(b Anguilla, MS, March 21, 1919; d Hazel Crest, IL, 15 June, 1995). American gospel director, singer, composer, and publisher. Anderson established a career forming and training gospel groups in Chicago. His formative years were spent as one of the original Roberta Martin Singers, one of the premiere gospel groups of the 1930s and 1940s. He left briefly, between 1939 and 1941, to form the first of his many ensembles, the Knowles and Anderson Singers with R.L. Knowles. He rejoined Martin, but ultimately resigned because of the travel demands. In 1947 he formed Robert Anderson and his Gospel Caravan, but after several members left in 1952, he formed a new set of singers that recorded and performed under the name the Robert Anderson Singers through the mid-1950s. Throughout his career, Anderson recorded on a multitude of labels including Miracle and United with Robert Anderson and the Caravans; and later with the Robert Anderson Singers, on Apollo. Anderson wrote, and often sang lead on, many of the songs his groups performed, including “Why Should I Worry” (...
Roxanne R. Reed
(b Edgard, LA, Dec 24, 1920; d New Orleans, June 23, 2019). American trumpeter, arranger, producer, songwriter, bandleader, and singer. He started his career as a trumpeter playing with established bands led by, among others, Papa Celestin, Joe Robichaux, and Claiborne Williams before joining Fats Pichon’s ensemble, considered one of the top groups in New Orleans, in 1939. During World War II he played in the 196th AGF (Army Ground Forces) Band, where he met Abraham Malone, who taught him how to write and arrange. After the war, he formed his own band in New Orleans, which made its début at the Dew Drop Inn and later performed at Sam Simoneaux’s club Graystone where many of the city’s top instrumental players, including the drummer Earl Palmer and the saxophonists Lee Allen and Red Tyler, were showcased.
Bartholomew is best known for his talents as an arranger and songwriter. In the 1950s and 60s he worked with many of the biggest stars of the day, including Smiley Lewis, Lloyd Price, Shirley and Lee, and Joe Turner. By the 1970s he had associations with some of rock and roll’s most established talents, including Paul McCartney, Elton John, and the Rolling Stones. His most productive association was with Fats Domino, whom he met through Lew Chudd, the owner of Imperial Records, where he worked as a house arranger, an A&R man, and an in-house bandleader. From ...
(b Detroit, MI, Feb 16, 1935; d South Lake Tahoe, CA, Jan 5, 1998). American singer, composer, producer, actor, and politician. Bono began his career as a composer; one of his first songs, “Things You Do To Me,” was recorded by Sam Cooke in 1957–8. He eventually made contact with Phil Spector, with whom he worked closely for several years. One of his first successes came in 1963, when his song “Needles and Pins” (co-written with Jack Nitzsche) was recorded by Jackie DeShannon and reached number one on the charts in Canada. The height of his musical career came in the 1960s and 1970s as part of the duo Sonny and Cher. He wrote, produced, and performed on many of their hits, including “I Got You Babe” and “The Beat Goes On.” Success with Cher, to whom he was married from 1964 to 1975, led to many appearances on television, including ...
(b Honolulu, HI, Nov 9, 1909; d Honolulu, HI, April 27, 1992). Hawaiian singer, musician, bandleader, composer, and impresario. Sol Bright was a master entertainer of the old school: an energetic showman, accomplished musician, comic hula dancer, composer, raconteur, and entertainment director during Hawaiian music’s era of greatest international appeal, the 1920s through the 1960s.
His professional experience began as a teenager playing drums with his sister Hannah’s dance band. In 1928 an offer to play rhythm guitar and sing with Sol Ho`opi`i took him to Kaleponi (California), where a large community of Hawaiian musicians had formed. He started his own group, The Hollywood Hawaiians, in 1932. Playing steel guitar and singing, he recorded prolifically for major labels. He also appeared on radio and in four films: South Sea Rose,Charlie Chan’s Greatest Case,Flirtation Walk, and White Woman. Bright composed a number of songs that have become standards, including the jazzy English language “Sophisticated Hula” and “Hawaiian Cowboy,” a show-stopping novelty song in Hawaiian. With rapid-fire verses, reflective of fast ...
(b Huntington, NY, March 27, 1970). American singer, composer, producer, and actress. She is one of the top-selling artists of all time, a star in R&B and pop who sold, according to some estimates, more than 200 million albums during the 1990s and 2000s. She learned to sing as a child from her mother, an opera singer and vocal coach. While in high school she sang backing vocals for other artists and developed her own compositional style. She moved to New York in the mid-1980s and became a backing singer for Brenda K. Starr. The record company executive Tommy Mottola sought out Carey after hearing her voice on a demo tape. He immediately offered her a recording contract, resulting in her first album, Mariah Carey (1990); the two eventually married. Carey wrote or co-wrote a significant portion of the music on her first album and insisted on maintaining a degree of control over its production. Both of these elements have become her standard practice, and she is one of the few major pop artists to compose much of her own material. ...
