(b Norwich, CT, March 22, 1762; d Philadelphia, cSept 30, 1793). American singing teacher, concert organizer and tune book compiler. In 1783 he assisted Andrew Law in a Philadelphia singing school. Later he worked in the city as a wool-card manufacturer and merchant; he was a volunteer in the citizens’ committee organized during Philadelphia’s yellow-fever epidemic of 1793, and died of that disease. In 1784 he opened an ‘Institution for the Encouragement of Church Music’, later reorganizing it as the Uranian Academy. Adgate presented many concerts during the mid- to late 1780s, most notably a ‘Grand Concert’ on 4 May 1786, at which works by Handel, James Lyon, William Billings, William Tuckey and others were performed by 230 choristers and an orchestra of 50. Adgate’s first known compilation is an anthology of sacred texts: Select Psalms and Hymns for the Use of Mr. Adgate’s Pupils (Philadelphia, 1787...
revised by Nym Cooke
(b Pisky, near Khar′kiv, 8/Sept 20, 1876; d Paris, Jan 8, 1945). Ukrainian composer and pianist. Aged ten he was sent, along with his brother Yakiv (later known as the composer Stepovy), to sing in the choir of the Imperial Chapel in St Petersburg. It was during his time there (1886–95) that he began to compose under the influence of his teachers Balakirev and Lyapunov. He finished studies with Rimsky-Korsakov and Lyadov at the St Petersburg Conservatory in 1901, the year in which the latter conducted the first performance of the Lyric Poem, op.20. Akimenko then became the director of a music school in Tbilisi (1901–03). He performed widely as a pianist, particularly in France and Switzerland, and lived for a while in Paris (1903–06) before returning to Khar′kiv. In 1914 he was invited to teach composition and theory at the St Petersburg Conservatory, a post he held until ...
revised by Münir Nurettin Beken
(b Istanbul, May 6, 1908; d Ankara, Feb 16, 1999). Turkish composer. He was a member of the Turkish Five, a group of outstanding composers who, from the 1930s, promoted a Western musical style. Akses first played the violin and then took up the cello at the age of 14. He studied harmony with Cemal Reşit Rey at the Istanbul Municipal Conservatory. In 1926 he left for Vienna where he attended Joseph Marx’s harmony, counterpoint and composition classes for advanced students at the Academy. After receiving his diploma in 1931, he went to Prague and studied with Josef Suk and Alois Hába at the Prague Conservatory. He returned to Turkey in 1934 and was appointed a teacher of composition at the Music Teachers School, becoming its director in 1948. He then took a number of official positions: in 1949 he was director general of the Fine Arts Section of the Ministry of Education, then cultural attaché in Berne (...
(b Ilmajoki, Feb 2, 1911; d Tampere, Sept 2, 1996). Finnish musicologist and folklorist. He studied at Helsinki Conservatory (1929–36) and under A.O. Väisänen at Helsinki University (MA 1942), where he took the doctorate in 1956 with a dissertation on the polska in Finland. His extended fieldwork on folk music and instruments in Finland and Sweden resulted in a collection of over 10,000 melodies (now in Tampere University library). After teaching music at Helsinki Conservatory (1951–7) and lecturing at Helsinki University (1957–62) he held a research grant from the State Humanities Committee (1962–75). He was professor of folk research at Tampere University (1975–7) and director of the university folk research institute (1977–81). He was active in many folk music research organizations. A list of his writings is included in the Festschrift Kentältä kentälle: juhlakirja Erkki Ala-Könnin 70 - vuotispäiväksi 2.2.1981...
revised by Malcolm Turner
(b Magdeburg, March 31, 1902; d Kiel, Jan 20, 1961). German musicologist. He studied at the Essen Conservatory (1913–21), at the University of Münster and (1921–5) at Berlin with Wolf, Abert, Sachs and von Hornbostel. From 1925 to 1937 he held various teaching posts, organized music festivals in Bremen (1929), Essen (1931) and Aachen (1933), and was active in the Reichsverband Deutscher Tonkünstler und Musiklehrer. After a short period as choral adviser to the Reichsministerium für Volksaufklärung und Propaganda, he joined the Staatliche Institut für Deutsche Musikforschung, Berlin, in 1939, becoming professor there in 1940 and director in 1941. In 1942 he was elected a member of the Senate of the Preussische Akademie der Künste, representing on that body the interests of musicology.
After the war he became director of the Landesinstitut für Musikforschung, Kiel, in 1947, where he remained until his death, becoming professor at the University of Kiel in ...
