1-10 of 81 results  for:

  • Music Educator x
Clear all

Article

Jessica Bissett Perea

(b New York, NY, Jan 29, 1939; d Tijuana, Mexico, Oct 25, 2000). American jazz singer, lyricist, composer–improviser, multidisciplinary artist, and educator. During her 40-year career she performed internationally and recorded more than 40 albums, working with such artists as Carla Bley, Anthony Braxton, Marion Brown, Enrico Rava, Andrew Cyrille, Roland Kirk, Jimmy Lyons, Archie Shepp, Sunny Murray, Cecil Taylor, and Reggie Workman. Her vocal style reflects the influence of early mainstream jazz vocalists, including Billie Holiday and Dinah Washington, and the intellectualism of postwar avant-garde jazz and experimental music. Starting in the 1960s Lee forged a new path in multidisciplinary performance that fused the aesthetics of modern dance, vocal improvisation and sound poetry (intonation, non-verbal utterances, and vocalizations), and visual arts (paintings, slide projections, and film). In the 1970s she established Earthforms Rituals, a nonprofit corporation that promoted concerts and educational programs. She also completed an MA in education at New York University in ...

Article

James Patrick

(b Ansonia, CO, May 28, 1921). American jazz pianist. As a child performer he appeared in the original production of George Gershwin’s Porgy and Bess in 1935. From 1939 to 1943 he led the house band at Monroe’s Uptown House in New York, where he was in the forefront of the modernist movement that crystallized in the bop idiom. Though his work was seldom recorded, his harmonically advanced, flowing, and lightly percussive style mark him as an important forerunner of such early modern pianists as Bud Powell, George Wallington, Al Haig, and Duke Jordan. Repelled by the influence of narcotics in jazz, from 1946 he turned increasingly to other musical opportunities. In 1968 he settled in Buffalo, New York, where he performed, lectured at SUNY, and co-directed a state prison music program. He received an honorary doctorate from Buffalo State College in 1999.

L. Feather: Inside Be-bop (New York, 1949/...

Article

Michel Laplace

(b Mercatello, Italy, April 1, 1921; d nr Paris, 1980). French drummer and teacher. He studied music under the trumpeter and conductor Georges Prêtre and the bassoonist Maurice Allard and at the conservatory in Douai under Jack Diéval. He began to play at the Cambrai Hot Club, then as a professional in Lille with Benny Vasseur and the saxophonist Georges Grenu. In ...

Article

Eric Thacker

(b Prague, 1934). Czech double bass player. He first studied violin and trombone (1945–52), then double bass and theory (1957). In the early to mid-1960s he recorded many albums in Prague with Zdenek Bartak’s big band, Karel Vlach (1962–3), Karel Velebný’s quartet and quintet (1962–5), Jan Konopasek (1963), and the pianist Milan Dvořák (1964); in 1965 he toured and recorded with the Reduta Quintet. In West Germany and France he played with Leo Wright and Booker Ervin. He moved in 1966 to the USA, where he worked as a producer, arranger, conductor, and performer; he played with Elvin Jones, Tony Scott, Howard McGhee, and Attila Zoller, and recorded with Sonny Stitt (1966), Chico Hamilton (c1967, c1974), and Ervin (1968). As a member of Art Blakey’s Jazz Messengers (...

Article

Paul Rinzler

revised by Barry Kernfeld

[William, Jr. ]

(b Philadelphia, March 27, 1927; d Middletown, CT, Sept 21, 1989). American tenor and soprano saxophonist, composer, and teacher, brother of Kenny Barron. He first studied piano with his mother from the age of nine, but four years later changed to soprano saxophone and then to the tenor instrument. At the age of 17 he toured with the Carolina Cotton Pickers, after which he served as a musician in the army (1943–6), where his fellow bandsmen included Randy Weston and Ernie Henry. He then played tenor saxophone in Philadelphia with Red Garland, Jimmy Heath, and Philly Joe Jones; Dexter Gordon influenced his early style. In 1958 he moved to New York. There he performed and in 1959 recorded with Cecil Taylor, recorded with Jones in 1959–60, and co-led the group the Barron Brothers; he also formed a group with Ted Curson which in 1964 toured Europe, where it frequently broadcast on radio and television and recorded in Paris. He appeared with Taylor’s free-jazz group at the Newport Jazz Festival in ...

