(b Vranje, Serbia, June 11, 1897; d Feb 21, 1969). Serbian singer (pesmopojka) and song writer. She was one of the most prominent performers of the 20th-century Serbian and Balkan urban vocal tradition. Widely known as a veseljak (lively character), she was respected for her fidelity to local traditions, for her intensely expressive and nuanced vocal style, and for her dedication to bring out the meaning of the texts she sang. She started singing at a very early age; as a young girl she was paid for her singing. She sang in her own home on everyday occasions, to guests, and at family and public celebrations. Her repertory encompassed love, family, and narrative songs, mainly concerning specific events, places, and personalities of Vranje. She is the author of the song ‘Dimitrijo, sine Mitre’, one of the hallmarks of Vranje vocal tradition, which traces its roots in tradition found in written sources from the late 19th century onwards and still practiced today....
(b Kuršumlija, Serbia, 1966). Bosnian and Herzegovinian composer. She graduated with a degree in composition from the Academy of Music in Sarajevo (1991), in the class of josip magdić, after which she gained the Master of Composition (2004) under the mentorship of composer dejan despić. Her first position was at the Srednja muzička škola (‘music high school’) in Valjevo, Serbia (1992–2000). She returned to Eastern Sarajevo, Bosnia and Herzegovina, to work as an Associate Professor of Harmony and Harmonic Analysis.
Dutina’s compositions reflect her interest in Balkan folklore, mostly of a rural-vocal type, and in the formal and harmonic devices associated with neoclassicism. She has composed solo songs, chamber music, symphonic works, vocal-instrumental music, choral music, music for children, and film music.
Dutina also cherishes folkloric vocal traditions through her engagement as founder and artistic director of the female vocal ensembles Rusalke (...
Barry Jean Ancelet
(b Lafayette, LA, Feb 14, 1951). American fiddler, guitarist, vocalist, and songwriter. Doucet has become arguably the most widely recognized Cajun musician ever. His formative influences within Cajun and Creole music include acknowledged masters such as Dewey Balfa, Canray Fontenot, and especially Dennis McGee, as well as lesser-known but no less important masters such as Varise Conner, Lionel Leleux, and Hector Duhon. Other influences include the folk rock, country, and swamp pop influences of his youth. Doucet first approached Cajun music in the 1970s in a group called Bayou des Mystères. He then founded a rock-country-Cajun fusion band called Coteau, the first such band to attract the attention of the younger university crowds. After Coteau dissolved, Doucet turned to his long-running band Beausoleil, which was informed by an eclectic collection of influences that reflect the complex history of Cajun music, including traditional, classical, rock, and jazz elements. Beausoleil has played all over the world and recorded more than 30 albums for many labels, including Swallow, Arhoolie, Rounder, Rhino, and Alligator. These albums have garnered 11 Grammy nominations and two wins. Doucet has also recorded albums with other musicians, including Marc and Ann Savoy, Ed Poullard, and his brother David Doucet. He has performed with symphony orchestras and with the Fiddlers Four. Along the way, he has made ingenious use of old material, for example, turning unaccompanied ballads that John and Alan Lomax collected in Louisiana in ...
Stephen D. Winick
(b Hatboro, PA, July 1, 1969). Traditional Irish musician, composer, and bandleader. Egan’s father was from County Mayo, Ireland, and the family moved there when Séamus was three. He took music lessons with Martin Donaghue, a button accordion player from Ballindine. Seeing the flutists Matt Molloy and James Galway on television encouraged him to play the flute, and he began competing in the All-Ireland championships on flute and whistle. In 1981 his family returned to the Philadelphia area, and he met mick Moloney , who mentored him on mandolin and banjo. Egan continued to compete in the All-Ireland championships, and by the age of 14 he had won titles on four instruments.
Egan has recorded albums as a solo artist and with Moloney and the fiddler Eugene O’Donnell. In the 1980s he joined Moloney’s ensemble The Green Fields of America, and he appears on some of their recordings. In ...
(b Seguin, TX, July 6, 1953). American country/folksinger-songwriter. She grew up in a musical home, began playing guitar at a young age, and started writing songs at the age of six. When she was 14 she began performing in honky-tonks. After college Griffith taught kindergarten by day and performed in honky-tonks at night. It was not until 1977 that she decided to pursue a career in music. She self-promoted her first two albums at folk festivals and formed her own backing band, the Blue Moon Orchestra. In 1987 she landed a recording contract with MCA Nashville and made her major-label debut with the critically acclaimed album Lone Star State of Mind, charting a single with the title track. The album also featured Julie Gold’s song “From a Distance,” which has become Griffith’s signature tune. After several unsuccessful albums Griffith transferred to MCA’s pop division in 1989 and recorded her first pop-oriented album, ...
