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John Koegel

(b Puerto Príncipe, Cuba, ?Nov 28, 1844; d Havana, ?Dec 31, 1918). Pianist, music teacher, arranger, conductor, composer, and lawyer of Cuban birth, naturalized American. Born into a prominent family in Puerto Príncipe, Cuba (present-day Camagüey), Agramonte strongly supported the movement for independence from Spain. He studied music and the law in Cuba, Spain, and France. After vocal studies with Enrico Delle Sedie (1822–1907) and François Delsarte (1811–71) at the Paris Conservatory, he immigrated to the United States, settling in New York in 1869, where he remained until after Cuban independence in 1898. He became a US citizen in 1886.

In the 1870s and 1880s, Agramonte taught music at the Academy of Mount Saint Vincent in the Bronx. In the 1890s he taught with Dudley Buck and William Mason at the Metropolitan College of Music and ran his own School of Opera and Oratorio at his home, teaching singers such as ...

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Jonas Westover

(b Kitzingen, Bavaria, Germany, Feb 23, 1905; d Brookline, MA, March 10, 1995). Composer, organist, conductor, and writer on music, of German birth. After attending the State Academy of Music in Munich, Germany (1925–9), he worked as a conductor in both Bielefeld and Würzburg in the early 1930s. Because his Jewish background prevented him from holding a state position under the Nazis, he became enmeshed in Jewish musical life in Frankfurt, where he was a member of the Jüdischer Kulturbund and a musician for the West End Synagogue. He immigrated to the United States in 1937 and took up a position as organist for Temple Beth Zion in Buffalo, New York, until 1941. Between 1940 and 1941 he studied with paul Hindemith , and was influenced to adopt modernist techniques in setting Jewish subjects and texts. He moved to Boston, where he worked at Temple Israel from ...

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Carrie Allen Tipton

(b Henry, TN, Sept 18, 1938). American gospel music television and radio host, singer, choir director, and media executive. He began singing publicly in the Methodist church as a child, although his first exposure to gospel music came in sanctified churches. His involvement with gospel music deepened in Nashville when he served as keyboard player, singer, and director for church and civic choirs while studying at Tennessee State University. In 1978 Jones recorded the first of many albums with his small ensemble, the New Life Singers, whose aesthetic leaned more toward contemporary Christian music than black gospel. Around this time he began hosting children’s and gospel music shows on Nashville television stations. In 1980 Black Entertainment Television began broadcasting one of these programs, Bobby Jones Gospel. The popular program has featured performances by Jones’s ensembles, established gospel stars, and up-and-coming gospel artists. Firmly within the gospel entrepreneurial tradition, Jones’s other enterprises include music festivals, workshops, radio shows, the gospel opera ...