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Gary W. Kennedy and Barry Kernfeld

[Wilton Jameson ]

(b New Albany, IN, July 21, 1939). American educator, publisher, record producer, and saxophonist. He performed locally from the age of 15 and while studying at Indiana University (BM 1961; MM 1962) led groups that worked in southern Indiana and Kentucky. Having taught music education at Indiana University Southeast (1967–9) and classical saxophone at the University of Louisville (1970–72), in the early 1970s he established a week-long jazz workshop (or “jazz camp”) held during the summer; by the late 1990s the workshop took place twice annually. Aebersold also presented workshops in other countries, including Australia, Germany, England, Scotland, Denmark, and Canada. In 1992 he received an honorary doctorate in music from Indiana University and began teaching jazz improvisation at the the University of Louisville.

In addition to his principal instrument, Aebersold plays piano and double bass, but he is far better known as an educator than as a performer. In ...

Article

Brad Madson and Lew Shaw

[AFJS]

Organization formed in 1985 to facilitate international communication among jazz societies, festivals, and presenters. It aids operational aspects involving the aforementioned, provides a forum for interaction within the jazz community, researches current trends, and publishes a quarterly newsletter (Federation Jazz) and manuals on operations, membership recruitment and retention, event production and promotion, fund-raising, and jazz education. The organization holds national and regional meetings, has experts available on the Internet, and maintains a Washington legislative watch. With a membership of more than 100,000, it undertakes cooperative ventures with other national and regional groups committed to the preservation, performance, and advancement of jazz. The AFJS maintains a central office in Sacramento, California....

Article

(b Armavir, Russia, March 15, 1919). Record producer and writer of Armenian descent. He grew up in New York, played piano (from 1930), and studied English literature at Yale University (BA 1941); while a student he began to work as a jazz critic for Tempo (1937). Later he was a contributing editor on jazz to Mademoiselle and Pic (1946–8), contributed to Esquire’s 1947 Jazz Book, and, with W. E. Schaap, revised and enlarged Charles Delaunay’s Hot Discography for its first American edition (1948). He wrote articles for Down Beat and Metronome and provided numerous liner notes for jazz albums. Avakian produced the pioneering documentary jazz album Chicago Jazz (1939–40) for Decca, and in early 1940 began to work for Columbia, where he established a series of jazz reissues. After four years of military service he returned to Columbia as a full-time record producer for jazz and popular music; he was director of the international department and later head of the popular album department. In ...

Article

Gary W. Kennedy

[Stephen Alan ]

(b New York, June 3, 1942). American record producer. After working in promotion for the rock music labels MGM (1969–70) and Elektra (1970–71) he joined ABC–Impulse (1971), where he served initially as national director of promotion; he then resurrected the Impulse! label to produce and issue new recordings by, among others, Dewey Redman, Gato Barbieri, Keith Jarrett, Sam Rivers, and Marion Brown. In 1974 he moved to the newly formed company Arista (jazz), for which he created and directed jazz labels, organized the outright purchase of Savoy (ii), and, with the assistance of the producer Bob Porter, supervised the reissue of material from Savoy’s catalogue. Backer left Arista in 1980 and spent a year away from music. Early in 1982 he began to work for both Antilles (as a creative consultant and in artists and repertory) and Windham Hill (as its East Coast general manager); for the latter he created a short-lived jazz label, Magenta. Having joined RCA (mid-...

Article

J. Kent Williams

revised by Barry Kernfeld

[Samuel David ]

(b Portsmouth, VA, Feb 22, 1926). American drummer and administrator. After serving as a pilot in World War II he studied drumming in New York and played with Johnny Hodges, Charles Mingus, Lou Donaldson (with whom he made several albums from 1957 to 1961), Curtis Fuller, and Horace Silver; he is best known for his work with Gerry Mulligan (1954–68) and with Clark Terry and Bob Brookmeyer (in the 1960s); he may be seen with Mulligan in the films Jazz on a Summer’s Day and The Subterraneans (both 1960). He also recorded with Al Sears (1954), Ben Webster (1957), Art Farmer (1958), Fuller (1959, 1961), Charlie Rouse (1960), Mark Murphy (1962), and Vi Redd and Lucky Thompson (both 1963), and in a quintet co-led by Zoot Sims and Brookmeyer (1965...

