(b Florence, SC, May 23, 1917; d Boston, Feb 7, 1977). American pianist and teacher. He began his studies with Walter Goldstein in New Orleans. At the age of ten he entered the Curtis Institute, where he was a pupil of Isabelle Vengerova and David Saperton (diploma 1938). In 1940 he became the first winner of the Leventritt Award, and in 1941 he made his début with the New York PO in Carnegie Hall, performing Beethoven’s Third Piano Concerto. He then embarked on an international career, making tours of the USA, Europe, Israel and Japan; in 1964 he performed 16 concerts in the Soviet Union. One of the first internationally renowned pianists to teach at an American state university, Foster held positions at Florida State University (1949–51) and then at Indiana University (1952–77), where he developed a reputation as an outstanding teacher. His playing was remarkable for its virtuosity and his repertory notable for including lesser-known works of the 19th and early 20th centuries. He made several recordings for the Musical Heritage Society, including two Mozart Concertos, Beethoven’s ‘Appassionata’ Sonata and Schumann’s ...
(b Satu-Mare, Sept 9, 1946). Israeli violinist of Romanian birth. She studied at the Rabin Academy in Tel-Aviv, and then in the USA as a protégée of Isaac Stern. She also worked with Josef Gingold at Indiana University (1966–7), and with Ivan Galamian at the Juilliard School (1967–9). She won the 1968 Paganini International Competition at Genoa, and the 1971 Queen Elisabeth of Belgium Competition at Brussels. Her prizewinning performance of the Sibelius concerto on the latter occasion was subsequently issued as a recording, and was praised for a maturity of approach and vibrant expression reminiscent of Ginette Neveu. Her New York recital début was in 1969, and her British début was at Windsor Castle in 1971. In 1986 she joined the faculty of Indiana University, where she gave the first performance of Donald Erb's Together Forever: Three Poems (1988) and recorded his violin concerto. She has toured widely, and is admired for intelligent and perceptive musicianship as well as spirited brilliance of technique....
(b Lemberg [now L′viv], April 16, 1906; d Los Angeles, March 12, 1989). American pianist and teacher of Polish birth. Having graduated from the Lwów (formerly Lemberg) Conservatory at the age of 15, he went to Vienna and became a pupil of Steuermann, also taking private lessons in composition from Berg. He made his Vienna début in 1923. Before World War II Gimpel toured with the violinists Erica Morini and Nathan Milstein, and also with his younger brother, Bronislav. He emigrated to the United States in 1939, settling in Los Angeles. One of the first pianists to record for the newly founded company Vox, he also made widely admired discs for Columbia. In 1954 he resumed playing in Europe. Gimpel gave concerts with the Palestine SO (later the Israel PO) from its inception and maintained a busy career until the time of his death. He taught at the California State University at Northridge from ...
R. Allen Lott
(b Washington DC, Aug 15, 1884; d New York, July 17, 1965). American pianist and teacher. He studied with S.M. Fabian in Washington, DC, Rafael Joseffy in New York and Theodor Leschetizky in Vienna (1907–10), eventually serving as Leschetizky’s assistant (1909–10). After teaching at the Ganapol School of Musical Art in Detroit (1910–12), he made his European début in Vienna in 1912 and spent the next four years teaching in Munich and performing throughout Germany. He then settled in New York where he taught at the Volpe Institute of Music (1916–17) and the Institute of Musical Art (1918–23) and was editor-in-chief of piano music for G. Schirmer (1920–25). He made his New York recital début on 14 March 1917 and thereafter performed extensively in Europe and the USA; he also gave two-piano recitals with his wife, Jewel Bethany Hughes. His memorabilia are held at the University of South Carolina....
revised by Katharina Uhde
(b Kitsee, nr Pressburg [now Bratislava], June 28, 1831; d Berlin, Aug 15, 1907). Austro-Hungarian violinist, composer, conductor, and teacher. He was born on the Esterházy estates into a Jewish family which moved in 1833 to Pest. His talent was recognized at an early age and systematically nurtured. His first teacher was the leader of the Pest Opera Orchestra, Serwaczyński, with whom Joachim made his public début at the Adelskasino in Pest, on March 17, 1839. He went to Vienna to play first for Hauser and then for Georg Hellmesberger the elder, and took lessons from Joseph Böhm, a former pupil of Rode, himself taught by Viotti, both of whom adhered to the classical French school.
By the age of 12 his technique was fully developed, and in early 1843 he began studying with Mendelssohn in Leipzig. The meeting with Mendelssohn was so decisive for the young Joachim that his life can be understood in terms of a mission to promote Mendelssohn’s work. The composer arranged for Joachim to receive composition tuition from Hauptmann, and also a good general education. After a successful début playing Bériot’s Adagio and Rondo at the Leipzig Gewandhaus in ...
William Y. Elias
(b Budapest, Oct 1, 1907; d Tel-Aviv, July 6, 1977). Israeli composer, string player and teacher of Hungarian origin. Born to an assimilated Jewish upper middle class family, he was a child prodigy and studied the violin with Ormandy. Hubay heard him play the violin at the age of eight and took him as a pupil at the Budapest Academy of Music, where he also studied composition with Kodály. After graduating from the academy in 1924, he was leader of the Lucerne Stadtsorchester (1924–6) and the Budapest Konzertorchester (1926–7). In 1927 he moved to Germany, working as a soloist, and in 1933 he became first violinist of the Jewish Cultural Centre. At the end of that year he returned to Hungary, moving then to Baku to teach the violin and composition at the conservatory (1935) and returning to Budapest as leader of the Konzertorchester (...
Robyn Holmes, Peter Campbell and Judith Crispin
Robyn Holmes and Peter Campbell, revised by Judith Crispin
(b Tianjin, China, Sept 10, 1934). Australian composer, pianist, and musicologist. Born to Russian-Chinese parents, he emigrated to Australia with his family in 1951. He studied the piano at the NSW Conservatorium of Music, Sydney, where his teachers included Winifred Burston (1952–8), and in San Francisco with Egon Petri (1959–61). On his return to Australia, he taught at the Queensland Conservatorium (1961–5) and lectured on contemporary composition at the University of Queensland. In 1965 he assumed the position of Head of Keyboard at the newly founded Canberra School of Music (now part of the Australian National University), where he became Head of Composition and Head of Academic Studies in 1978, and Professor Emeritus and Distinguished Visiting Fellow in 2005.
Sitsky first came to prominence as a composer at the inaugural Australian Composers’ Seminar (Hobart, Tasmania, ...
(b Tel-Aviv, Jan 9, 1927). Israeli cellist and teacher. He studied at the academies in Jerusalem and Tel-Aviv, at the Juilliard School in New York and with Pablo Casals. In 1953 he won the Piatigorsky Prize, and he also won prizes in the International Cello Competition in Moscow and the Pablo Casals International Competition in Israel. Wiesel was the first to perform the full cycle of Bach's cello suites in Israel, as well as concertos by Berio, Ligeti and Lutosławski. As dedicatee he has given the first performances and made recordings of concertos and pieces for unaccompanied cello by many Israeli composers. Wiesel was also a founder member of the Tel-Aviv String Quartet (1959–93). He was appointed professor at the music department of Tel-Aviv University in 1965, and has taught many of Israel's leading cellists. He has given masterclasses in cello and chamber music internationally, and has been a jury member in international cello competitions. He specializes in Baroque repertory, and has contributed many articles to ...