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Lars Helgert

(b New York, NY, March 1, 1917; d Berkeley, CA, June 3, 1975). American jazz and rock critic. He studied at Columbia University (1934–8), where he was a jazz writer for the Columbia Spectator, and frequently attended performances at New York jazz clubs. In 1939 he co-founded Jazz Information, one of the earliest jazz magazines, and served as its editor until publication ceased in 1941. From 1942 until 1945 he was employed by the Office of War Information, spending time overseas. Gleason wrote for Down Beat from 1947 to 1961 (he also served as an associate editor) and for the San Francisco Chronicle from 1950 until his death. He founded another jazz periodical, Jazz: a Quarterly of American Music, which was published from 1958 to 1960. In 1967 he was a co-founder of Rolling Stone, to which he contributed for the next eight years. He also wrote for ...

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Jonas Westover

(b Boston, MA, May 10, 1937). American music critic, publicist, and editor. Solomon is best known for her contributions to the Village Voice, but has also written for Down Beat, Country Music, Hit Parader, the News World, and Us. She was one of the first women involved in popular music criticism; her work focused on folk music of the 1960s, jazz, blues, rock, and country music. Solomon’s column in the Village Voice was called “Riffs.” She also served as editor for the magazine ABC-TV Hootenanny (1963–4), which highlighted performers on the television show of the same name who were just beginning to rise to fame, including Judy Collins, Earl Scruggs, and Doc Watson. Other writers whose work appeared in the magazine included Theodore Bikel and Jean Shepard. Another of her important editing positions was on the magazine New Musical Express (NME) in the 1970s. Solomon also had a brief tenure as a publicist for Chess Records, where she produced a number of liner notes. Her commentary on such diverse subjects as J.J. Cale and Paul McCartney has given her voice a lasting impression in the music business....