[Colón Román jr, William Anthony; ‘El malo’]
(b South Bronx, New York, April 28, 1950). American bandleader, composer, arranger, trombonist, popular singer, producer and actor. Dubbed ‘El malo’ (the ‘bad boy’) of salsa, he began playing the trumpet in 1963 with the teenage band the Dandees. Switching to trombone, he made his professional début at 17 with the album El malo (Fania, 1967). Both as a bandleader and a member of the Fania All-Stars, he quickly moved to the fore of the burgeoning New York salsa scene, cementing the raw, trombone-heavy ‘New York sound’ inspired by earlier artists such as Eddie Palmieri and Mon Rivera. Between 1967 and 1973 he made a series of important recordings with vocalist Hector Lavoe, which included the albums Asalto Navideño I and II (Fania, 1972 and 1973) with cuatro virtuoso Yomo Toro, where traditional Puerto Rican Christmas aguinaldos were fused with salsa. During his second period (...
[Laka D; Koc, Dorota Mary]
(b Oxford, England, Jan 8, 1953). English singer, pianist, composer, and music director. From a background in rock and soul bands, notably Soulyard, from 1982 to 1988 she was a member of the Guest Stars, in which she played piano and sang; she also wrote much of the group’s material. In 1982 she co-founded the Lydia D’Ustebyn Swing Orchestra, was an organizer of Early Evening Jazz, the first women’s jazz festival held in London (at the Drill Hall), and sang in the a cappella group the Hipscats (comprising five singers, including Jan Ponsford, Jim Dvorak, and Ruthie Smith, and later the pianist Alastair Gavin). An intermittent affiliation with Carol Grimes involved work in her band and in a duo. She sang and played piano with Annie Whitehead, with whom she recorded the album Mix Up (1985, Paladin 6), then led her own band, which included Claude Deppa. In the 1990s she played with Mervyn Afrika, Kate Westbrook, the percussionist Josefina Cupido, and the saxophonists Louise Elliot and Diane McLaughlin, composed and directed music for stage shows, and taught. Laka Daisical is a propulsive pianist and exciting performer heavily influenced by African-American gospel music, as exemplified by ...
(b Plainview, TX, Aug 10, 1928; d Varina, VA, June 13, 2010). American singer, songwriter, and entrepreneur. Despite achieving only a few hits, he played a pivotal role in advancing the prominence of country music on network television. Born into poverty in rural Texas, he learned piano with his mother. During postwar service in the US Air Force, he was stationed near Washington, DC. Following his discharge in 1948, he began performing in the region playing accordion with his band the Texas Wildcats. His first hit was “Bummin’ Around” (1952, Mer.). In 1955 he began hosting a local morning TV show, Town and Country Time. For a time Roy Clark was the Wildcats’ guitarist and banjoist with an unknown Patsy Cline a frequent guest. After joining CBS he hosted the morning show “Country Style” (1957) from Washington and the daytime program “The Jimmy Dean Show” (...
Dina M. Bennett
(b Vicksburg, MS, July 1, 1915; d Burbank, CA, Jan 29, 1992). American blues double-bassist, vocalist, songwriter, arranger, and record producer. He learned to sing harmony and write poems which he turned into songs as a teenager. In 1951, he joined the staff of Chess Records and became the label’s primary blues songwriter and producer. Many of his songs contained motifs most commonly associated with African American life in the South such as magic, voodoo, and country folkways, and were recorded by blues artists Muddy Waters, Howlin’ Wolf, Little Walter, Koko Taylor, and many others. Among his most famous songs are “Back Door Man,” “Little Red Rooster,” “Spoonful,” “Hoochie Coochie Man,” “I Just Want to Make Love to You,” “Mellow Down Easy,” and “My Babe.” With more than 500 compositions to his credit, Dixon was influential in creating the sound of “Chicago blues,” a post World War II blues style that replaced the basic guitar/harmonica duo of Delta blues with electrically amplified versions of the guitar, bass guitar, and harmonica with the addition of drums, piano, and sometimes the saxophone. In ...
(b Hohensalza [now Inowrocław, Poland], Aug 18, 1879; d Los Angeles, CA, Nov 7, 1945). American singer, songwriter, and impresario. His family immigrated to the United States in the 1880s. By the age of 14 Edwards was working as a singer in Tony Pastor’s Music Hall in New York, and he subsequently appeared as a vaudeville performer with four other boys in an act called the Newsboy Quintet. In 1899 he began to write songs with the lyricist Will D. Cobb, beginning a partnership that lasted for several years. Their first hit was “I can’t tell why I love you, but I do” (1900), and they went on to establish their reputation with such songs as “Goodbye little girl, goodbye” (1904) and “School Days” (1907), a melodious waltz ballad with lyrics yearning for the simple days of small-town rural America. This last-named song was written for a revue in which Edwards appeared with a number of young actors; its success was such that he continued to present his “kiddie discovery shows” with new performers and material for the next 20 years. Among the juvenile actors he promoted were Eddie Cantor, George Jessel, Walter Winchell, and Ray Bolger. Many of Edwards’s best songs, including “Sunbonnet Sue” (...