(b Paris, Jan 16, 1920). French clarinetist and bandleader. In 1941 he put together a jazz band which by 1943 had been joined by Boris Vian and was considered the first revival band in France. At its peak, in the years 1944–6, Abadie introduced such musicians as Claude Luter, Jef Gilson, and, from 1945, the Fol brothers, who may be heard on Tin Roof Blues (1946, Swing 212) and I’ve found a new baby (1946, Pathé 1013 [EP]). The band was strongly influenced by the Chicagoans and Bix Beiderbecke. In 1949 Abadie assembled a new band with such young players as Benny Vasseur and Jean-Claude Fohrenbach. He then retired from music (1952–63), but from 1965 led a modern-jazz nonet or tentet, which included the tenor saxophonist Paul Vernon (playing in a style influenced by Lester Young), with a repertory consisting of compositions by Ahmad Jamal, John Lewis, John Coltrane, and others....
Rainer E. Lotz
(bMinneapolis, May 7, 1900; dMinneapolis, Sept 15, 1975). Americanbandleader and violinist. He began his career playing light and classical music as a member of J. Rosamond Johnson’s orchestra (1920–25). In 1925 he recorded as a soloist with Clara Smith (If you only knowed, Col. 14058D, and You better keep the home fires burning, Col. 14062D) and began to lead his own band. The following year he directed the Savoy Bearcats, and in 1927 he reorganized the group for a tour of Brazil, Argentina, and Uruguay; he also took a band to England. Between 1928 and 1939 he toured extensively in Europe and visited India twice. After returning to the USA he organized a band in 1940 for Ethel Waters, toured with a small group, and then settled in Chicago, where he played regularly with a trio until 1964. Although he was not a jazz soloist, Abbey employed excellent sidemen, including Fletcher Allen, Emile Christian, Bill Coleman, Peter DuConge, and Crickett Smith. His jazz recordings as a leader remain unissued except for ...
(b Port Chester, NY, Dec 16, 1944). American jazz guitarist, composer, and bandleader. He grew up in Greenwich, CT, and began playing guitar at the age of 14. He was primarily self taught until he studied at the Berklee College of Music (1962–6) and with Jack Petersen. Abercrombie joined Johnny Hammond’s touring band after the blues organist had spotted him performing with other Berklee students at Paul’s Mall in Boston. After studying briefly at the University of North Texas, in 1969 he moved to New York where he performed and recorded in Billy Cobham’s jazz-rock band Dreams (1970), joined Chico Hamilton’s group, and recorded with Gato Barbieri (1971), Barry Miles (1972), and Gil Evans (1974). Abercrombie attracted wider attention performing with Cobham’s fusion band Spectrum from 1974. He also toured with Jack DeJohnette and recorded his debut album, ...
Rainer E. Lotz
(bSan Girolamo di Lusiana, province of Vicenza, Italy, May 15, 1898; dMilan, Aug 1960). Italianbandleader, saxophonist, and violinist. He was brought up in Switzerland, where he formed a café orchestra with his brother Felice, who played banjo and violin. From 1925 to 1932 he toured Italy, Germany, and Switzerland and made several recordings as a leader for Homocord (1927–8, including Just Once Again, 2514, and Say it with a Red Rose, 2524, both 1928), in which Arthur Briggs may have taken part. Abriani held an engagement in Calcutta from 1932 to 1934, during which time he recorded for HMV’s Twin label. After returning to Europe he toured (1934–9) and made further recordings (1937–9), and then settled in Italy. Although he was not himself a jazz soloist, he often employed excellent jazz players as his sidemen. (A. Mazzoletti: Il jazz in Italia: dalle origini al dopoguerra...
(bSydney, March 31, 1922; dSydney, Aug 11, 1987). Australiansaxophonist, clarinetist, and bandleader. He began to play saxophone in 1933 and joined George Fuller before working as a freelance musician and in wartime entertainment units. Following the war he performed in nightclubs and pit orchestras, and in coffee lounges in Melbourne (1948), then worked in Sydney with the trombonist George Trevare and as a freelance musician. From 1955 he led bands in Sydney hotels, among them the Criterion (1958–65), the Windsor Castle, and the Bellevue. Later he was a member of bands led by Dick Hughes (1979–85) and Alan Geddes (1984–6) and led his own group at the Canberra Hotel in Paddington, Sydney. He retired in 1986 because of ill-health. Acheson’s playing, which was chiefly in dixieland and swing styles, is heard to advantage on Merv Acheson 60th Birthday Concert...
