(b Fredrikstad, April 29, 1872; d Oslo, Dec 24, 1932). Norwegian composer, conductor and organist. He studied with Peter Lindeman (organ) and Iver Holter (harmony, counterpoint and composition) at the Christiania Music and Organ School (1888–92), and was then a pupil of Reinecke (composition) and Ruthard (piano) at the Leipzig Conservatory (1892–4). Appointments as organist followed in Drammen (1895–1907) and Oslo (1907–32), where he served at the cathedral from 1916; his First Symphony was completed during a course of study in Berlin in 1897. He was one of those responsible for the foundation of the Norsk Komponistforening, of which he was president from 1921 to 1923. As a member of the Koralbokkomiteen (1922–6) he harmonized most of the melodies in the chorale book of the Norwegian Church, and he edited preludes to all of the chorales. He was active as a choir-conductor, leading the Håndverksangforening (...
Peter Andreas Kjeldsberg
revised by Martin Anderson
Roxanne R. Reed
(b Anguilla, MS, March 21, 1919; d Hazel Crest, IL, 15 June, 1995). American gospel director, singer, composer, and publisher. Anderson established a career forming and training gospel groups in Chicago. His formative years were spent as one of the original Roberta Martin Singers, one of the premiere gospel groups of the 1930s and 1940s. He left briefly, between 1939 and 1941, to form the first of his many ensembles, the Knowles and Anderson Singers with R.L. Knowles. He rejoined Martin, but ultimately resigned because of the travel demands. In 1947 he formed Robert Anderson and his Gospel Caravan, but after several members left in 1952, he formed a new set of singers that recorded and performed under the name the Robert Anderson Singers through the mid-1950s. Throughout his career, Anderson recorded on a multitude of labels including Miracle and United with Robert Anderson and the Caravans; and later with the Robert Anderson Singers, on Apollo. Anderson wrote, and often sang lead on, many of the songs his groups performed, including “Why Should I Worry” (...
(Carlo Zanobi Salvadore Maria )
(b Florence, 8/Sept 14, 1760; d Paris, March 15, 1842). Italian, composer, conductor, teacher, administrator, theorist, and music publisher, active in France. He took French citizenship, probably in 1794, and was a dominant figure in Parisian musical life for half a century. He was a successful opera composer during the Revolutionary period, and had comparable success with religious music from the beginning of the Restoration. He was made director of the Paris Conservatoire and consolidated its pre-eminent position in music education in Europe.
In the biographical preface to his work catalogue, compiled in 1831, Cherubini gave 8 and 14 September as his dates of birth, but the records of the baptistery of S Giovanni state that he was born on 14 September (and baptized the following day). He was the tenth of 12 children. It has been claimed that his mother died when he was four years old (Pougin, ...
Gaynor G. Jones and Michael Musgrave
(b Wetzlar, Jan 6, 1807; d Berlin, Nov 25, 1883). German editor of folksongs, teacher, choral director and composer. He received his first musical training from his father, Adam Wilhelm Erk, who was Kantor, cathedral organist and teacher at Wetzlar. In 1813 the family moved to Dreieichenhain in Hesse-Darmstadt where Erk took piano, organ and violin lessons. After his father’s death in 1820, he went to Offenbach, where he entered J.B. Spiess’s educational institute (at which he taught from 1824). His music teachers at Offenbach were the composer Johann Anton André, the violinist C. Reinwald and the organist J.C.H. Rinck. In 1826 he was offered a temporary appointment at the teachers’ seminary at Moers on the lower Rhine; he founded and directed many music festivals in this area (including the Remscheid, Ruhrort and Duisburg festivals), and also performed as a piano soloist and in ensembles. He accepted a teaching appointment at the Royal Seminary in Berlin in ...
Darlene Graves and Michael Graves
[William J. ]
(b Alexandria, IN, March 28, 1936). American gospel songwriter, performer, producer, and publisher. He grew up on a small farm in Indiana and graduated from Anderson College with a major in English and a minor in music. He went on to receive a master’s degree in guidance and counseling and met his future wife and song-producing partner, Gloria Sickal, while both were teaching high school. Gaither started singing gospel music as a child and in 1956 formed the Bill Gaither Trio with his brother Danny and his sister Mary Ann. He started his own publishing company in 1959. He continued to perform and compose while a teacher at Alexandria High School and in 1961 formed the Gaither Music Company to publish his works. After their marriage in 1962, Gaither and his wife wrote their first major song, “He touched me,” which was a significant hit by 1963. He re-formed the Bill Gaither Trio with Gloria and Danny, and in ...
