1-10 of 17 results  for:

  • Musical Concepts, Genres, and Terms x
  • Performance Artist x
  • Music Theatre x
Clear all

Article

Ellen Marie Peck

(b New York, NY, Jan 28, 1880; d New York, Jan 4, 1928). American lyricist, librettist, and actress. Born into a theatrical family, she spent her entire life in the theater. A meticulous actress, Donnelly was particularly known for her ability to interpret a role with depth and sensitivity at a rather young age, as she demonstrated with title roles in Candida (1903) and Madame X (1909). However, chronic illness and years of touring took an early toll on Donnelly, forcing her to transition to a writing career in her late 30s. In 1916 Donnelly penned the libretto for an Americanized German operetta, Flora Bella. She soon teamed up with composer sigmund Romberg , with whom she wrote some of the most successful operettas of the 1920s. Donnelly and Romberg enjoyed a close friendship and a symbiotic collaborative process, which lay behind the overwhelming success of ...

Article

Ronald J. Zank

(b Brooklyn, NY, June 6, 1954). American performer, playwright and librettist. Fierstein grew up in New York and worked as an actor; he also pursued his interest in painting and received a Bachelor of Fine Arts degree from the Pratt Institute in Brooklyn. He was both lead actor and playwright for Torch Song Trilogy, which originated off-off Broadway before transferring to off-Broadway and finally to Broadway (1982). He wrote the libretto for the musical adaptation of the French play and film La Cage Aux Folles (1983, music and lyrics by Jerry Herman), about a gay couple dealing with their son’s marriage into a conservative family. Fierstein also crafted the book for the short-lived Legs Diamond, a production that featured the songs and performance of Peter Allen as the title gangster. As a performer Fierstein originated the role of plus-sized mother Edna Turnblad in the musical ...

Article

Sharon O’Connell Campbell

(Lenore )

(b Statesboro, GA, March 18, 1975). American performer. Embodying the “triple-threat” performance model of singer, actor, and dancer, Sutton Foster enjoyed a rapid rise to musical theater stardom. Foster debuted on Broadway in 1993 as a chorus member and understudy for Eponine in Les Misérables (opened 1987), then played Sandy Dumbrowski in Grease (1994). She appeared in Annie (1997) and The Scarlet Pimpernel (1997). Foster created the role of Thoroughly Modern Millie’s Millie Dillmount in California tryouts in 2000. Despite being little-known, she was cast for the show’s Broadway (2002) opening; her performance earned Tony, Drama Desk, and Outer Critics Circle Awards for Best Actress in a Musical, and an Astaire Award for Best Female Dancer. Subsequently, Foster created the roles of Jo in Little Women (2005), Janet Van De Graaff in The Drowsy Chaperone (...

Article

Sharon O’Connell Campbell

(b Winnipeg, MB, June 2, 1950). Canadian actress. A character actress, she has worked in film and television and on stage in both musical and non-musical theater. She made her Broadway debut playing Monica in the musical I Love My Wife (1977). Her next four performances, all recognized by awards or nominations, were for non-musical plays: The Real Thing (1984), Joe Egg (1985), and Social Security (1986) on Broadway and It’s Only a Play (1986) off-Broadway. For her portrayal of the Baker’s Wife in Sondheim’s Into the Woods (1987), Gleason received Tony, Drama Desk, and Outer Critics Circle awards. She played Nora in the short-lived Nick & Nora (1991) and was nominated again for a Tony Award for Muriel in Dirty Rotten Scoundrels (2005). Gleason’s off-Broadway stage, television, and film credits are numerous; her films include Woody Allen’s movies ...

Article

(b New York, NY, Dec 2, 1914; d New York, NY, Oct 24, 2002). American lyricist, librettist, and actor. He sustained a lifelong writing partnership with Betty Comden. Among their joint works were the musicals Wonderful Town (1953) and Bells Are Ringing (1956), and the film script ...

Article

Sylvia Stoner-Hawkins

(David )

(b Cleveland, OH April 11, 1932). American actor. Son of comedian and musician Mickey Katz, Grey began his performing career in nightclubs in Cleveland in 1951. Realizing that playing the Copacobana would not help him to pursue a serious acting career, Grey quit the clubs and began to work in regional theater. He was hired to replace Anthony Newley as Littlechap in Stop the World—I Want to Get Off (opened 1962) on Broadway. This engagement followed with another replacement part in Half a Sixpence (opened 1965). Typecast a character actor, Grey confronted various obstacles in securing starring roles. This changed when Hal Prince hired him to play the Emcee in Kander and Ebb’s Cabaret (1966). Walter Kerr of the New York Times reviewed Grey’s Emcee as “cheerful, charming, soulless, and conspiratorially wicked.” Grey creatively cloaked his tenor voice in a bright androgynous color for the nightclub numbers. As the Emcee he danced with seductive charm. Grey received the Tony for Best Featured Actor in a Musical and later earned an Oscar for the film version (...

