graduating from the state medical institute in Novosibirsk in 1971 he pursued a dual career as a jazz musician and an obstetrician. In 1975 he established Tvorcheskoye Dhazovoye Ob’yedinenie (Creative Jazz Unity), the first association of musicians and jazz promoters east of the Urals. He performed with Vladimir Tolkachev in the Musical Improvising Trio (1975–9), with Igor Dmitriev in various groups (including, from 1977, Zolotoye Gody Dhaza (Golden Jazz Years), with Vytautas Labutis in the quartet SibLitMash (Siberian-Lithuanian Jazz Machine, 1980s), and with Vagif Sadykhov in another quartet (1998), while also working as a freelance with Vladimir Chekasin, Anatoly Vapirov, Igor Butman, Joe Locke, Paul Bollenback, and former members of Art Blakey’s Jazz Messengers, among others. In 1990 he began to broadcast on radio, and in ...

Article

Gary W. Kennedy

(b Reading, PA, Dec 18, 1932). American writer. He learned clarinet from the age of 12 and taught himself to play alto saxophone. After studying music theory at Florida State University (BA 1961) he played with the pianist John Benson Brooks (c1961–3), whose trio explored 12-tone composition and improvisation. From the early 1960s Heckman contributed to Down Beat, Metronome, and Jazz Review, and in the process he wrote a number of musical analyses of jazz performances (notably “Miles Davis Times Three,” DB, xxix/23 (1962), 16), which was an unusual practice at the time. Around the same period he played occasionally with Don Ellis, broadcast a jazz radio show on WBAI-FM in New York (1963–4), and performed in the October Revolution in Jazz (1964). From 1964 to 1972, with the tenor saxophonist Ed Summerlin, he co-led the ensemble Improvisational Jazz Workshop, in which Steve Kuhn, Ron Carter, Steve Swallow, Ed Shaugnessy, and Charli Persip were among their sidemen; the group recorded an eponymous album in ...

Article

(b Little Rock, AR, June 19, 1945; d Valhalla, NY, Nov 20, 1997). American writer. As a youth he played reed instruments with rock, country, and soul bands, and later performed as a member of an eclectic group called the Insect Trust, with which he recorded two albums. He was a co-founder of the Memphis Blues Festival in 1966, and the following year graduated from the University of Arkansas. In New York thereafter he became a widely published freelance writer on jazz, rock, and the avant garde. From 1975 he was a regular reviewer for the New York Times and in 1981 he was appointed to its staff of jazz and pop critics. Palmer wrote four books, the most important of which was a study of the Delta blues (Deep Blues, New York and London, 1981). He held teaching positions at Bowdoin College, Memphis State University, Brooklyn College, CUNY, Yale University, Carnegie Mellon University, and the University of Mississippi, where he worked after leaving the ...

Article

Daniel Zager

revised by Barry Kernfeld

[Robert (D.) ]

(b New York, c1945). American writer. He studied clarinet and drums and played drums in workshops with Jaki Byard (1968–71) and Cedar Walton (1972). In the 1960s and 1970s he wrote for American and European periodicals, including Down Beat, Jazz Journal, and Jazz Forum, and in 1975 he began publishing the monthly magazine Cadence, which in the following years printed many wide-ranging interviews with jazz and blues musicians and reviews of recordings. Later he formed Cadence Jazz Records (1980), which by the late 1990s had issued more than 100 recordings; North Country Record Distribution (1983), which distributes the jazz and blues recordings of more than 900 small independent labels; Cadence Jazz Books (1992), which publishes reference books, histories, and discographies; and CIMP (1996), for which he had produced about 100 recordings by the turn of the century. He donated his extensive indexed collection of books and journals, covering jazz and blues literature in the English language, to the Schomburg Center for Research in Black Culture of the New York Public Library (...