Article

Leonard Bernardo

(Andrejevich )

(b Novosibirsk, Russian SFSR [now Russia], March 16, 1947). Russian drummer, writer, broadcaster, and educator. He began playing jazz in 1962, and after graduating from the state medical institute in Novosibirsk in 1971 he pursued a dual career as a jazz musician and an obstetrician. In 1975 he established Tvorcheskoye Dhazovoye Ob’yedinenie (Creative Jazz Unity), the first association of musicians and jazz promoters east of the Urals. He performed with Vladimir Tolkachev in the Musical Improvising Trio (1975–9), with Igor Dmitriev in various groups (including, from 1977, Zolotoye Gody Dhaza (Golden Jazz Years), with Vytautas Labutis in the quartet SibLitMash (Siberian-Lithuanian Jazz Machine, 1980s), and with Vagif Sadykhov in another quartet (1998), while also working as a freelance with Vladimir Chekasin, Anatoly Vapirov, Igor Butman, Joe Locke, Paul Bollenback, and former members of Art Blakey’s Jazz Messengers, among others. In 1990 he began to broadcast on radio, and in ...

Article

Barry Kernfeld

[Benoit, Jean-Louis ]

(b Philadelphia, May 18, 1926; d nr Paris, Feb 10, 1997). American organist and leader. His father was from Martinique. A child prodigy, he grew up in Baltimore, where he was taught by his grandmother; his grandfather was a Baptist minister, and Bennett directed their church choir from the age of 12. After military service (1943–6), during which time he played tuba and thereby developed his ability to invent bass lines, he began his jazz career in Baltimore (1947), leading a piano trio modeled after that of Nat “King” Cole. In 1949, under the influence of Wild Bill Davis, he began to play organ, an instrument he used professionally from 1951. By 1956 he was performing in a style much closer to that of Jimmy Smith rather than Davis, and from 1957 to 1959 he toured the Midwest and the East Coast with his own hard-bop organ trio. The following year he moved to Paris, where he performed at the Blue Note with Jimmy Gourley or René Thomas in Kenny Clarke’s trio, accompanying numerous distinguished guest soloists (until ...

Article

H.L. Lindenmaier

(b Berlin, July 20, 1922; d Hamburg, Germany, Feb 4, 2000). German writer and record producer. Having first studied in Berlin he attended the University of Karlsruhe (1940–42). He was a founder in 1945 of the Südwestfunk Baden-Baden, where he led the jazz department until 1987, and in 1951 of the Deutsche Jazz Föderation. During the following decades he organized and directed many festivals and concert series (including Jazztime Baden-Baden, from 1947; the American Folk Blues Festival, 1962–8; the Berliner Jazztage, later known as the Jazzfest Berlin, 1964–72; the New Jazz Meeting Baden-Baden, which he founded in 1966; and the Olympic Games Jazz Festival in Munich, 1972) and was the producer and host of broadcasts both on radio (from the Baden-Baden festival) and television (“Jazz, gehört und gesehen,” 1954–72); he also organized an annual jazz concert at the Donaueschingen Festival for Contemporary Music (from ...

Article

Mark Gilbert and Barry Kernfeld

(b Dortmund, Germany, April 23, 1959). German drummer, bandleader, and record producer. He grew up in a musical family and played trumpet, clarinet, and piano as a youth; he then took up drums and studied classical percussion at the Staatliche Hochschule für Musik in Trossingen (1977–81). After attending the Drummers’ Collective in New York (1981–2) he either performed as a drummer or directed big bands. In the 1980s he concentrated on fusion, but later he became known for his mainstream and big-band work; apart from these activities he was first timpanist in the SWF-Rundfunkorchester from 1981. Between 1986 and 1993 his own big band played with such guest soloists as Art Farmer, Slide Hampton, Bob Mintzer, Jiggs Whigham, Jim Snidero, Barbara Dennerlein, Ack van Rooyen, and Silvia Droste. As a sideman Berg worked with, among others, the quartet of Louis Stewart and the guitarist Heiner Franz (...

Article

(bc1926; d Los Angeles, Feb 6, 1988). American record producer. After working in 1950-51 for the Discovery label, in 1952 he became a founder of Pacific Jazz; he continued to be associated with that company until 1970, served as a film producer, and then returned to jazz and remained active until his death as a producer for Contemporary....