Alexander M. Cannon
(b Savannakhet, Laos, 1947). Laotian composer and singer. He began his musical training by studying Lao folk songs with Buddhist monks. Before age 20, he already had garnered a reputation as a creative maulam, or narrative singer of lam (or lum)—a genre of traditional vocal music from southern Laos of solo or male–female repartee singing accompanied by khene and oftentimes a small ensemble. He later studied composition and performance and was employed in 1965 by the Department of Lao National Fine Arts. In 1968, he entered the army and worked as a singer for the National Radio Broadcast. After the Pathet Lao came to power in 1975, he worked at the military radio station singing propaganda songs. In 1979, he escaped to Thailand, and in 1980, immigrated to the United States, first living with his cousin, Bountong Insixiengmay, in Bowling Green, Kentucky. He soon relocated to Minneapolis—a city with a large population of Lao émigrés—and in ...
Robert B. Winans
[Toney, Lemuel Gordon ]
(b Richmond, VA, Oct 17, 1870; d New York, NY, July 29, 1941). American minstrel and vaudeville performer and composer. He served in the army from 1895 to 1898. He also attempted to become a professional baseball player in Baltimore, and it is said that he became a minstrel after George H. Primrose saw him entertaining the other players in the clubhouse, having failed to make the team. He then went to work for Primrose and West’s Minstrels, where he changed his name and soon became a star performer. He played in vaudeville until that form declined in the late 1920s, then occasionally appeared in nightclubs; he also performed in a number of Broadway shows. Leonard wrote many of his own songs, including his first hit “Just because she Made them Goo-goo Eyes,” “Roll dem boly boly eyes,” “I lost my Mandy,” and his most famous song, “Ida, Sweet as Apple Cider” (...
(b Antigonish, NS, Feb 24, 1975). Canadian fiddler, pianist, composer, and singer. During his early years, he was immersed in the Scottish-derived traditional music of Cape Breton Island, Nova Scotia. He took up the fiddle (which he plays left-handed) at age eight. MacIsaac studied under Stan Chapman along with sister Lisa, cousin Wendy MacIsaac, and neighbor Natalie MacMaster, all of whom are now well-known fiddlers.
In 1992 the teenaged MacIsaac released his first album, Close to the Floor. That same year he was invited to New York by theater director JoAnne Akalaitis to play in one of her husband Philip Glass’ works. Through this connection, MacIsaac eventually met and worked with Paul Simon and his wife Edie Brickell, as well as David Byrne. Over the years Glass has involved MacIsaac in other projects, such as Orion (recorded 2005).
The release of the innovative album Hi™ How Are You Today...
(b Inverness County, NS, June 13, 1972). Canadian fiddler, composer. She was raised on Cape Breton Island, in a household and a community full of traditional Cape Breton fiddle music. She learned to step-dance from her mother and she often incorporates step-dancing into her performance as she fiddles. Her fiddle style is strongly influenced by her uncle, Buddy MacMaster; both play with strong accents and the impeccable timing, drive, and lilt of dance fiddlers.
MacMaster recorded her first album, Four on the Floor (1989), at age 16. No Boundaries (1997) marked the beginning of MacMaster’s foray into a wider world of fiddling and more complex arrangements. MacMaster has worked with top musicians in various genres: Canadian Maritime, Irish, bluegrass, Latin-Flamenco, classical, and jazz. However, MacMaster also continues to release traditional albums such as My Roots are Showing (1998), and Natalie & Buddy MacMaster...
Stephen D. Winick
(b New York, NY, Dec 21, 1951). American traditional Irish accordionist and composer. He began playing the button accordion in his native Brooklyn, at six years old. Two of his uncles were musicians, and his mother encouraged him to take up playing. At age 15 he met the Galway-born accordionist Sean McGlynn, who became his teacher and mentor. In the 1970s he relocated to Maryland, where he began playing with the Washington, DC area band The Irish Tradition, which also featured Brendan Mulvihill and Andy O’Brien. In 1986 he won the all-Ireland championship for button accordion and he and Mulvihill won for accordion/fiddle duet.
Since the 1980s McComiskey has been part of the touring ensemble The Green Fields of America. In the 1980s he formed the Baltimore Ceili Band, a loose group of musicians that congregates for festivals, parties, and community events. The Ceili band has helped revitalize the Irish music scene in the Baltimore area. In the 1990s McComiskey founded the band Trian, with Liz Carroll and Dáithí Sproule, and toured and recorded with them. He has also played and recorded with the Pride of New York....