1-10 of 16 results  for:

  • Film, Television, and Video Game Music x
  • Musical Concepts, Genres, and Terms x
  • Composer or Arranger x
Clear all

Article

Christopher Palmer and Sergio Miceli

(Alexandrovich)

(b St Petersburg, Russia, 16/29 Oct 1901; d Rome, Italy, 7 June 1983). Italian composer and conductor of Russian origin. A grandson of the composer Nikolay Sokolov and a brother of the cellist Massimo Amfitheatrof, he studied with Vītols in St. Petersburg and Křička in Prague, but the greater part of his training was undertaken in Rome, where he studied composition with Respighi at the Conservatorio di S Cecilia (diploma 1924) and the organ at the Pontifical Academy of Sacred Music. He was engaged as a pianist, organist, and chorus assistant at the Augusteo (1924–9), also conducting the orchestra under Molinari's supervision. Thereafter he was artistic director of the Genoa and Trieste radio stations and conductor and manager for Italian radio in Turin; he also conducted elsewhere in Europe. In 1937 he went to the United States as associate conductor of the Minneapolis SO, and in ...

Article

Martin Marks

(b New York, NY, 19 April 1888; d Ukiah, CA, 13 Feb 1959). Composer and conductor. After private music study in Berlin, he conducted for Oscar Hammerstein's Manhattan Opera Company, which closed in 1910, and then for productions on Broadway. By 1921 he had become an assistant conductor at the Capitol Theater, where silent films were presented with full orchestral accompaniment; in 1923, in partnership with David Mendoza, he replaced Erno Rapée as principal conductor. In addition to conducting, he composed incidental film music for the Capitol as needed, including 57 pieces published in the Capitol Photoplay Series (New York, 1923–7). From 1925 to 1929 he collaborated with Mendoza in New York on compilation scores for at least 20 MGM films, beginning with The Big Parade. Their collaboration continued with the music for Don Juan (1926), the first feature film score to be presented using the Vitaphone process, which mechanically synchronized the playback of music recorded on wax discs with the projection of the film. In ...

Article

Daniel Goldmark

(b Minneapolis, MN, 28 March, 1941). Composer for television, conductor, arranger, and orchestrator. Clausen grew up in Jamestown, ND, where he took up French horn and piano, as well as singing in school choirs. He attended North Dakota State University studying mechanical engineering before a summer in New York City, before being exposed to first-run Broadway musicals and other professional musical settings convinced him he should pursue music instead. He took up string bass and baritone sax and graduated with a degree in music in 1963, followed by a masters degree at Berklee College of Music.

After moving to southern California, his first high-profile professional gig was as an arranger for the second season of The Donny and Marie Show, and eventually conductor and music director for the show’s third season. He moved away from variety and into scripted drama with his work on Moonlighting; during this time he also scored the comedy series ...

Article

George J. Ferencz

(b Hartford, CT, 3 Aug 1906; d Los Angeles, CA, 26 Sept 1972). Conductor, composer, arranger, and film producer. He attended Loyola College, later studying with Joseph Schillinger and Ernst Toch. Beginning in 1927, he conducted Broadway musicals by several of its leading songwriters, including Schwartz (Flying Colors, 1932), Romberg (May Wine, 1935), Arlen (Hooray for What?, 1937), Porter (Leave it to Me, 1938), Kern (Very Warm for May, 1939), and Berlin (Louisiana Purchase, 1940). He also appeared frequently as a network radio conductor during the 1930s. He joined Paramount in 1941 and worked on several dozen films, variously as composer, arranger, conductor, or musical director, including Holiday Inn (1942), Lady in the Dark (1944), and Blue Skies (1946). He also served as producer for the lavish Paramount musicals White Christmas...

Article

David Ades

(Joseph)

(b Toronto, ON, 24 July 1917; d Guernsey, 23 April 2005). Canadian arranger, composer, and conductor. He began his career as a trumpet player in dance bands and later worked for Percy Faith's CBC Orchestra. By 1942 he had composed two symphonies, and in 1944 he came to Britain as conductor of the Canadian Band of the Allied Expeditionary Force, alongside Glenn Miller and George Melachrino fronting the US and British bands. He took his army discharge in Britain, where Decca contracted him to work with their leading singers such as Vera Lynn and Gracie Fields; the BBC granted him a radio series with his own orchestra. He began composing for the cinema, and early successes out of some 40 scores included Spring in Park Lane, Maytime in Mayfair, and Captain Horatio Hornblower R.N. The emergence of LPs provided orchestra leaders such as Farnon the opportunity to develop their arranging and composing talents more fully, and his Decca albums from the 1950s have become highly prized by admirers, especially fellow musicians in the United States. Many have acknowledged his influence, including John Williams, Henry Mancini, Quincy Jones, and Johnny Mandel. Farnon's light orchestral cameos are among the finest to have been written since World War II, notably ...