(b Bucharest, Oct 18, 1909; d Wabern, nr Berne, March 9, 1960). Swiss conductor . After studying at the Royal Academy in Bucharest and the Berlin Hochschule für Musik, he became Kapellmeister at the Düsseldorf Opera House, and in 1932 chief Kapellmeister and opera director at the German Theatre in Brno. He was chief Kapellmeister at the Berne Municipal Theatre (...
(b Hinsbourg, Jan 4, 1904; d Illkirch-Graffenstaden, Sept 7, 1984). French conductor, composer and opera administrator . He studied in Strasbourg with Erb and in Paris with Koechlin and Gédalge. He joined the Strasbourg Opera in 1933 as a répétiteur and stayed until he retired in 1972, being successively chorus master (1933–6), conductor from 1936, co-director (with Ernest Bour) from 1955 to 1960 and director (1960–72).
Adam sought to create a balanced repertory of French, German and Italian classics, together with contemporary works (such as Jean Martinon’s Hécube, 1956, which was specially commissioned) and revivals of rarely given masterpieces such as Les Troyens (1960) and Roussel’s Padmâvatî (1967). He gave the first French performances of Bizet’s Don Procopio (1958), Françaix’s L’apostrophe (1958), Dallapiccola’s Il prigioniero (1961), Strauss’s Die Frau ohne Schatten (1965), Britten’s ...
(b Tampa, FL, Nov 25, 1931; d Lakeland, FL, Jan 2, 2000). American jazz cornetist, bandleader, and composer, brother of Cannonball Adderley. He took up trumpet as a child at the suggestion of his father, a cornetist, but switched to cornet in 1950. His career was closely linked with that of Cannonball. They formed their first band as children and played together through school, college, and the Army. Adderley then played with Lionel Hampton (1954–5), before joining Cannonball’s new band after the saxophonist’s Café Bohemia debut (1955). He then worked with J.J. Johnson and Woody Herman (1957–9) while his brother was with Miles Davis, after which he spent 16 years as a member of Cannonball’s successful quintet (1959–75). During this period he played the trumpet part for Sammy Davis Jr. in the film A Man Called Adam (1966). Following Cannonball’s death in ...
(b Puerto Príncipe, Cuba, ?Nov 28, 1844; d Havana, ?Dec 31, 1918). Pianist, music teacher, arranger, conductor, composer, and lawyer of Cuban birth, naturalized American. Born into a prominent family in Puerto Príncipe, Cuba (present-day Camagüey), Agramonte strongly supported the movement for independence from Spain. He studied music and the law in Cuba, Spain, and France. After vocal studies with Enrico Delle Sedie (1822–1907) and François Delsarte (1811–71) at the Paris Conservatory, he immigrated to the United States, settling in New York in 1869, where he remained until after Cuban independence in 1898. He became a US citizen in 1886.
In the 1870s and 1880s, Agramonte taught music at the Academy of Mount Saint Vincent in the Bronx. In the 1890s he taught with Dudley Buck and William Mason at the Metropolitan College of Music and ran his own School of Opera and Oratorio at his home, teaching singers such as ...
J. Bradford Robinson
(b Dairen, China, Dec 12, 1929). Japanese jazz composer, pianist and bandleader. She studied classical music and turned to jazz only in 1947 after moving to Japan. There she was discovered by Oscar Peterson, who urged her to take up a career in the USA. After studying at Berklee College of Music (1956–9) she became a highly regarded bop pianist, especially in groups with the alto saxophonist Charlie Mariano (who was at that time her husband). She worked in Japan (1961), joined Charles Mingus in the USA (1962–3), then returned to Japan until 1965. In 1973 she founded a large rehearsal band in Los Angeles with the tenor saxophonist and flautist Lew Tabackin, whom she had married in 1969. Its first album, Kogun (1974, RCA), was commercially successful in Japan, and the group attracted increasing popularity and critical acclaim until, by ...