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Matthew Mugmon

(b San Diego, CA, Oct 11, 1954). American writer. He studied with Leonard Altman at the Tanglewood Music Center and charles Jones at Mannes College before attending Columbia University (BA 1979). Page wrote on culture and music for the New York Times (1982–7). He then served as chief classical music critic for Newsday (1987–95) and the Washington Post (1995–9, 2000–8), where he won a Pulitzer Prize (1997). He has subsequently taught music and journalism at the University of Southern California.

Page has shown a particular interest in 20th-century music and a special attraction to minimalism. But his music writing—some of which appears in the collections Music from the Road (New York, 1992) and Tim Page on Music (Portland, OR, 2002)—displays an expansive knowledge of classical and popular repertories, and he has blurred perceived boundaries between these categories. Page also hosted the radio program ...

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Alison Arnold

(b London, England, June 9, 1981). Indian sitār player and composer, daughter of ravi Shankar . Like her father, she is a solo classical performer and an innovative composer and collaborator, exploring musical fusions of the Indian and Western classical traditions and global popular styles.

She began taking sitar lessons with her father when she was nine, studying exclusively with him. At age 13 she gave her debut sitār performance in New Delhi, and made her first recording of North Indian classical music on her father’s four-disc compilation In Celebration (1996). She toured and played sitār with her father while still in high school. At 16 she performed her father’s Concerto no.1 for Sitar and Orchestra with the LPO under Zubin Mehta. In 1997 she conducted an Indian orchestra for her father’s collaborative recording with George Harrison, The Chants of India.

One year before graduating from high school, she released her first solo classical album, ...

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Epic  

Christopher Doll

Record company. It was established by CBS in 1953 as a subsidiary of Columbia Records. Although from the start its issues included jazz and pop, Epic for many years was known primarily for its recordings of George Szell conducting the Cleveland Orchestra (including those made with a young Leon Fleisher as piano soloist). In the latter part of the 1950s, as rock and roll began to overtake the industry, the company struggled to find itself artistically and commercially, accumulating an odd assortment of American, Australian, and European performers representing a wide array of classical, jazz, and popular styles.

The label’s fortunes began to change in 1964 with its participation in the British Invasion. Epic distributed the American releases of the Dave Clark Five and the Yardbirds and later those of the Hollies and Donovan. The true turning point for the company was the signing in 1967 of Sly and the Family Stone, whose critical and financial success helped redefine the label as a youth-oriented powerhouse. The company expanded through the 1970s, achieving unimaginable heights in the 1980s with Michael Jackson’s mature solo work (...

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George J. Grella

(b Arlington, MA, Dec 17, 1954). American composer, singer, broadcaster, and journalist. He taught himself to play drums, piano, and guitar as a teenager, after seeing Soft Machine open for Jimi Hendrix when he was 13. He attended the Rhode Island School of Design (BA 1976), where he played jazz piano, sang, composed chamber music, and organized free-jazz ensembles. He moved to New York and worked as a graphic designer and illustrator, producing work for Paul Bley’s label Improvising Artists and for composer La Monte Young, while making music on the side. Garland followed the twin paths of piano improvisation and composition for chamber ensembles in the minimalist style and later joined Nigel Rollings’s band Ad Hoc Rock; with Rollings he sang and played drums, guitar, and keyboards and appeared at The Kitchen, Carnegie Hall, and in the Noise Fest at White Columns (1981). In ...