Article

Sylvia Stoner-Hawkins

[John Joseph, Jr. ]

(b Boston, MA, Aug 10, 1898; d Los Angeles, CA, June 6, 1979). American actor and performer. Haley initially became an electrician in the Boston area. However, he soon left that career to pursue vaudeville and toured in the team Krafts and Haley. He began his Broadway career in the 1924 original musical revue Round the Town. In 1929 Haley starred as Jack Martin in the musical comedy Follow Thru with lyrics by DeSylva and Brown and music by Henderson. He and his costar, Zelma O’Neal, performed the hit number “Button up your Overcoat.” Haley was later cast in the 1932 musical comedy Take a Chance by DeSylva and Schwab. In the 1948 musical revue Inside USA, Haley’s character displayed effective physical comedy while portraying a weary traveler booked in a room with a trick bed. Haley served as the radio host of Wonder Show (1938–9), a show sponsored by Wonder Bread, which featured Gale Gordon as the announcer and regular appearances by Lucille Ball. Haley replaced Buddy Ebsen as the Tin Man in the film ...

Article

Sylvia Stoner-Hawkins

(b St. Louis, MO, June 18, 1934). American actor and singer. He began his career in New York in 1963 with Shakespeare in the Park and subsequently has performed in more than 185 plays and about 20 musicals. He first appeared on Broadway as Ianto Morgan in A Time for Singing by John Morris (1966). He also played the role of John Dickinson in Sherman Edwards’s 1776 (1971) and replaced Len Cariou in the title role of Stephen Sondheim’s Sweeney Todd (1979). He originated the role of Papa in I Remember Mama (1979), with music by Richard Rodgers. For his portrayal of Albin in La Cage aux Folles (Jerry Herman, 1983) he earned a Tony Award for Best Actor in a Musical. Albin’s character introduced the anthem “I Am What I Am,” which made a powerful statement about homosexual tolerance that coincided with the recognition of AIDS in America. In ...

Article

Sharon O’Connell Campbell

(b New York, NY, April 29, 1917; d New York, NY, July 15, 2012). American actress and singer. Her stage, film, and television acting career exceeded 50 years and embraced a wide variety of characters and genres. Holm began her Broadway musical career in Gloriana (1938), then worked steadily in non-musical plays until originating Ado Annie in Oklahoma! (1943). She starred in Broadway’s Bloomer Girl (1944) before signing a movie contract with 20th Century Fox in 1946. She received an Academy Award for portraying Anne Dettrey in Gentleman’s Agreement (1947) and nominations for Come to the Stable (1949) and All About Eve (1950). Movie musicals include The Tender Trap (1955), High Society (1956), and Tom Sawyer (1973); television musicals include The Yeomen of the Guard (1957) and Rodgers and Hammerstein’s ...

Article

Jonas Westover

[Elizabeth Holzman ]

(b Cincinnati, OH, May 23, 1904; d Stamford, CT, June 18, 1971). American actress, singer, composer, and lyricist. Holman completed her college education before moving to New York where she began her theatrical career in 1924. Encouraged by the critic Channing Pollock, she appeared in revues, including the Garrick Gaieties (1925) and Merry-Go-Round (1927). Her most successful performance came in 1929 with The Little Show, where she introduced the song “Moanin’ Low” (by Ralph Rainger). This blues number became her signature tune, although she had another hit in Three’s a Crowd (1930) with “Body and Soul” (Heyman, Sour/Green). She appeared in other revues during the 1930s, including Revenge with Music (1934), and starred in Cole Porter’s You Never Know (1938). Holman produced her own one-woman show, Blues, Ballads, and Sin-Songs, in 1954. She took this opportunity to showcase her own compositions, including “Good Morning Blues” and “House of the Rising Sun.” Her music was deeply rooted in African American idioms, a connection she celebrated through her support of the Civil Rights Movement in the 1950s. Holman’s performances are preserved on 25 sides recorded for Brunswick from ...