(b Bologoye, 22 July/Aug 4, 1905; d Moscow, June 17, 1994). Russian composer and conductor, son of Aleksandr Vasil′yevich Aleksandrov. He studied at the Moscow Conservatory with Glier, graduating in 1929, and worked as a music director in Moscow clubs (1923–9), music director of the Red Army Theatre (1930–37), lecturer at the Moscow Conservatory (1933–41) and leader of the Soviet Radio Song Ensemble (1942–7). From 1937 to 1946 he was deputy director of the Aleksandrov Red Army Song and Dance Ensemble, which was founded by his father and, after the latter's death, came under his direction. He received the State Prize (1950) and the title People's Artist of the USSR (1958). In Dva p′yesï (‘Two Pieces’) op.1 (1928) for piano he developed a compositional system synthesizing the principle of the 12-note series (with inversions and permutations) with a harmonic set technique and mirror symmetry. Later works, such as the well-known musical comedy ...
revised by Ruxandra Arzoiu
(b Bucharest, 2/Aug 14, 1893; d Bucharest, Feb 18, 1959). Romanian composer, pianist, conductor, teacher, music critic, and director of music programmes. A leading figure of the first half of the 20th century, he laid the foundation of the Romanian school in music, concert life, and musical journalism. He studied with A. Castaldi, D. Dinicu, D.G. Kiriac, and E. Saegiu at the Bucharest Conservatory (1903–11), completing his education with two periods of study in Paris (1913–14, 1923–4), where he studied with d’Indy at the Schola Cantorum and with Paul Vidal at the Conservatoire. A remarkable accompanist, he worked with Enescu, Thibaud, Mainardi, Moodie, and others during the period 1919–45. As a conductor he always achieved a soberly balanced performance; he conducted more than 1500 performances at the Romanian Opera in Bucharest (1921–59), where he specialized in the French repertory (Bizet, Massenet, and Gounod). In his capacities as conductor of the Romanian Philharmonic Society, and as conductor and artistic manager of the Romanian RSO, he did much to encourage Romanian composers. He was also active as a music critic for Romanian and French reviews. Much of his compositional work was done during his youth, including ...
(b Atlanta, GA, April 22, 1904; d Atlanta, GA, Nov 17, 1986). American ballet dancer, choreographer, teacher, and company director. Having suffered osteomylitis in early childhood, she was given ballet lessons to restore her strength. They not only did that but set her on course for her life’s work. Dismayed by the lack of training and performing opportunities for ballet dancers in Atlanta, she vowed to create them if she could. After continued study with teachers in Atlanta and New York, she opened her own studio in Atlanta in 1921 and originated a dance enrichment program in Atlanta public schools in 1927. Two years later she founded the Dorothy Alexander Dance Concert Group and began to present public programs with her pupils. This group eventually became the Atlanta Ballet, the nation’s oldest regional company. From its inception until the mid-1950s, “Miss Dorothy” created some eighty ballets for the company, including lyrical works for adult audiences as well as story ballets for children. Although she usually worked to the music of popular European composers, she sometimes commissioned works from local composers. Notable are ...
revised by Karen M. Bryan
(b Kirksville, MO, March 10, 1921; d Bloomington, IN, Dec 31, 2003). American opera director and teacher. He pursued graduate study at Indiana University, where he staged the choral episodes of Britten’s Billy Budd for the first American production (1952). While a member of the Indiana University faculty (1953–88), he directed more than 130 works, including the first presentation outside New York of Bernstein’s Candide (1958), American premieres of Rimsky-Korsakov’s Christmas Eve (1977) and Martinů’s The Greek Passion (1981 at the Metropolitan Opera House), and world premieres of John Eaton’s Myshkin (1973) and (for children) The Lion and Androcles (1974). He was a guest director for the Houston Opera, Kansas City Lyric Opera, Cincinnati Summer Opera, Detroit Opera, and New York Pro Musica. He was also involved in modern recreations of liturgical drama and Renaissance entertainments. In ...
(b Santiago, June 29, 1885; d Santiago, Aug 17, 1959). Chilean composer and ethnomusicologist. He studied the violin, music theory and composition at the Santiago Conservatorio National de Música (1899–1908). The Chilean government then sent him to France and Spain for further study (1910–11). On returning to Chile he was elected to the Folklore Society and worked for the Ministry of Education in improving the teaching of music in the state schools (1924–8). He travelled again to Europe in 1922 and was one of the founders of the International Academy of Fine Arts in Paris (1923). In 1928 he was appointed professor of composition at the Conservatorio National, which had recently become part of the arts faculty of the University of Chile. There, until his retirement in 1946, he taught many Chilean composers who later came to international prominence. On another visit to Europe, also in ...