Article

Fred Steiner

(b Salt Lake City, UT, 26 March 1907; d Long Beach, CA, 10 Dec 1969). Composer and conductor. He studied music at the University of Utah and took private piano and organ lessons with the conductor of the Mormon Tabernacle Choir, J. Spencer Cornwall. After working for radio stations in his native city, he moved to California (1928), where he arranged music and conducted for radio stations in Los Angeles and San Francisco. From 1932 to 1941 he worked for Walt Disney, writing for the Silly Symphony series and many other short films. He also composed for Disney's first two animated feature films: Snow White and the Seven Dwarfs and Pinocchio; for the latter he won Academy Awards for best original score and best song (“When you Wish upon a Star”). After leaving Disney he worked at various studios (mainly RKO and 20th Century-Fox), composing, conducting, and arranging for more than 120 feature films and several television programs. Although sometimes typecast as a scorer of comedies, Harline was a skillful, imaginative, and often original craftsman, whose best work reveals a genuine dramatic flair. Two of his Disney scores, ...

Article

Kate Daubney

[Leonard](George)

(b New York, NY, 13 Feb 1908; d Los Angeles, CA, 24 April 1971). Musical director, conductor, and arranger. He began his career as a pianist, playing and arranging for jazz artists, in particular for the Paul Whiteman Orchestra in the late 1920s. His arrangements of classic songs for Whiteman, such as “Nobody's Sweetheart,” are considered among the finest of their era, blending jazz instruments with those of the traditional orchestra. His later arrangement of “Star Dust” provided a hit in the early 1940s for clarinetist Artie Shaw. In 1940 he became musical director for Metro Goldwyn Mayer studios before moving to Twentieth Century-Fox in 1953. He was involved in arranging scores for a number of films and musicals, including The Harvey Girls (1945) and The Pirate (1948); the arrangements reflect the complexity achieved in his work for Whiteman, although film music had only recently incorporated jazz into its idioms. He was nominated for Academy Awards for his work on several notable musicals, including ...

Article

Kate Daubney

(b Haverstraw, NY, 25 Aug 1908; d Los Angeles, CA, 3 Feb 1980). Musical director, orchestrator, and conductor. His association with cinema music began as a young man with employment as a pianist and organist for a silent movie theater in Mechanicsville, New York. He became a protégé of Leo Forbstein, the first musical director at Warner Bros.’ studios, after helping with the scoring of the first sound film, The Jazz Singer (1927). He effectively served his apprenticeship with Warner Bros., rising through the music department as a performer and orchestrator-arranger. During this period he orchestrated for Max Steiner on Daughters Courageous (1939). When Forbstein retired in 1947, Heindorf succeeded him, remaining as head of the department until 1959, although he continued to conduct and arrange scores. He was nominated for 18 Academy Awards between 1942 and 1968 and received three: for the musical direction on ...

Article

Durrell Bowman

(Roy)

(b Los Angeles, 14 Aug 1953; d Santa Barbara, CA, 22 June 2015). American film composer and conductor. The son of the Bohemian American production designer Harry Horner, James Horner studied at the RCM, where his teachers included György Ligeti. He moved to California in the early 1970s and attended the University of the Pacific and then USC. He then earned the master’s degree in composition and music theory at UCLA, where he also taught music theory and worked on a doctorate; his professors included Paul Chihara. In 1978 Horner scored a series of films for the American Film Institute (including The Watcher), and in 1979 he began scoring feature-length films, including work for B-movie producer Roger Corman.

Horner often incorporates electronic elements, choral or solo vocal music (including wordless female voices), and Celtic and other ‘world music’ elements. He has scored a large number of science fiction and action films, and also many dramas and children’s films, totaling nearly one hundred feature film scores as of ...

Image

North  

In 

Film composer Alex North, Broadway composer Leonard Bernstein, bandleader Benny Goodman, Oct. 28, 1946

Photofest