James R. Hines, Barbara Turchin, and Nicholas Michael Butler
(b Hesse-Kassel, Germany, c1786; d New York, NY, July 30, 1829). American theater manager, pianist, organist, composer, and music publisher of German birth. He moved to the United States at the end of the 18th century and was probably related to the musician George Gilfert who was in New York as early at 1789. In his first New York advertisement in 1800, he was described as a musician “lately from Europe.” The New York directory of 1805 lists him as a music teacher in that city, but in 1806 he migrated to Charleston, South Carolina, with a number of other theater musicians. He presented his first concert there on 3 March 1807 and quickly became a favorite member of the local music scene. In December 1809 he became the organist of St. John’s Lutheran Church, and in December 1810 he opened a music store in partnership with a fellow German musician, Philip Muck, under the name C. Gilfert and Company. This institution chiefly sold imported instruments, accessories, and music, but in early ...
Samuel F. Pogue
revised by Frank Dobbins
(fl Lyons, 1550–84). French music printer, bookseller, composer and instrumentalist. In 1551 he prepared the third in a series of four books of music for guitar printed in Paris by Robert Granjon and Michel Fezandat (RISM 1551²²). In the dedication Gorlier wrote apologetically of the four-course guitar and his reasons for composing for an inferior instrument, saying that he wanted to show that it was as capable as larger instruments of reproducing music in two or three parts. Besides being an ‘excellent joueur’ on the guitar, as cited on the title-page, he evidently played the spinet; in a pamphlet (now lost) concerning Loys Bourgeois’ Droict chemin de musique (1550) Bourgeois called him ‘trougnon d’épinette’ (‘garbage of the spinet’) and complained that he had not been educated in classical languages and mathematics like the singer-composers in Lyons, Layolle Roussel and Jambe de Fer.
Gorlier was granted a privilege for printing music on ...
Thomas S. Hischak
(b New York, July 12, 1895; d Doylestown, PA, Aug 23, 1960). American lyricist, librettist, producer and publisher. Born into a notable theatrical family, his grandfather and namesake was the flamboyant opera impresario Oscar Hammerstein (1847–1919), who created and lost a handful of opera houses and companies around the turn of the century. Oscar studied law at Columbia where he became involved in the Varsity shows and, after graduation, continued to write songs. By ...
(b Kansas City, MO, Jan 12, 1884; d New York, Jan 12, 1964). American pianist, composer, music director, writer, and editor. Horst grew up in a German family that prized music and he first studied violin. After elementary school, the end of his formal education, he took up piano, honed his skills, and soon supported himself as a musician, playing ragtime and improvisations in dance and gambling halls, performing with theater pit orchestras, and accompanying solo classical recitalists.
On the West Coast in 1915, Horst encountered Ruth St. Denis and Ted Shawn, who hired him as accompanist for their Denishawn company and subsequently as music director of their new school. He remained for ten years. Immersed in the developing new abstract form of dancing, he examined the relationship of music to dance, especially through St. Denis’s “music visualizations.” He began to study musical structure and composition, and left Denishawn to continue learning in Vienna and becoming better informed in contemporary theater, art, literature, and film—knowledge he passed on to future choreographers in his book (with Caroll Russell) ...
Alec Hyatt King
(b Dublin, Dec 25, 1762; d Margate, Oct 9, 1826). Irish tenor, composer, theatre manager and music publisher. The eldest of the 14 children of Thomas Kelly (Deputy Master of Ceremonies at Dublin Castle, and a wine merchant), Michael Kelly grew up amid the rich musical life of Dublin, and received singing lessons from various immigrant Italians, notably Passerini and Matteo Rauzzini. His piano teachers included Michael Arne. He made an impromptu début as the Count in Piccinni’s La buona figliuola on 17 May 1777, and went on to sing in Dibdin’s Lionel and Clarissa and Michael Arne’s Cymon, before leaving Dublin in 1779, on Rauzzini’s advice, to study in Naples.
His most influential teachers were Fenaroli and Aprile, and he enjoyed the patronage of Sir William Hamilton. He made his Italian début in Florence in May 1781, and then sang in various Italian cities including Venice where in ...