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Dominic McHugh

[Levy ]

(b New York, NY, Feb 2, 1912; d New York, NY, Jan 5, 1997). American musical theater and film composer. After studying the piano as a child, Lane started to write for his school band. At age 14, he was commissioned to compose for an unproduced version of the off-Broadway revue, Greenwich Village Follies. While still in his teens, he joined the Remick Music Company as a song plugger and was encouraged by the Gershwins. He wrote songs with Howard Dietz for the revue Three’s a Crowd (1930), and one with Harold Adamson for The Third Little Show (1931). He then joined forces with Adamson to compose the score for Earl Carroll’s Vanities of 1931.

With the onset of the Great Depression, Lane moved to Hollywood and composed for films, often with Adamson. With Frank Loesser he wrote “The lady’s in love with you” (...

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Paul R. Laird

[Mitchnick, Irwin ]

(b Brooklyn, NY, Jan 30, 1928). American composer, producer, and director. After earning a BA and MA from the Yale School, where he studied with paul Hindemith , he worked as a jazz musician and from 1954 wrote music for television and commercial jingles, such as “Nobody doesn’t Like Sara Lee.” In 1957 Leigh formed the company Music Makers as a focus for these efforts. He wrote incidental music for two plays, Too Good to be True (1963) and Never Live over a Pretzel Factory (1964), and then composed with the lyricist Joe Darion the score for the Broadway hit Man of La Mancha (1965). Their Tony Award-winning score includes spirited “Spanish” gestures and songs that effectively describe characters and situations. The show itself, which won a Tony Award for Best Musical, ran 2328 performances and has remained popular. Leigh also wrote the scores for ...

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Steven E. Gilbert

(Guyn)

(b Tucson, AZ, 20 Feb 1911; d Tuscon, AZ, 1 July 2007). Composer and instrumentalist. At an early age he learnt, mostly by himself, to play clarinet, oboe, saxophone, and piano and performed locally in jazz bands and school music groups. He studied composition with Otto Luening at the University of Arizona (BM 1933, MM 1935), where he later taught (1957–76). He also taught at Bennington College (1935–46) and in various summer music programs. He appeared as an oboe and clarinet soloist both live and on New Music Quarterly Recordings. In 1941 he toured South America as a member of the League of Composers Woodwind Quintet. During the years 1945–7 he was a composer and arranger for Triumph Films in New York, producing scores for Farewell to Yesterday, The Man with my Face, and a number of short subjects. In 1952, on commission by ...