Article

Paul Rinzler

revised by Barry Kernfeld

[Kenneth ]

(b Philadelphia, June 9, 1943). American pianist, composer, leader, and teacher, brother of Bill Barron. He learned piano from the age of 12 and with the help of his brother secured an engagement when he was 15 with a rhythm-and-blues orchestra led by Mel Melvin; while in high school he also played double bass and tuba. Having worked with Philly Joe Jones (1959) and Jimmy Heath, and in Detroit with Yusef Lateef (1960), in 1961 he moved to New York and began appearing regularly at the Five Spot with James Moody, on whose recommendation he was engaged by Dizzy Gillespie; from 1962 to 1966 he toured Europe and North America with Gillespie. Barron then played briefly with Stanley Turrentine and was a member of several groups led by Freddie Hubbard (1967–9); by 1970 his compositions had been recorded by Gillespie, Hubbard, and Moody. He was again with Lateef from ...

Article

Leonard Bernardo

(Andrejevich )

(b Novosibirsk, Russian SFSR [now Russia], March 16, 1947). Russian drummer, writer, broadcaster, and educator. He began playing jazz in 1962, and after graduating from the state medical institute in Novosibirsk in 1971 he pursued a dual career as a jazz musician and an obstetrician. In 1975 he established Tvorcheskoye Dhazovoye Ob’yedinenie (Creative Jazz Unity), the first association of musicians and jazz promoters east of the Urals. He performed with Vladimir Tolkachev in the Musical Improvising Trio (1975–9), with Igor Dmitriev in various groups (including, from 1977, Zolotoye Gody Dhaza (Golden Jazz Years), with Vytautas Labutis in the quartet SibLitMash (Siberian-Lithuanian Jazz Machine, 1980s), and with Vagif Sadykhov in another quartet (1998), while also working as a freelance with Vladimir Chekasin, Anatoly Vapirov, Igor Butman, Joe Locke, Paul Bollenback, and former members of Art Blakey’s Jazz Messengers, among others. In 1990 he began to broadcast on radio, and in ...

Article

Barry Kernfeld

(b Heidelberg, Germany, March 30, 1935). German vibraphonist and teacher. He studied classical piano from the age of ten. As the house pianist for jam sessions at the Club 54 in Heidelberg, he learned to play bop in the company of such visiting American servicemen as Leo Wright, Cedar Walton, Lex Humphries, and Don Ellis; he also took up vibraphone and became interested in free jazz. Following studies in musicology and philosophy in Heidelberg and Berlin (PhD 1963) he joined Don Cherry’s free-jazz quintet, then based in Paris (1965); during this period he appeared in Appunti per un film sul jazz (Notes for a Film on Jazz) (1965). When Cherry’s group recorded in New York in September 1966 Berger remained in the USA, performing in schools for Young Audiences, Inc., with Horacee Arnold’s group (1967–71), periodically touring with his own bands, of which Carlos Ward, Dave Holland, and Ed Blackwell were members, and playing alongside Ward in a group led by David Izenzon. In autumn ...

Article

Tony Gould

(b Sydney, Feb 8, 1947). Australian singer. She first studied piano. From 1968 to 1971 she sang with a cooperative group, the Affair, touring Australia and England, after which she joined the Daly–Wilson Big Band and worked as a studio musician and in cabaret. In 1973–4 she toured North America, where she appeared on television and performed with her ensemble Compared to What. Following her return to Australia she presented her own radio program, “Kerrie Biddell and Friends,” for the Australian Broadcasting Corporation. During the 1970s she recorded three albums as a leader. In 1982 she formed a duo with the pianist Julian Lee and joined the faculty of the New South Wales Conservatorium in Sydney to teach jazz. She remained active through the 1990s. Biddell possesses a powerful voice with an uncommonly wide range and is a gifted improviser; she may be heard to particular advantage on the track ...

Article

Walter Ojakäär

(Mikhaylovich )

(b Moscow, June 9, 1944). Russian pianist, teacher, and composer. From 1962 to 1966 he led a trio at the Vserossiyskoye Gastrol’no-kontsertnoye Ob’yedinenie (All-Russian society for guest performances). He played with Aleksey Kozlov in the big band VIO-66 (the Vocal Instrumental Orchestra, directed by the composer Yuri Saulsky) and also in a quartet drawn from the band which recorded at a festival in Moscow in 1967. Thereafter he worked in a duo with German Luk’yanov (1969–70) and led various groups ranging in size from quartet to sextet (1969–91); these groups made several recordings, among them Pered zakhodom solntsa (1985, Mel. C60 21873003) and Live at the Village Gate (1988, Mobile Fidelity 861). Bril performed at festivals and concerts in Europe, Indonesia, Cuba, and the USA. From 1991 he led the group New Generation, which included his twin sons, the saxophonists Dmitry and Alexander (...